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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 82 / 86 / 0 / 71 it is the complementary color CMYK 1 / 0 / 26 / 4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 82 / 86 / 0 / 71. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 82 / 86 / 0 / 71: CMYK 74 / 86 / 0 / 73, CMYK 60 / 68 / 0 / 65, CMYK 51 / 57 / 0 / 58, CMYK 45 / 49 / 0 / 51 and CMYK 41 / 43 / 0 / 43

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 82 / 86 / 0 / 71. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 82 / 86 / 0 / 71: CMYK 82 / 86 / 0 / 71, CMYK 100 / 100 / 0 / 78, CMYK 100 / 100 / 0 / 86, CMYK 100 / 100 / 0 / 93

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 82 / 86 / 0 / 71

HEX #0D0A4A

RGB 13 10 74

HSL 242.81, 0.76%, 0.16%

LAB 7.2, 25.71, -38.38

 

Complementary color

CMYK 1 / 0 / 26 / 4

HEX #F2F5B5

RGB 242 245 181

HSL 62.81, 0.76%, 0.84%

LAB 94.96, -10.93, 30.57

 

CMYK 74 / 86 / 0 / 73

HEX #120A45

RGB 18 10 69

HSL 248.14, 0.75%, 0.15%

LAB 7, 24.34, -35.17

 

CMYK 60 / 68 / 0 / 65

HEX #231C58

RGB 35 28 88

HSL 247, 0.52%, 0.23%

LAB 14.91, 22.45, -35.24

 

CMYK 51 / 57 / 0 / 58

HEX #342E6B

RGB 52 46 107

HSL 245.9, 0.4%, 0.3%

LAB 22.81, 20.64, -34.9

 

CMYK 45 / 49 / 0 / 51

HEX #45407E

RGB 69 64 126

HSL 244.84, 0.33%, 0.37%

LAB 30.49, 19.21, -34.58

 

CMYK 41 / 43 / 0 / 43

HEX #565291

RGB 86 82 145

HSL 243.81, 0.28%, 0.45%

LAB 37.95, 18.07, -34.32

 

CMYK 82 / 86 / 0 / 71

HEX #0D0A4A

RGB 13 10 74

HSL 242.81, 0.76%, 0.16%

LAB 7.2, 25.71, -38.38

 

CMYK 100 / 100 / 0 / 78

HEX #000037

RGB 0 0 55

HSL 240, 1%, 0.11%

LAB 2.49, 17.51, -32.5

 

CMYK 100 / 100 / 0 / 86

HEX #000024

RGB 0 0 36

HSL 240, 1%, 0.07%

LAB 1.15, 8.09, -20.19

 

CMYK 100 / 100 / 0 / 93

HEX #000011

RGB 0 0 17

HSL 240, 1%, 0.03%

LAB 0.37, 2.57, -6.99

 

CMYK 82 / 86 / 0 / 71

HEX #0D0A4A

RGB 13 10 74

HSL 242.81, 0.76%, 0.16%

LAB 7.2, 25.71, -38.38

 

CMYK 69 / 87 / 0 / 72

HEX #160947

RGB 22 9 71

HSL 252.58, 0.78%, 0.16%

LAB 7.41, 26.3, -35.89

 

CMYK 55 / 87 / 0 / 72

HEX #200947

RGB 32 9 71

HSL 262.26, 0.78%, 0.16%

LAB 8.63, 27.86, -33.85

 

CMYK 41 / 87 / 0 / 72

HEX #2A0947

RGB 42 9 71

HSL 271.94, 0.78%, 0.16%

LAB 10.13, 29.66, -31.34

 

CMYK 25 / 87 / 0 / 72

HEX #350947

RGB 53 9 71

HSL 282.58, 0.78%, 0.16%

LAB 12.01, 31.91, -28.2

 

CMYK 82 / 86 / 0 / 71

HEX #0D0A4A

RGB 13 10 74

HSL 242.81, 0.76%, 0.16%

LAB 7.2, 25.71, -38.38

 

CMYK 82 / 86 / 0 / 51

HEX #16117D

RGB 22 17 125

HSL 242.78, 0.76%, 0.28%

LAB 15.76, 40.34, -58.12

 

CMYK 82 / 86 / 0 / 31

HEX #1F18B0

RGB 31 24 176

HSL 242.76, 0.76%, 0.39%

LAB 23.93, 53.46, -76.05

 

CMYK 82 / 86 / 0 / 11

HEX #281FE3

RGB 40 31 227

HSL 242.76, 0.78%, 0.51%

LAB 31.75, 65.74, -92.88

 

CMYK 83 / 87 / 0 / 91

HEX #040317

RGB 4 3 23

HSL 243, 0.77%, 0.05%

LAB 1.38, 3.77, -9.46

 

CMYK 82 / 86 / 0 / 71

HEX #0D0A4A

RGB 13 10 74

HSL 242.81, 0.76%, 0.16%

LAB 7.2, 25.71, -38.38

 

CMYK 0 / 87 / 20 / 72

HEX #470939

RGB 71 9 57

HSL 313.55, 0.78%, 0.16%

LAB 14.57, 33.54, -14.02

 

CMYK 55 / 0 / 87 / 72

HEX #204709

RGB 32 71 9

HSL 97.74, 0.78%, 0.16%

LAB 26.25, -25.92, 30.44

 

CMYK 82 / 86 / 0 / 71

HEX #0D0A4A

RGB 13 10 74

HSL 242.81, 0.76%, 0.16%

LAB 7.2, 25.71, -38.38

 

CMYK 0 / 85 / 87 / 72

HEX #470B09

RGB 71 11 9

HSL 1.94, 0.78%, 0.16%

LAB 13.22, 27.87, 16.77

 

CMYK 87 / 0 / 85 / 72

HEX #09470B

RGB 9 71 11

HSL 121.94, 0.78%, 0.16%

LAB 25.53, -31.78, 28.7

 

CMYK 82 / 86 / 0 / 71

HEX #0D0A4A

RGB 13 10 74

HSL 242.81, 0.76%, 0.16%

LAB 7.2, 25.71, -38.38

 

CMYK 0 / 87 / 20 / 72

HEX #470939

RGB 71 9 57

HSL 313.55, 0.78%, 0.16%

LAB 14.57, 33.54, -14.02

 

CMYK 3 / 0 / 87 / 72

HEX #454709

RGB 69 71 9

HSL 61.94, 0.78%, 0.16%

LAB 28.88, -9.19, 33.81

 

CMYK 87 / 0 / 66 / 72

HEX #094718

RGB 9 71 24

HSL 134.52, 0.78%, 0.16%

LAB 25.66, -30.24, 22.58

 

CMYK 82 / 86 / 0 / 71

HEX #0D0A4A

RGB 13 10 74

HSL 242.81, 0.76%, 0.16%

LAB 7.2, 25.71, -38.38

 

CMYK 0 / 87 / 46 / 72

HEX #470926

RGB 71 9 38

HSL 331.94, 0.78%, 0.16%

LAB 13.68, 30.89, -1.57

 

CMYK 3 / 0 / 87 / 72

HEX #454709

RGB 69 71 9

HSL 61.94, 0.78%, 0.16%

LAB 28.88, -9.19, 33.81

 

CMYK 87 / 0 / 41 / 72

HEX #09472A

RGB 9 71 42

HSL 151.94, 0.78%, 0.16%

LAB 25.96, -26.72, 12.22

 

Description

Color code: CMYK 82 / 86 / 0 / 71 | qconv.com Color code: CMYK 82 / 86 / 0 / 71 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 13 red, 10 green and 74 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
13 10 74 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 82 cyan, 86 magenta, none yellow and 71 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
82% 86% 0% 71% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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