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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 82 / 0 / 2 / 4 it is the complementary color CMYK 0 / 95 / 93 / 17. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 82 / 0 / 2 / 4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 82 / 0 / 2 / 4: CMYK 80 / 0 / 4 / 4, CMYK 74 / 0 / 0 / 0, CMYK 67 / 0 / 0 / 0, CMYK 61 / 0 / 0 / 0 and CMYK 54 / 0 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 82 / 0 / 2 / 4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 82 / 0 / 2 / 4: CMYK 82 / 0 / 2 / 4, CMYK 88 / 0 / 3 / 11, CMYK 95 / 0 / 3 / 18, CMYK 100 / 0 / 4 / 25 and CMYK 100 / 0 / 5 / 32

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 82 / 0 / 2 / 4

HEX #2CF5F0

RGB 44 245 240

HSL 178.51, 0.91%, 0.57%

LAB 88.03, -46.35, -10.91

 

Complementary color

CMYK 0 / 95 / 93 / 17

HEX #D30A0F

RGB 211 10 15

HSL 358.51, 0.91%, 0.43%

LAB 44.38, 68.68, 53.65

 

CMYK 80 / 0 / 4 / 4

HEX #31F5EB

RGB 49 245 235

HSL 176.94, 0.91%, 0.58%

LAB 87.95, -47.36, -8.41

 

CMYK 74 / 0 / 0 / 0

HEX #42FFFE

RGB 66 255 254

HSL 179.68, 1%, 0.63%

LAB 91.61, -44.93, -12.83

 

CMYK 67 / 0 / 0 / 0

HEX #53FFFF

RGB 83 255 255

HSL 180, 1%, 0.66%

LAB 91.94, -42.7, -12.81

 

CMYK 61 / 0 / 0 / 0

HEX #64FFFF

RGB 100 255 255

HSL 180, 1%, 0.7%

LAB 92.33, -40.27, -12.2

 

CMYK 54 / 0 / 0 / 0

HEX #75FFFF

RGB 117 255 255

HSL 180, 1%, 0.73%

LAB 92.8, -37.35, -11.44

 

CMYK 82 / 0 / 2 / 4

HEX #2CF5F0

RGB 44 245 240

HSL 178.51, 0.91%, 0.57%

LAB 88.03, -46.35, -10.91

 

CMYK 88 / 0 / 3 / 11

HEX #1BE3DD

RGB 27 227 221

HSL 178.2, 0.79%, 0.5%

LAB 82.05, -44.93, -9.83

 

CMYK 95 / 0 / 3 / 18

HEX #0AD1CA

RGB 10 209 202

HSL 177.89, 0.91%, 0.43%

LAB 76.03, -43.17, -8.65

 

CMYK 100 / 0 / 4 / 25

HEX #00BFB7

RGB 0 191 183

HSL 177.49, 1%, 0.37%

LAB 69.95, -41.08, -7.35

 

CMYK 100 / 0 / 5 / 32

HEX #00ADA4

RGB 0 173 164

HSL 176.88, 1%, 0.34%

LAB 63.81, -38.67, -5.96

 

CMYK 82 / 0 / 2 / 4

HEX #2CF5F0

RGB 44 245 240

HSL 178.51, 0.91%, 0.57%

LAB 88.03, -46.35, -10.91

 

CMYK 82 / 11 / 0 / 4

HEX #2DDAF5

RGB 45 218 245

HSL 188.1, 0.91%, 0.57%

LAB 80.34, -32.53, -25.13

 

CMYK 82 / 24 / 0 / 4

HEX #2DB9F5

RGB 45 185 245

HSL 198, 0.91%, 0.57%

LAB 70.77, -15.91, -39.91

 

CMYK 82 / 38 / 0 / 4

HEX #2D98F5

RGB 45 152 245

HSL 207.9, 0.91%, 0.57%

LAB 61.31, 2.55, -54.8

 

CMYK 82 / 52 / 0 / 4

HEX #2D76F5

RGB 45 118 245

HSL 218.1, 0.91%, 0.57%

LAB 51.96, 23.29, -69.83

 

CMYK 82 / 0 / 2 / 4

HEX #2CF5F0

RGB 44 245 240

HSL 178.51, 0.91%, 0.57%

LAB 88.03, -46.35, -10.91

 

CMYK 83 / 0 / 2 / 84

HEX #072928

RGB 7 41 40

HSL 178.24, 0.71%, 0.09%

LAB 14.31, -12.21, -2.91

 

CMYK 82 / 0 / 2 / 64

HEX #115C5A

RGB 17 92 90

HSL 178.4, 0.69%, 0.21%

LAB 35.03, -21.93, -5.18

 

CMYK 82 / 0 / 2 / 44

HEX #1A8F8C

RGB 26 143 140

HSL 178.46, 0.69%, 0.33%

LAB 53.77, -30.64, -7.22

 

CMYK 82 / 0 / 2 / 24

HEX #23C2BE

RGB 35 194 190

HSL 178.49, 0.69%, 0.45%

LAB 71.32, -38.71, -9.12

 

CMYK 82 / 0 / 2 / 4

HEX #2CF5F0

RGB 44 245 240

HSL 178.51, 0.91%, 0.57%

LAB 88.03, -46.35, -10.91

 

CMYK 68 / 82 / 0 / 4

HEX #4E2DF5

RGB 78 45 245

HSL 249.9, 0.91%, 0.57%

LAB 38, 67.39, -92.66

 

CMYK 0 / 36 / 82 / 4

HEX #F59E2D

RGB 245 158 45

HSL 33.9, 0.91%, 0.57%

LAB 72.27, 24.13, 67.27

 

CMYK 82 / 0 / 2 / 4

HEX #2CF5F0

RGB 44 245 240

HSL 178.51, 0.91%, 0.57%

LAB 88.03, -46.35, -10.91

 

CMYK 3 / 82 / 0 / 4

HEX #EE2DF5

RGB 238 45 245

HSL 297.9, 0.91%, 0.57%

LAB 58.65, 88.96, -58.13

 

CMYK 0 / 3 / 82 / 4

HEX #F5EE2D

RGB 245 238 45

HSL 57.9, 0.91%, 0.57%

LAB 92.02, -16.88, 84.23

 

CMYK 82 / 0 / 2 / 4

HEX #2CF5F0

RGB 44 245 240

HSL 178.51, 0.91%, 0.57%

LAB 88.03, -46.35, -10.91

 

CMYK 68 / 82 / 0 / 4

HEX #4E2DF5

RGB 78 45 245

HSL 249.9, 0.91%, 0.57%

LAB 38, 67.39, -92.66

 

CMYK 0 / 82 / 79 / 4

HEX #F52D34

RGB 245 45 52

HSL 357.9, 0.91%, 0.57%

LAB 53.53, 72.52, 46.68

 

CMYK 14 / 0 / 82 / 4

HEX #D3F52D

RGB 211 245 45

HSL 70.2, 0.91%, 0.57%

LAB 91.39, -33.99, 82.7

 

CMYK 82 / 0 / 2 / 4

HEX #2CF5F0

RGB 44 245 240

HSL 178.51, 0.91%, 0.57%

LAB 88.03, -46.35, -10.91

 

CMYK 44 / 82 / 0 / 4

HEX #8A2DF5

RGB 138 45 245

HSL 267.9, 0.91%, 0.57%

LAB 44.05, 73.47, -82.47

 

CMYK 0 / 82 / 79 / 4

HEX #F52D34

RGB 245 45 52

HSL 357.9, 0.91%, 0.57%

LAB 53.53, 72.52, 46.68

 

CMYK 38 / 0 / 82 / 4

HEX #98F52D

RGB 152 245 45

HSL 87.9, 0.91%, 0.57%

LAB 88.05, -55.72, 78.49

 

Description

Color code: CMYK 82 / 0 / 2 / 4 | qconv.com Color code: CMYK 82 / 0 / 2 / 4 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 44 red, 245 green and 240 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
44 245 240 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 82 cyan, none magenta, 2 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
82% 0% 2% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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