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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 83 / 65 / 0 / 11 it is the complementary color CMYK 0 / 19 / 87 / 15. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 83 / 65 / 0 / 11. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 83 / 65 / 0 / 11: CMYK 80 / 64 / 0 / 13, CMYK 75 / 60 / 0 / 5, CMYK 69 / 55 / 0 / 0, CMYK 63 / 48 / 0 / 0 and CMYK 56 / 41 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 83 / 65 / 0 / 11. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 83 / 65 / 0 / 11: CMYK 83 / 65 / 0 / 11, CMYK 89 / 71 / 0 / 18, CMYK 97 / 77 / 0 / 26, CMYK 100 / 85 / 0 / 33 and CMYK 100 / 95 / 0 / 41

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 83 / 65 / 0 / 11

HEX #274FE3

RGB 39 79 227

HSL 227.23, 0.77%, 0.52%

LAB 40.52, 40.8, -78.37

 

Complementary color

CMYK 0 / 19 / 87 / 15

HEX #D8B01C

RGB 216 176 28

HSL 47.23, 0.77%, 0.48%

LAB 73.37, 1.72, 71.73

 

CMYK 80 / 64 / 0 / 13

HEX #2C4FDE

RGB 44 79 222

HSL 228.2, 0.73%, 0.52%

LAB 40.25, 39.37, -75.97

 

CMYK 75 / 60 / 0 / 5

HEX #3D61F1

RGB 61 97 241

HSL 228, 0.87%, 0.59%

LAB 46.83, 36.52, -75.91

 

CMYK 69 / 55 / 0 / 0

HEX #4E73FF

RGB 78 115 255

HSL 227.46, 1%, 0.65%

LAB 53.06, 32.32, -73.53

 

CMYK 63 / 48 / 0 / 0

HEX #5F85FF

RGB 95 133 255

HSL 225.75, 1%, 0.69%

LAB 58.44, 23.89, -64.8

 

CMYK 56 / 41 / 0 / 0

HEX #7097FF

RGB 112 151 255

HSL 223.64, 1%, 0.72%

LAB 64, 16.27, -55.86

 

CMYK 83 / 65 / 0 / 11

HEX #274FE3

RGB 39 79 227

HSL 227.23, 0.77%, 0.52%

LAB 40.52, 40.8, -78.37

 

CMYK 89 / 71 / 0 / 18

HEX #163DD0

RGB 22 61 208

HSL 227.42, 0.81%, 0.45%

LAB 34.11, 44.13, -78.05

 

CMYK 97 / 77 / 0 / 26

HEX #052BBD

RGB 5 43 189

HSL 227.61, 0.95%, 0.38%

LAB 27.94, 47.53, -77.16

 

CMYK 100 / 85 / 0 / 33

HEX #0019AA

RGB 0 25 170

HSL 231.18, 1%, 0.33%

LAB 22.29, 50.38, -75.19

 

CMYK 100 / 95 / 0 / 41

HEX #000797

RGB 0 7 151

HSL 237.22, 1%, 0.3%

LAB 17.4, 51.32, -71.75

 

CMYK 83 / 65 / 0 / 11

HEX #274FE3

RGB 39 79 227

HSL 227.23, 0.77%, 0.52%

LAB 40.52, 40.8, -78.37

 

CMYK 83 / 79 / 0 / 11

HEX #262FE2

RGB 38 47 226

HSL 237.13, 0.76%, 0.52%

LAB 33.85, 58.56, -88.83

 

CMYK 73 / 83 / 0 / 11

HEX #3C26E2

RGB 60 38 226

HSL 247.02, 0.76%, 0.52%

LAB 33.64, 63.72, -89.14

 

CMYK 60 / 83 / 0 / 11

HEX #5B26E2

RGB 91 38 226

HSL 256.91, 0.76%, 0.52%

LAB 36.18, 66.08, -84.86

 

CMYK 46 / 83 / 0 / 11

HEX #7B26E2

RGB 123 38 226

HSL 267.13, 0.76%, 0.52%

LAB 39.73, 69.5, -78.88

 

CMYK 83 / 65 / 0 / 11

HEX #274FE3

RGB 39 79 227

HSL 227.23, 0.77%, 0.52%

LAB 40.52, 40.8, -78.37

 

CMYK 83 / 65 / 0 / 91

HEX #040817

RGB 4 8 23

HSL 227.37, 0.7%, 0.05%

LAB 2.36, 1.77, -8.03

 

CMYK 82 / 65 / 0 / 71

HEX #0D1A4A

RGB 13 26 74

HSL 227.21, 0.7%, 0.17%

LAB 11.41, 14.44, -31.47

 

CMYK 83 / 65 / 0 / 51

HEX #152C7D

RGB 21 44 125

HSL 226.73, 0.71%, 0.29%

LAB 21.73, 23.6, -48.27

 

CMYK 83 / 65 / 0 / 31

HEX #1E3DB0

RGB 30 61 176

HSL 227.26, 0.71%, 0.4%

LAB 31.23, 32.8, -63.99

 

CMYK 83 / 65 / 0 / 11

HEX #274FE3

RGB 39 79 227

HSL 227.23, 0.77%, 0.52%

LAB 40.52, 40.8, -78.37

 

CMYK 1 / 83 / 0 / 11

HEX #DF26E2

RGB 223 38 226

HSL 299.04, 0.76%, 0.52%

LAB 54.62, 84.87, -54.03

 

CMYK 32 / 0 / 83 / 11

HEX #9AE226

RGB 154 226 38

HSL 82.98, 0.76%, 0.52%

LAB 82.59, -47.58, 75.37

 

CMYK 83 / 65 / 0 / 11

HEX #274FE3

RGB 39 79 227

HSL 227.23, 0.77%, 0.52%

LAB 40.52, 40.8, -78.37

 

CMYK 0 / 83 / 65 / 11

HEX #E2264F

RGB 226 38 79

HSL 346.91, 0.76%, 0.52%

LAB 49.64, 70.14, 25.63

 

CMYK 65 / 0 / 83 / 11

HEX #4FE226

RGB 79 226 38

HSL 106.91, 0.76%, 0.52%

LAB 79.72, -69.28, 71.73

 

CMYK 83 / 65 / 0 / 11

HEX #274FE3

RGB 39 79 227

HSL 227.23, 0.77%, 0.52%

LAB 40.52, 40.8, -78.37

 

CMYK 1 / 83 / 0 / 11

HEX #DF26E2

RGB 223 38 226

HSL 299.04, 0.76%, 0.52%

LAB 54.62, 84.87, -54.03

 

CMYK 0 / 18 / 83 / 11

HEX #E2BA26

RGB 226 186 38

HSL 47.23, 0.76%, 0.52%

LAB 76.94, 1.07, 72.59

 

CMYK 82 / 0 / 83 / 11

HEX #29E226

RGB 41 226 38

HSL 119.04, 0.76%, 0.52%

LAB 79.04, -75.16, 70.86

 

CMYK 83 / 65 / 0 / 11

HEX #274FE3

RGB 39 79 227

HSL 227.23, 0.77%, 0.52%

LAB 40.52, 40.8, -78.37

 

CMYK 0 / 83 / 23 / 11

HEX #E226AD

RGB 226 38 173

HSL 316.91, 0.76%, 0.52%

LAB 52.48, 78.28, -26.85

 

CMYK 0 / 18 / 83 / 11

HEX #E2BA26

RGB 226 186 38

HSL 47.23, 0.76%, 0.52%

LAB 76.94, 1.07, 72.59

 

CMYK 83 / 0 / 60 / 11

HEX #26E25B

RGB 38 226 91

HSL 136.91, 0.76%, 0.52%

LAB 79.36, -71.05, 52.57

 

Description

Color code: CMYK 83 / 65 / 0 / 11 | qconv.com Color code: CMYK 83 / 65 / 0 / 11 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 39 red, 79 green and 227 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
39 79 227 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 83 cyan, 65 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
83% 65% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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