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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 80 / 0 / 72 / 1 it is the complementary color CMYK 0 / 99 / 10 / 20. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 80 / 0 / 72 / 1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 80 / 0 / 72 / 1: CMYK 78 / 0 / 74 / 1, CMYK 72 / 0 / 67 / 0, CMYK 65 / 0 / 59 / 0, CMYK 58 / 0 / 52 / 0 and CMYK 52 / 0 / 44 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 80 / 0 / 72 / 1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 80 / 0 / 72 / 1: CMYK 80 / 0 / 72 / 1, CMYK 86 / 0 / 78 / 8, CMYK 93 / 0 / 85 / 15, CMYK 100 / 0 / 93 / 22 and CMYK 100 / 0 / 100 / 29

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 0 / 72 / 1

HEX #32FC47

RGB 50 252 71

HSL 126.24, 0.97%, 0.59%

LAB 87.37, -79.59, 69.16

 

Complementary color

CMYK 0 / 99 / 10 / 20

HEX #CD03B8

RGB 205 3 184

HSL 306.24, 0.97%, 0.41%

LAB 47.63, 80.18, -41.17

 

CMYK 78 / 0 / 74 / 1

HEX #37FC42

RGB 55 252 66

HSL 123.35, 0.97%, 0.6%

LAB 87.4, -79.4, 70.89

 

CMYK 72 / 0 / 67 / 0

HEX #48FF55

RGB 72 255 85

HSL 124.26, 1%, 0.64%

LAB 88.71, -76.42, 65.57

 

CMYK 65 / 0 / 59 / 0

HEX #59FF68

RGB 89 255 104

HSL 125.42, 1%, 0.67%

LAB 89.23, -71.58, 58.51

 

CMYK 58 / 0 / 52 / 0

HEX #6AFF7B

RGB 106 255 123

HSL 126.85, 1%, 0.71%

LAB 89.87, -65.82, 50.92

 

CMYK 52 / 0 / 44 / 0

HEX #7BFF8E

RGB 123 255 142

HSL 128.64, 1%, 0.74%

LAB 90.64, -59.23, 43.03

 

CMYK 80 / 0 / 72 / 1

HEX #32FC47

RGB 50 252 71

HSL 126.24, 0.97%, 0.59%

LAB 87.37, -79.59, 69.16

 

CMYK 86 / 0 / 78 / 8

HEX #21EA34

RGB 33 234 52

HSL 125.67, 0.83%, 0.52%

LAB 81.52, -77.4, 69.4

 

CMYK 93 / 0 / 85 / 15

HEX #10D821

RGB 16 216 33

HSL 125.1, 0.86%, 0.45%

LAB 75.66, -74.53, 68.89

 

CMYK 100 / 0 / 93 / 22

HEX #00C60E

RGB 0 198 14

HSL 124.24, 1%, 0.39%

LAB 69.77, -70.94, 67.19

 

CMYK 100 / 0 / 100 / 29

HEX #00B400

RGB 0 180 0

HSL 120, 1%, 0.35%

LAB 63.87, -66.36, 64.04

 

CMYK 80 / 0 / 72 / 1

HEX #32FC47

RGB 50 252 71

HSL 126.24, 0.97%, 0.59%

LAB 87.37, -79.59, 69.16

 

CMYK 80 / 0 / 59 / 2

HEX #31FB67

RGB 49 251 103

HSL 136.04, 0.96%, 0.59%

LAB 87.3, -76.25, 56.55

 

CMYK 80 / 0 / 46 / 2

HEX #31FB88

RGB 49 251 136

HSL 145.84, 0.96%, 0.59%

LAB 87.69, -71.6, 41.83

 

CMYK 80 / 0 / 32 / 2

HEX #31FBAA

RGB 49 251 170

HSL 155.94, 0.96%, 0.59%

LAB 88.23, -65.38, 25.65

 

CMYK 80 / 0 / 19 / 2

HEX #31FBCC

RGB 49 251 204

HSL 166.04, 0.96%, 0.59%

LAB 88.93, -57.83, 9.16

 

CMYK 80 / 0 / 72 / 1

HEX #32FC47

RGB 50 252 71

HSL 126.24, 0.97%, 0.59%

LAB 87.37, -79.59, 69.16

 

CMYK 79 / 0 / 71 / 81

HEX #0A300E

RGB 10 48 14

HSL 126.32, 0.66%, 0.11%

LAB 16.55, -21.94, 17.45

 

CMYK 80 / 0 / 72 / 61

HEX #14631C

RGB 20 99 28

HSL 126.08, 0.66%, 0.23%

LAB 36.28, -38.51, 32.52

 

CMYK 80 / 0 / 72 / 41

HEX #1E962A

RGB 30 150 42

HSL 126, 0.67%, 0.35%

LAB 54.3, -53.15, 45.69

 

CMYK 80 / 0 / 72 / 21

HEX #28C939

RGB 40 201 57

HSL 126.34, 0.67%, 0.47%

LAB 71.23, -66.68, 57.55

 

CMYK 80 / 0 / 72 / 1

HEX #32FC47

RGB 50 252 71

HSL 126.24, 0.97%, 0.59%

LAB 87.37, -79.59, 69.16

 

CMYK 80 / 24 / 0 / 2

HEX #31BFFB

RGB 49 191 251

HSL 197.82, 0.96%, 0.59%

LAB 72.81, -16.71, -39.95

 

CMYK 0 / 80 / 57 / 2

HEX #FB316D

RGB 251 49 109

HSL 342.18, 0.96%, 0.59%

LAB 55.9, 75.84, 16.77

 

CMYK 80 / 0 / 72 / 1

HEX #32FC47

RGB 50 252 71

HSL 126.24, 0.97%, 0.59%

LAB 87.37, -79.59, 69.16

 

CMYK 73 / 80 / 0 / 2

HEX #4531FB

RGB 69 49 251

HSL 245.94, 0.96%, 0.59%

LAB 38.6, 66.77, -95.06

 

CMYK 0 / 73 / 80 / 2

HEX #FB4531

RGB 251 69 49

HSL 5.94, 0.96%, 0.59%

LAB 57.06, 67.32, 52.08

 

CMYK 80 / 0 / 72 / 1

HEX #32FC47

RGB 50 252 71

HSL 126.24, 0.97%, 0.59%

LAB 87.37, -79.59, 69.16

 

CMYK 80 / 24 / 0 / 2

HEX #31BFFB

RGB 49 191 251

HSL 197.82, 0.96%, 0.59%

LAB 72.81, -16.71, -39.95

 

CMYK 0 / 80 / 8 / 2

HEX #FB31E7

RGB 251 49 231

HSL 305.94, 0.96%, 0.59%

LAB 60.32, 88.48, -47.51

 

CMYK 0 / 57 / 80 / 2

HEX #FB6D31

RGB 251 109 49

HSL 17.82, 0.96%, 0.59%

LAB 63.07, 51.2, 57.74

 

CMYK 80 / 0 / 72 / 1

HEX #32FC47

RGB 50 252 71

HSL 126.24, 0.97%, 0.59%

LAB 87.37, -79.59, 69.16

 

CMYK 80 / 48 / 0 / 2

HEX #3182FB

RGB 49 130 251

HSL 215.94, 0.96%, 0.59%

LAB 55.67, 18.39, -67.15

 

CMYK 0 / 80 / 8 / 2

HEX #FB31E7

RGB 251 49 231

HSL 305.94, 0.96%, 0.59%

LAB 60.32, 88.48, -47.51

 

CMYK 0 / 32 / 80 / 2

HEX #FBAA31

RGB 251 170 49

HSL 35.94, 0.96%, 0.59%

LAB 75.75, 20.46, 69.26

 

Description

Color code: CMYK 80 / 0 / 72 / 1 | qconv.com Color code: CMYK 80 / 0 / 72 / 1 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 50 red, 252 green and 71 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
50 252 71 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, none magenta, 72 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 0% 72% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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