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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 84 / 0 / 61 / 25 it is the complementary color CMYK 0 / 71 / 20 / 12. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 84 / 0 / 61 / 25. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 84 / 0 / 61 / 25: CMYK 81 / 0 / 63 / 25, CMYK 75 / 0 / 57 / 18, CMYK 69 / 0 / 52 / 11, CMYK 64 / 0 / 48 / 4 and CMYK 59 / 0 / 43 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 84 / 0 / 61 / 25. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 84 / 0 / 61 / 25: CMYK 84 / 0 / 61 / 25, CMYK 92 / 0 / 68 / 32, CMYK 100 / 0 / 76 / 39, CMYK 100 / 0 / 87 / 46 and CMYK 100 / 0 / 100 / 53

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 84 / 0 / 61 / 25

HEX #1FBF4B

RGB 31 191 75

HSL 136.5, 0.72%, 0.44%

LAB 68.07, -62.66, 46.65

 

Complementary color

CMYK 0 / 71 / 20 / 12

HEX #E040B4

RGB 224 64 180

HSL 316.5, 0.72%, 0.56%

LAB 54.88, 71.72, -27.25

 

CMYK 81 / 0 / 63 / 25

HEX #24BF46

RGB 36 191 70

HSL 133.16, 0.68%, 0.45%

LAB 68.08, -62.73, 48.9

 

CMYK 75 / 0 / 57 / 18

HEX #35D159

RGB 53 209 89

HSL 133.85, 0.63%, 0.51%

LAB 74.24, -64.09, 47.55

 

CMYK 69 / 0 / 52 / 11

HEX #46E36C

RGB 70 227 108

HSL 134.52, 0.74%, 0.58%

LAB 80.36, -64.99, 46.12

 

CMYK 64 / 0 / 48 / 4

HEX #57F57F

RGB 87 245 127

HSL 135.19, 0.89%, 0.65%

LAB 86.44, -65.55, 44.7

 

CMYK 59 / 0 / 43 / 0

HEX #68FF92

RGB 104 255 146

HSL 136.69, 1%, 0.7%

LAB 90.11, -62.94, 40.3

 

CMYK 84 / 0 / 61 / 25

HEX #1FBF4B

RGB 31 191 75

HSL 136.5, 0.72%, 0.44%

LAB 68.07, -62.66, 46.65

 

CMYK 92 / 0 / 68 / 32

HEX #0EAD38

RGB 14 173 56

HSL 135.85, 0.85%, 0.37%

LAB 61.88, -60.56, 47.98

 

CMYK 100 / 0 / 76 / 39

HEX #009B25

RGB 0 155 37

HSL 134.32, 1%, 0.3%

LAB 55.66, -57.67, 48.89

 

CMYK 100 / 0 / 87 / 46

HEX #008912

RGB 0 137 18

HSL 127.88, 1%, 0.27%

LAB 49.42, -53.61, 48.85

 

CMYK 100 / 0 / 100 / 53

HEX #007700

RGB 0 119 0

HSL 120, 1%, 0.23%

LAB 43.05, -49.06, 47.35

 

CMYK 84 / 0 / 61 / 25

HEX #1FBF4B

RGB 31 191 75

HSL 136.5, 0.72%, 0.44%

LAB 68.07, -62.66, 46.65

 

CMYK 84 / 0 / 47 / 25

HEX #1FC065

RGB 31 192 101

HSL 146.09, 0.72%, 0.44%

LAB 68.7, -59.2, 34.91

 

CMYK 84 / 0 / 33 / 25

HEX #1FC080

RGB 31 192 128

HSL 156.15, 0.72%, 0.44%

LAB 69.15, -54.04, 21.42

 

CMYK 84 / 0 / 19 / 25

HEX #1FC09B

RGB 31 192 155

HSL 166.21, 0.72%, 0.44%

LAB 69.72, -47.73, 7.65

 

CMYK 84 / 0 / 5 / 25

HEX #1FC0B6

RGB 31 192 182

HSL 176.27, 0.72%, 0.44%

LAB 70.43, -40.43, -6.07

 

CMYK 84 / 0 / 61 / 25

HEX #1FBF4B

RGB 31 191 75

HSL 136.5, 0.72%, 0.44%

LAB 68.07, -62.66, 46.65

 

CMYK 84 / 0 / 61 / 5

HEX #27F25F

RGB 39 242 95

HSL 136.55, 0.89%, 0.55%

LAB 84.36, -75.39, 56.57

 

CMYK 84 / 0 / 61 / 85

HEX #06260F

RGB 6 38 15

HSL 136.88, 0.73%, 0.09%

LAB 12.35, -18.22, 11.44

 

CMYK 84 / 0 / 61 / 65

HEX #0E5923

RGB 14 89 35

HSL 136.8, 0.73%, 0.2%

LAB 32.61, -34.8, 24.8

 

CMYK 84 / 0 / 61 / 45

HEX #178C37

RGB 23 140 55

HSL 136.41, 0.72%, 0.32%

LAB 50.94, -49.21, 36.16

 

CMYK 84 / 0 / 61 / 25

HEX #1FBF4B

RGB 31 191 75

HSL 136.5, 0.72%, 0.44%

LAB 68.07, -62.66, 46.65

 

CMYK 84 / 39 / 0 / 25

HEX #1F75C0

RGB 31 117 192

HSL 207.95, 0.72%, 0.44%

LAB 48.03, 2.59, -46.18

 

CMYK 0 / 84 / 73 / 25

HEX #C01F34

RGB 192 31 52

HSL 352.17, 0.72%, 0.44%

LAB 41.9, 61.33, 30.96

 

CMYK 84 / 0 / 61 / 25

HEX #1FBF4B

RGB 31 191 75

HSL 136.5, 0.72%, 0.44%

LAB 68.07, -62.66, 46.65

 

CMYK 61 / 84 / 0 / 25

HEX #4A1FC0

RGB 74 31 192

HSL 256.02, 0.72%, 0.44%

LAB 30.01, 58.14, -75.37

 

CMYK 0 / 61 / 84 / 25

HEX #C04A1F

RGB 192 74 31

HSL 16.02, 0.72%, 0.44%

LAB 47.24, 45.34, 47.73

 

CMYK 84 / 0 / 61 / 25

HEX #1FBF4B

RGB 31 191 75

HSL 136.5, 0.72%, 0.44%

LAB 68.07, -62.66, 46.65

 

CMYK 84 / 39 / 0 / 25

HEX #1F75C0

RGB 31 117 192

HSL 207.95, 0.72%, 0.44%

LAB 48.03, 2.59, -46.18

 

CMYK 0 / 84 / 22 / 25

HEX #C01F95

RGB 192 31 149

HSL 316.02, 0.72%, 0.44%

LAB 44.74, 69.5, -25.05

 

CMYK 0 / 45 / 84 / 25

HEX #C06A1F

RGB 192 106 31

HSL 27.95, 0.72%, 0.44%

LAB 53.61, 29.19, 53.33

 

CMYK 84 / 0 / 61 / 25

HEX #1FBF4B

RGB 31 191 75

HSL 136.5, 0.72%, 0.44%

LAB 68.07, -62.66, 46.65

 

CMYK 84 / 64 / 0 / 25

HEX #1F45C0

RGB 31 69 192

HSL 225.84, 0.72%, 0.44%

LAB 34.71, 33.7, -67.73

 

CMYK 0 / 84 / 22 / 25

HEX #C01F95

RGB 192 31 149

HSL 316.02, 0.72%, 0.44%

LAB 44.74, 69.5, -25.05

 

CMYK 0 / 19 / 84 / 25

HEX #C09B1F

RGB 192 155 31

HSL 46.21, 0.72%, 0.44%

LAB 65.55, 2.4, 63.55

 

Description

Color code: CMYK 84 / 0 / 61 / 25 | qconv.com Color code: CMYK 84 / 0 / 61 / 25 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 31 red, 191 green and 75 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
31 191 75 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 84 cyan, none magenta, 61 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
84% 0% 61% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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