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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 7 / 75 / 55 / 4 it is the complementary color CMYK 86 / 0 / 25 / 24. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 7 / 75 / 55 / 4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 7 / 75 / 55 / 4: CMYK 0 / 74 / 55 / 9, CMYK 0 / 68 / 50 / 2, CMYK 0 / 62 / 44 / 0, CMYK 0 / 55 / 36 / 0 and CMYK 0 / 48 / 29 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 7 / 75 / 55 / 4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 7 / 75 / 55 / 4: CMYK 0 / 73 / 52 / 11, CMYK 0 / 80 / 57 / 17, CMYK 0 / 87 / 63 / 24, CMYK 0 / 96 / 70 / 31 and CMYK 0 / 100 / 79 / 37

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 75 / 55 / 4

HEX #E43D6E

RGB 228 61 110

HSL 342.4, 0.76%, 0.57%

LAB 52.9, 66.36, 11.37

 

Complementary color

CMYK 86 / 0 / 25 / 24

HEX #1BC291

RGB 27 194 145

HSL 162.4, 0.76%, 0.43%

LAB 70.08, -51.29, 13.57

 

CMYK 0 / 74 / 55 / 9

HEX #E93D69

RGB 233 61 105

HSL 344.65, 0.8%, 0.58%

LAB 53.69, 67.39, 15.6

 

CMYK 0 / 68 / 50 / 2

HEX #FA4F7C

RGB 250 79 124

HSL 344.21, 0.94%, 0.65%

LAB 59.32, 67.52, 12.61

 

CMYK 0 / 62 / 44 / 0

HEX #FF618F

RGB 255 97 143

HSL 342.53, 1%, 0.69%

LAB 63.17, 63.64, 7.14

 

CMYK 0 / 55 / 36 / 0

HEX #FF73A2

RGB 255 115 162

HSL 339.86, 1%, 0.73%

LAB 66.62, 57.72, 1.25

 

CMYK 0 / 48 / 29 / 0

HEX #FF85B5

RGB 255 133 181

HSL 336.39, 1%, 0.76%

LAB 70.44, 51.45, -3.87

 

CMYK 0 / 73 / 52 / 11

HEX #E43D6E

RGB 228 61 110

HSL 342.4, 0.76%, 0.57%

LAB 52.9, 66.36, 11.37

 

CMYK 0 / 80 / 57 / 17

HEX #D32B5B

RGB 211 43 91

HSL 342.86, 0.66%, 0.5%

LAB 47.41, 65.67, 14.81

 

CMYK 0 / 87 / 63 / 24

HEX #C21948

RGB 194 25 72

HSL 343.31, 0.77%, 0.43%

LAB 42.2, 64.12, 19.04

 

CMYK 0 / 96 / 70 / 31

HEX #B10735

RGB 177 7 53

HSL 343.76, 0.92%, 0.36%

LAB 37.4, 61.41, 24.19

 

CMYK 0 / 100 / 79 / 37

HEX #A00022

RGB 160 0 34

HSL 347.25, 1%, 0.31%

LAB 33.11, 57.22, 30.21

 

CMYK 0 / 73 / 52 / 11

HEX #E43D6E

RGB 228 61 110

HSL 342.4, 0.76%, 0.57%

LAB 52.9, 66.36, 11.37

 

CMYK 0 / 73 / 63 / 11

HEX #E43E54

RGB 228 62 84

HSL 352.05, 0.75%, 0.57%

LAB 52.49, 64.27, 26.37

 

CMYK 0 / 71 / 73 / 11

HEX #E4433E

RGB 228 67 62

HSL 1.81, 0.75%, 0.57%

LAB 52.79, 61.43, 39.47

 

CMYK 0 / 58 / 73 / 11

HEX #E45F3E

RGB 228 95 62

HSL 11.93, 0.75%, 0.57%

LAB 57.1, 49.85, 44.27

 

CMYK 0 / 46 / 73 / 11

HEX #E47B3E

RGB 228 123 62

HSL 22.05, 0.75%, 0.57%

LAB 62.51, 36.11, 50.1

 

CMYK 0 / 73 / 52 / 11

HEX #E43D6E

RGB 228 61 110

HSL 342.4, 0.76%, 0.57%

LAB 52.9, 66.36, 11.37

 

CMYK 0 / 75 / 50 / 91

HEX #18060C

RGB 24 6 12

HSL 340, 0.6%, 0.06%

LAB 3.17, 7.15, -0.09

 

CMYK 0 / 73 / 52 / 71

HEX #4B1424

RGB 75 20 36

HSL 342.55, 0.58%, 0.19%

LAB 16.12, 27.41, 3.54

 

CMYK 0 / 73 / 52 / 51

HEX #7E223D

RGB 126 34 61

HSL 342.39, 0.58%, 0.31%

LAB 29.2, 41.36, 6.18

 

CMYK 0 / 73 / 52 / 31

HEX #B12F55

RGB 177 47 85

HSL 342.46, 0.58%, 0.44%

LAB 41.27, 54.38, 9.05

 

CMYK 0 / 73 / 52 / 11

HEX #E43D6E

RGB 228 61 110

HSL 342.4, 0.76%, 0.57%

LAB 52.9, 66.36, 11.37

 

CMYK 0 / 7 / 73 / 11

HEX #E4D43E

RGB 228 212 62

HSL 54.22, 0.75%, 0.57%

LAB 83.93, -10.55, 71.53

 

CMYK 73 / 22 / 0 / 11

HEX #3EB2E4

RGB 62 178 228

HSL 198.07, 0.75%, 0.57%

LAB 68.36, -16.12, -34.37

 

CMYK 0 / 73 / 52 / 11

HEX #E43D6E

RGB 228 61 110

HSL 342.4, 0.76%, 0.57%

LAB 52.9, 66.36, 11.37

 

CMYK 51 / 0 / 73 / 11

HEX #70E43E

RGB 112 228 62

HSL 101.93, 0.75%, 0.57%

LAB 81.44, -60.63, 66.73

 

CMYK 73 / 51 / 0 / 11

HEX #3E70E4

RGB 62 112 228

HSL 221.93, 0.75%, 0.57%

LAB 49.75, 22.56, -63.86

 

CMYK 0 / 73 / 52 / 11

HEX #E43D6E

RGB 228 61 110

HSL 342.4, 0.76%, 0.57%

LAB 52.9, 66.36, 11.37

 

CMYK 0 / 7 / 73 / 11

HEX #E4D43E

RGB 228 212 62

HSL 54.22, 0.75%, 0.57%

LAB 83.93, -10.55, 71.53

 

CMYK 73 / 0 / 22 / 11

HEX #3EE4B2

RGB 62 228 178

HSL 161.93, 0.75%, 0.57%

LAB 81.69, -53.49, 12.44

 

CMYK 73 / 66 / 0 / 11

HEX #3E4EE4

RGB 62 78 228

HSL 234.22, 0.75%, 0.57%

LAB 41.33, 43.75, -77.58

 

CMYK 0 / 73 / 52 / 11

HEX #E43D6E

RGB 228 61 110

HSL 342.4, 0.76%, 0.57%

LAB 52.9, 66.36, 11.37

 

CMYK 14 / 0 / 73 / 11

HEX #C3E43E

RGB 195 228 62

HSL 71.93, 0.75%, 0.57%

LAB 85.72, -31.85, 72.37

 

CMYK 73 / 0 / 22 / 11

HEX #3EE4B2

RGB 62 228 178

HSL 161.93, 0.75%, 0.57%

LAB 81.69, -53.49, 12.44

 

CMYK 58 / 73 / 0 / 11

HEX #5F3EE4

RGB 95 62 228

HSL 251.93, 0.75%, 0.57%

LAB 40.38, 56.58, -79.06

 

Description

Color code: CMYK 7 / 75 / 55 / 4 | qconv.com Color code: CMYK 7 / 75 / 55 / 4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 228 red, 61 green and 110 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
228 61 110 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, 75 magenta, 55 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 75% 55% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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