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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 81 / 83 / 0 / 19 it is the complementary color CMYK 2 / 0 / 78 / 14. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 81 / 83 / 0 / 19. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 81 / 83 / 0 / 19: CMYK 78 / 83 / 0 / 21, CMYK 72 / 76 / 0 / 13, CMYK 68 / 70 / 0 / 6, CMYK 63 / 65 / 0 / 0 and CMYK 56 / 58 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 81 / 83 / 0 / 19. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 81 / 83 / 0 / 19: CMYK 81 / 83 / 0 / 19, CMYK 88 / 91 / 0 / 26, CMYK 97 / 100 / 0 / 34, CMYK 100 / 100 / 0 / 41 and CMYK 100 / 100 / 0 / 49

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 81 / 83 / 0 / 19

HEX #2723CF

RGB 39 35 207

HSL 241.4, 0.71%, 0.47%

LAB 29.76, 58.38, -84.66

 

Complementary color

CMYK 2 / 0 / 78 / 14

HEX #D8DC30

RGB 216 220 48

HSL 61.4, 0.71%, 0.53%

LAB 85, -20.07, 76.5

 

CMYK 78 / 83 / 0 / 21

HEX #2C23CA

RGB 44 35 202

HSL 243.23, 0.7%, 0.46%

LAB 29.42, 57.15, -82.3

 

CMYK 72 / 76 / 0 / 13

HEX #3D35DD

RGB 61 53 221

HSL 242.86, 0.71%, 0.54%

LAB 35.52, 55.45, -83.17

 

CMYK 68 / 70 / 0 / 6

HEX #4E47F0

RGB 78 71 240

HSL 242.49, 0.85%, 0.61%

LAB 41.87, 53.41, -83.45

 

CMYK 63 / 65 / 0 / 0

HEX #5F59FF

RGB 95 89 255

HSL 242.17, 1%, 0.67%

LAB 48, 50.11, -81.73

 

CMYK 56 / 58 / 0 / 0

HEX #706BFF

RGB 112 107 255

HSL 242.03, 1%, 0.71%

LAB 53.15, 42.35, -73.3

 

CMYK 81 / 83 / 0 / 19

HEX #2723CF

RGB 39 35 207

HSL 241.4, 0.71%, 0.47%

LAB 29.76, 58.38, -84.66

 

CMYK 88 / 91 / 0 / 26

HEX #1611BC

RGB 22 17 188

HSL 241.75, 0.83%, 0.4%

LAB 24.33, 59.09, -82.56

 

CMYK 97 / 100 / 0 / 34

HEX #0500A9

RGB 5 0 169

HSL 241.78, 1%, 0.33%

LAB 19.63, 58.24, -79.03

 

CMYK 100 / 100 / 0 / 41

HEX #000096

RGB 0 0 150

HSL 240, 1%, 0.29%

LAB 16.51, 53.31, -72.61

 

CMYK 100 / 100 / 0 / 49

HEX #000083

RGB 0 0 131

HSL 240, 1%, 0.26%

LAB 13.46, 48.31, -65.8

 

CMYK 81 / 83 / 0 / 19

HEX #2723CF

RGB 39 35 207

HSL 241.4, 0.71%, 0.47%

LAB 29.76, 58.38, -84.66

 

CMYK 68 / 83 / 0 / 20

HEX #4122CC

RGB 65 34 204

HSL 250.94, 0.71%, 0.47%

LAB 30.94, 59.5, -80.9

 

CMYK 54 / 83 / 0 / 20

HEX #5E22CC

RGB 94 34 204

HSL 261.18, 0.71%, 0.47%

LAB 33.74, 62.19, -76.18

 

CMYK 40 / 83 / 0 / 20

HEX #7A22CC

RGB 122 34 204

HSL 271.06, 0.71%, 0.47%

LAB 37.19, 65.61, -70.38

 

CMYK 26 / 83 / 0 / 20

HEX #9722CC

RGB 151 34 204

HSL 281.29, 0.71%, 0.47%

LAB 41.35, 69.86, -63.42

 

CMYK 81 / 83 / 0 / 19

HEX #2723CF

RGB 39 35 207

HSL 241.4, 0.71%, 0.47%

LAB 29.76, 58.38, -84.66

 

CMYK 67 / 67 / 0 / 99

HEX #010103

RGB 1 1 3

HSL 240, 0.5%, 0.01%

LAB 0.31, 0.28, -0.76

 

CMYK 81 / 83 / 0 / 79

HEX #0A0936

RGB 10 9 54

HSL 241.33, 0.71%, 0.12%

LAB 4.75, 15.88, -28.08

 

CMYK 81 / 83 / 0 / 59

HEX #141269

RGB 20 18 105

HSL 241.38, 0.71%, 0.24%

LAB 13.24, 32.94, -49.35

 

CMYK 81 / 83 / 0 / 39

HEX #1D1A9C

RGB 29 26 156

HSL 241.38, 0.71%, 0.36%

LAB 21.58, 46.36, -67.83

 

CMYK 81 / 83 / 0 / 19

HEX #2723CF

RGB 39 35 207

HSL 241.4, 0.71%, 0.47%

LAB 29.76, 58.38, -84.66

 

CMYK 0 / 83 / 18 / 20

HEX #CC22A8

RGB 204 34 168

HSL 312.71, 0.71%, 0.47%

LAB 48.02, 73.85, -31.14

 

CMYK 51 / 0 / 83 / 20

HEX #63CC22

RGB 99 204 34

HSL 97.06, 0.71%, 0.47%

LAB 73.52, -57.05, 67.35

 

CMYK 81 / 83 / 0 / 19

HEX #2723CF

RGB 39 35 207

HSL 241.4, 0.71%, 0.47%

LAB 29.76, 58.38, -84.66

 

CMYK 0 / 82 / 83 / 20

HEX #CC2522

RGB 204 37 34

HSL 1.06, 0.71%, 0.47%

LAB 44.63, 62.64, 44.76

 

CMYK 83 / 0 / 82 / 20

HEX #22CC25

RGB 34 204 37

HSL 121.06, 0.71%, 0.47%

LAB 72, -69.61, 64.65

 

CMYK 81 / 83 / 0 / 19

HEX #2723CF

RGB 39 35 207

HSL 241.4, 0.71%, 0.47%

LAB 29.76, 58.38, -84.66

 

CMYK 0 / 83 / 18 / 20

HEX #CC22A8

RGB 204 34 168

HSL 312.71, 0.71%, 0.47%

LAB 48.02, 73.85, -31.14

 

CMYK 1 / 0 / 83 / 20

HEX #CACC22

RGB 202 204 34

HSL 60.71, 0.71%, 0.47%

LAB 79.53, -18.54, 74.91

 

CMYK 83 / 0 / 65 / 20

HEX #22CC47

RGB 34 204 71

HSL 133.06, 0.71%, 0.47%

LAB 72.22, -66.91, 53.07

 

CMYK 81 / 83 / 0 / 19

HEX #2723CF

RGB 39 35 207

HSL 241.4, 0.71%, 0.47%

LAB 29.76, 58.38, -84.66

 

CMYK 0 / 83 / 43 / 20

HEX #CC2275

RGB 204 34 117

HSL 330.71, 0.71%, 0.47%

LAB 46, 68.16, -3.41

 

CMYK 1 / 0 / 83 / 20

HEX #CACC22

RGB 202 204 34

HSL 60.71, 0.71%, 0.47%

LAB 79.53, -18.54, 74.91

 

CMYK 83 / 0 / 40 / 20

HEX #22CC7A

RGB 34 204 122

HSL 151.06, 0.71%, 0.47%

LAB 72.85, -59.36, 29.54

 

Description

Color code: CMYK 81 / 83 / 0 / 19 | qconv.com Color code: CMYK 81 / 83 / 0 / 19 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 39 red, 35 green and 207 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
39 35 207 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 81 cyan, 83 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
81% 83% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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