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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 85 / 0 / 3 / 45 it is the complementary color CMYK 0 / 51 / 49 / 8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 85 / 0 / 3 / 45. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 85 / 0 / 3 / 45: CMYK 81 / 0 / 6 / 45, CMYK 73 / 0 / 5 / 38, CMYK 66 / 0 / 4 / 31, CMYK 60 / 0 / 3 / 24 and CMYK 56 / 0 / 2 / 17

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 85 / 0 / 3 / 45. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 85 / 0 / 3 / 45: CMYK 85 / 0 / 3 / 45, CMYK 97 / 0 / 4 / 52, CMYK 100 / 0 / 6 / 59, CMYK 100 / 0 / 8 / 66 and CMYK 100 / 0 / 12 / 73

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 0 / 3 / 45

HEX #158C88

RGB 21 140 136

HSL 177.98, 0.74%, 0.32%

LAB 52.61, -30.86, -6.64

 

Complementary color

CMYK 0 / 51 / 49 / 8

HEX #EA7377

RGB 234 115 119

HSL 357.98, 0.74%, 0.68%

LAB 62.58, 46.29, 19.63

 

CMYK 81 / 0 / 6 / 45

HEX #1A8C83

RGB 26 140 131

HSL 175.26, 0.69%, 0.33%

LAB 52.52, -31.93, -3.86

 

CMYK 73 / 0 / 5 / 38

HEX #2B9E96

RGB 43 158 150

HSL 175.83, 0.57%, 0.39%

LAB 59.13, -32.89, -4.96

 

CMYK 66 / 0 / 4 / 31

HEX #3CB0A9

RGB 60 176 169

HSL 176.38, 0.49%, 0.46%

LAB 65.65, -33.52, -5.93

 

CMYK 60 / 0 / 3 / 24

HEX #4DC2BC

RGB 77 194 188

HSL 176.92, 0.49%, 0.53%

LAB 72.09, -33.94, -6.8

 

CMYK 56 / 0 / 2 / 17

HEX #5ED4CF

RGB 94 212 207

HSL 177.46, 0.58%, 0.6%

LAB 78.45, -34.21, -7.59

 

CMYK 85 / 0 / 3 / 45

HEX #158C88

RGB 21 140 136

HSL 177.98, 0.74%, 0.32%

LAB 52.61, -30.86, -6.64

 

CMYK 97 / 0 / 4 / 52

HEX #047A75

RGB 4 122 117

HSL 177.46, 0.94%, 0.25%

LAB 45.95, -29.25, -5.41

 

CMYK 100 / 0 / 6 / 59

HEX #006862

RGB 0 104 98

HSL 176.54, 1%, 0.2%

LAB 39.21, -26.86, -3.94

 

CMYK 100 / 0 / 8 / 66

HEX #00564F

RGB 0 86 79

HSL 175.12, 1%, 0.17%

LAB 32.3, -24.17, -2.33

 

CMYK 100 / 0 / 12 / 73

HEX #00443C

RGB 0 68 60

HSL 172.94, 1%, 0.13%

LAB 25.14, -21.39, -0.61

 

CMYK 85 / 0 / 3 / 45

HEX #158C88

RGB 21 140 136

HSL 177.98, 0.74%, 0.32%

LAB 52.61, -30.86, -6.64

 

CMYK 85 / 10 / 0 / 45

HEX #157F8D

RGB 21 127 141

HSL 187, 0.74%, 0.32%

LAB 48.59, -22.73, -15.61

 

CMYK 85 / 24 / 0 / 45

HEX #156B8D

RGB 21 107 141

HSL 197, 0.74%, 0.32%

LAB 42.15, -11.7, -25.52

 

CMYK 85 / 38 / 0 / 45

HEX #15578D

RGB 21 87 141

HSL 207, 0.74%, 0.32%

LAB 35.79, 0.59, -35.53

 

CMYK 85 / 52 / 0 / 45

HEX #15438D

RGB 21 67 141

HSL 217, 0.74%, 0.32%

LAB 29.66, 14.02, -45.36

 

CMYK 85 / 0 / 3 / 45

HEX #158C88

RGB 21 140 136

HSL 177.98, 0.74%, 0.32%

LAB 52.61, -30.86, -6.64

 

CMYK 85 / 0 / 3 / 25

HEX #1DBFBA

RGB 29 191 186

HSL 178.15, 0.74%, 0.43%

LAB 70.22, -38.96, -8.57

 

CMYK 85 / 0 / 3 / 5

HEX #24F2EB

RGB 36 242 235

HSL 177.96, 0.89%, 0.55%

LAB 86.94, -46.98, -9.93

 

CMYK 84 / 0 / 3 / 85

HEX #062625

RGB 6 38 37

HSL 178.13, 0.73%, 0.09%

LAB 12.98, -11.72, -2.75

 

CMYK 85 / 0 / 3 / 65

HEX #0D5956

RGB 13 89 86

HSL 177.63, 0.75%, 0.2%

LAB 33.78, -22.13, -4.54

 

CMYK 85 / 0 / 3 / 45

HEX #158C88

RGB 21 140 136

HSL 177.98, 0.74%, 0.32%

LAB 52.61, -30.86, -6.64

 

CMYK 72 / 85 / 0 / 45

HEX #27158D

RGB 39 21 141

HSL 249, 0.74%, 0.32%

LAB 19.6, 44.66, -61.81

 

CMYK 0 / 38 / 85 / 45

HEX #8D5715

RGB 141 87 21

HSL 33, 0.74%, 0.32%

LAB 42.05, 17.12, 44.3

 

CMYK 85 / 0 / 3 / 45

HEX #158C88

RGB 21 140 136

HSL 177.98, 0.74%, 0.32%

LAB 52.61, -30.86, -6.64

 

CMYK 4 / 85 / 0 / 45

HEX #87158D

RGB 135 21 141

HSL 297, 0.74%, 0.32%

LAB 33.16, 58.72, -39.12

 

CMYK 0 / 4 / 85 / 45

HEX #8D8715

RGB 141 135 21

HSL 57, 0.74%, 0.32%

LAB 55.12, -10.23, 55.5

 

CMYK 85 / 0 / 3 / 45

HEX #158C88

RGB 21 140 136

HSL 177.98, 0.74%, 0.32%

LAB 52.61, -30.86, -6.64

 

CMYK 72 / 85 / 0 / 45

HEX #27158D

RGB 39 21 141

HSL 249, 0.74%, 0.32%

LAB 19.6, 44.66, -61.81

 

CMYK 0 / 85 / 81 / 45

HEX #8D151B

RGB 141 21 27

HSL 357, 0.74%, 0.32%

LAB 30.1, 48.22, 30.04

 

CMYK 13 / 0 / 85 / 45

HEX #7B8D15

RGB 123 141 21

HSL 69, 0.74%, 0.32%

LAB 55.4, -21.52, 55.15

 

CMYK 85 / 0 / 3 / 45

HEX #158C88

RGB 21 140 136

HSL 177.98, 0.74%, 0.32%

LAB 52.61, -30.86, -6.64

 

CMYK 47 / 85 / 0 / 45

HEX #4B158D

RGB 75 21 141

HSL 267, 0.74%, 0.32%

LAB 23.52, 48.56, -55.2

 

CMYK 0 / 85 / 81 / 45

HEX #8D151B

RGB 141 21 27

HSL 357, 0.74%, 0.32%

LAB 30.1, 48.22, 30.04

 

CMYK 38 / 0 / 85 / 45

HEX #578D15

RGB 87 141 21

HSL 87, 0.74%, 0.32%

LAB 53.09, -36.35, 52.24

 

Description

Color code: CMYK 85 / 0 / 3 / 45 | qconv.com Color code: CMYK 85 / 0 / 3 / 45 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 21 red, 140 green and 136 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
21 140 136 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, none magenta, 3 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 0% 3% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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