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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 7 / 71 / 0 / 24 it is the complementary color CMYK 62 / 0 / 69 / 22. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 7 / 71 / 0 / 24. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 7 / 71 / 0 / 24: CMYK 2 / 70 / 0 / 26, CMYK 3 / 64 / 0 / 18, CMYK 4 / 59 / 0 / 11, CMYK 4 / 55 / 0 / 4 and CMYK 1 / 50 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 7 / 71 / 0 / 24. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 7 / 71 / 0 / 24: CMYK 7 / 71 / 0 / 24, CMYK 7 / 78 / 0 / 31, CMYK 6 / 87 / 0 / 39, CMYK 6 / 99 / 0 / 46 and CMYK 5 / 100 / 0 / 54

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 71 / 0 / 24

HEX #B438C2

RGB 180 56 194

HSL 293.91, 0.55%, 0.49%

LAB 47.53, 66.5, -47.43

 

Complementary color

CMYK 62 / 0 / 69 / 22

HEX #4BC73D

RGB 75 199 61

HSL 113.91, 0.55%, 0.51%

LAB 71.34, -59.69, 56.37

 

CMYK 2 / 70 / 0 / 26

HEX #B938BD

RGB 185 56 189

HSL 298.2, 0.54%, 0.48%

LAB 48.03, 66.73, -43.68

 

CMYK 3 / 64 / 0 / 18

HEX #CA4AD0

RGB 202 74 208

HSL 297.31, 0.59%, 0.55%

LAB 54.04, 67.08, -44.94

 

CMYK 4 / 59 / 0 / 11

HEX #DB5CE3

RGB 219 92 227

HSL 296.44, 0.71%, 0.63%

LAB 60.12, 67.01, -45.9

 

CMYK 4 / 55 / 0 / 4

HEX #EC6EF6

RGB 236 110 246

HSL 295.59, 0.88%, 0.7%

LAB 66.24, 66.66, -46.64

 

CMYK 1 / 50 / 0 / 0

HEX #FD80FF

RGB 253 128 255

HSL 299.06, 1%, 0.75%

LAB 71.92, 64.41, -42.51

 

CMYK 7 / 71 / 0 / 24

HEX #B438C2

RGB 180 56 194

HSL 293.91, 0.55%, 0.49%

LAB 47.53, 66.5, -47.43

 

CMYK 7 / 78 / 0 / 31

HEX #A326AF

RGB 163 38 175

HSL 294.74, 0.64%, 0.42%

LAB 41.64, 65.53, -45.85

 

CMYK 6 / 87 / 0 / 39

HEX #92149C

RGB 146 20 156

HSL 295.59, 0.77%, 0.35%

LAB 36.01, 63.52, -43.63

 

CMYK 6 / 99 / 0 / 46

HEX #810289

RGB 129 2 137

HSL 296.44, 0.97%, 0.27%

LAB 30.68, 60.25, -40.68

 

CMYK 5 / 100 / 0 / 54

HEX #700076

RGB 112 0 118

HSL 296.95, 1%, 0.23%

LAB 26.02, 54.55, -36.36

 

CMYK 7 / 71 / 0 / 24

HEX #B438C2

RGB 180 56 194

HSL 293.91, 0.55%, 0.49%

LAB 47.53, 66.5, -47.43

 

CMYK 0 / 71 / 4 / 24

HEX #C138BA

RGB 193 56 186

HSL 303.07, 0.55%, 0.49%

LAB 49.14, 68.02, -40.08

 

CMYK 0 / 71 / 16 / 24

HEX #C138A3

RGB 193 56 163

HSL 313.14, 0.55%, 0.49%

LAB 48.02, 64.55, -28.32

 

CMYK 0 / 71 / 27 / 24

HEX #C1388C

RGB 193 56 140

HSL 323.21, 0.55%, 0.49%

LAB 47.05, 61.47, -16.05

 

CMYK 0 / 71 / 39 / 24

HEX #C13876

RGB 193 56 118

HSL 332.85, 0.55%, 0.49%

LAB 46.28, 58.93, -3.84

 

CMYK 7 / 71 / 0 / 24

HEX #B438C2

RGB 180 56 194

HSL 293.91, 0.55%, 0.49%

LAB 47.53, 66.5, -47.43

 

CMYK 7 / 71 / 0 / 4

HEX #E347F5

RGB 227 71 245

HSL 293.79, 0.9%, 0.62%

LAB 59.37, 79.86, -57.07

 

CMYK 7 / 71 / 0 / 84

HEX #260C29

RGB 38 12 41

HSL 293.79, 0.55%, 0.1%

LAB 7.54, 19.04, -13.79

 

CMYK 8 / 71 / 0 / 64

HEX #551B5C

RGB 85 27 92

HSL 293.54, 0.55%, 0.23%

LAB 21.9, 36.49, -26.31

 

CMYK 7 / 71 / 0 / 44

HEX #85298F

RGB 133 41 143

HSL 294.12, 0.55%, 0.36%

LAB 35.11, 52.4, -37.25

 

CMYK 7 / 71 / 0 / 24

HEX #B438C2

RGB 180 56 194

HSL 293.91, 0.55%, 0.49%

LAB 47.53, 66.5, -47.43

 

CMYK 0 / 65 / 71 / 24

HEX #C14338

RGB 193 67 56

HSL 4.82, 0.55%, 0.49%

LAB 46.49, 49.75, 34.01

 

CMYK 71 / 0 / 37 / 24

HEX #38C17A

RGB 56 193 122

HSL 148.91, 0.55%, 0.49%

LAB 69.74, -52.62, 25.48

 

CMYK 7 / 71 / 0 / 24

HEX #B438C2

RGB 180 56 194

HSL 293.91, 0.55%, 0.49%

LAB 47.53, 66.5, -47.43

 

CMYK 0 / 8 / 71 / 24

HEX #C1B138

RGB 193 177 56

HSL 52.99, 0.55%, 0.49%

LAB 71.6, -7.87, 60.71

 

CMYK 71 / 0 / 8 / 24

HEX #38C1B1

RGB 56 193 177

HSL 172.99, 0.55%, 0.49%

LAB 70.98, -39.71, -2.49

 

CMYK 7 / 71 / 0 / 24

HEX #B438C2

RGB 180 56 194

HSL 293.91, 0.55%, 0.49%

LAB 47.53, 66.5, -47.43

 

CMYK 0 / 65 / 71 / 24

HEX #C14338

RGB 193 67 56

HSL 4.82, 0.55%, 0.49%

LAB 46.49, 49.75, 34.01

 

CMYK 63 / 0 / 71 / 24

HEX #48C138

RGB 72 193 56

HSL 112.99, 0.55%, 0.49%

LAB 69.33, -58.7, 56.17

 

CMYK 71 / 6 / 0 / 24

HEX #38B6C1

RGB 56 182 193

HSL 184.82, 0.55%, 0.49%

LAB 68.13, -29.99, -15.51

 

CMYK 7 / 71 / 0 / 24

HEX #B438C2

RGB 180 56 194

HSL 293.91, 0.55%, 0.49%

LAB 47.53, 66.5, -47.43

 

CMYK 0 / 44 / 71 / 24

HEX #C16C38

RGB 193 108 56

HSL 22.77, 0.55%, 0.49%

LAB 54.39, 29.54, 42.9

 

CMYK 63 / 0 / 71 / 24

HEX #48C138

RGB 72 193 56

HSL 112.99, 0.55%, 0.49%

LAB 69.33, -58.7, 56.17

 

CMYK 71 / 27 / 0 / 24

HEX #388CC1

RGB 56 140 193

HSL 203.21, 0.55%, 0.49%

LAB 55.53, -7.81, -34.87

 

Description

Color code: CMYK 7 / 71 / 0 / 24 | qconv.com Color code: CMYK 7 / 71 / 0 / 24 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 56 green and 194 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 56 194 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, 71 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 71% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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