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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 79 / 42 / 0 / 70 it is the complementary color CMYK 0 / 12 / 26 / 6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 79 / 42 / 0 / 70. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 79 / 42 / 0 / 70: CMYK 71 / 39 / 0 / 72, CMYK 58 / 32 / 0 / 64, CMYK 50 / 27 / 0 / 57, CMYK 44 / 24 / 0 / 49 and CMYK 40 / 22 / 0 / 42

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 79 / 42 / 0 / 70. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 79 / 42 / 0 / 70: CMYK 79 / 43 / 0 / 70, CMYK 100 / 55 / 0 / 77, CMYK 100 / 79 / 0 / 85, CMYK 100 / 100 / 0 / 92 and CMYK 100 / 100 / 0 / 100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 79 / 42 / 0 / 70

HEX #102C4D

RGB 16 44 77

HSL 212.46, 0.66%, 0.18%

LAB 17.68, 2.61, -23.42

 

Complementary color

CMYK 0 / 12 / 26 / 6

HEX #EFD3B2

RGB 239 211 178

HSL 32.46, 0.66%, 0.82%

LAB 86.08, 4.81, 19.93

 

CMYK 71 / 39 / 0 / 72

HEX #152C48

RGB 21 44 72

HSL 212.94, 0.55%, 0.18%

LAB 17.59, 1.47, -20.14

 

CMYK 58 / 32 / 0 / 64

HEX #263E5B

RGB 38 62 91

HSL 212.83, 0.41%, 0.25%

LAB 25.6, 0.36, -20.15

 

CMYK 50 / 27 / 0 / 57

HEX #37506E

RGB 55 80 110

HSL 212.73, 0.33%, 0.32%

LAB 33.3, -0.35, -20.22

 

CMYK 44 / 24 / 0 / 49

HEX #486281

RGB 72 98 129

HSL 212.63, 0.28%, 0.39%

LAB 40.73, -0.85, -20.33

 

CMYK 40 / 22 / 0 / 42

HEX #597494

RGB 89 116 148

HSL 212.54, 0.25%, 0.46%

LAB 47.95, -1.23, -20.5

 

CMYK 79 / 43 / 0 / 70

HEX #102C4D

RGB 16 44 77

HSL 212.46, 0.66%, 0.18%

LAB 17.68, 2.61, -23.42

 

CMYK 100 / 55 / 0 / 77

HEX #001A3A

RGB 0 26 58

HSL 213.1, 1%, 0.11%

LAB 9.35, 4.93, -23.56

 

CMYK 100 / 79 / 0 / 85

HEX #000827

RGB 0 8 39

HSL 227.69, 1%, 0.08%

LAB 2.89, 6.09, -19.82

 

CMYK 100 / 100 / 0 / 92

HEX #000014

RGB 0 0 20

HSL 240, 1%, 0.04%

LAB 0.46, 3.21, -8.72

 

CMYK 100 / 100 / 0 / 100

HEX #000001

RGB 0 0 1

HSL 240, 1%, 0%

LAB 0.02, 0.14, -0.38

 

CMYK 79 / 43 / 0 / 70

HEX #102C4D

RGB 16 44 77

HSL 212.46, 0.66%, 0.18%

LAB 17.68, 2.61, -23.42

 

CMYK 80 / 57 / 0 / 70

HEX #0F214C

RGB 15 33 76

HSL 222.3, 0.67%, 0.18%

LAB 13.89, 10.23, -28.81

 

CMYK 80 / 70 / 0 / 70

HEX #0F174C

RGB 15 23 76

HSL 232.13, 0.67%, 0.18%

LAB 10.82, 17.86, -33.8

 

CMYK 78 / 80 / 0 / 70

HEX #110F4C

RGB 17 15 76

HSL 241.97, 0.67%, 0.18%

LAB 8.85, 23.83, -37.04

 

CMYK 64 / 80 / 0 / 70

HEX #1B0F4C

RGB 27 15 76

HSL 251.8, 0.67%, 0.18%

LAB 9.77, 25.27, -35.49

 

CMYK 79 / 43 / 0 / 70

HEX #102C4D

RGB 16 44 77

HSL 212.46, 0.66%, 0.18%

LAB 17.68, 2.61, -23.42

 

CMYK 79 / 43 / 0 / 50

HEX #1B4980

RGB 27 73 128

HSL 212.67, 0.65%, 0.3%

LAB 30.78, 5.24, -35.51

 

CMYK 79 / 43 / 0 / 30

HEX #2566B3

RGB 37 102 179

HSL 212.54, 0.66%, 0.42%

LAB 42.99, 7.58, -46.68

 

CMYK 79 / 43 / 0 / 10

HEX #3083E6

RGB 48 131 230

HSL 212.64, 0.78%, 0.55%

LAB 54.63, 9.9, -57.16

 

CMYK 81 / 42 / 0 / 90

HEX #050F1A

RGB 5 15 26

HSL 211.43, 0.68%, 0.06%

LAB 4.05, -0.26, -7.89

 

CMYK 79 / 43 / 0 / 70

HEX #102C4D

RGB 16 44 77

HSL 212.46, 0.66%, 0.18%

LAB 17.68, 2.61, -23.42

 

CMYK 21 / 80 / 0 / 70

HEX #3C0F4C

RGB 60 15 76

HSL 284.26, 0.67%, 0.18%

LAB 14.54, 32.13, -27.52

 

CMYK 11 / 0 / 80 / 70

HEX #444C0F

RGB 68 76 15

HSL 67.87, 0.67%, 0.18%

LAB 30.48, -12.31, 32.98

 

CMYK 79 / 43 / 0 / 70

HEX #102C4D

RGB 16 44 77

HSL 212.46, 0.66%, 0.18%

LAB 17.68, 2.61, -23.42

 

CMYK 0 / 80 / 43 / 70

HEX #4C0F2B

RGB 76 15 43

HSL 332.46, 0.67%, 0.18%

LAB 15.76, 30.82, -2.03

 

CMYK 43 / 0 / 80 / 70

HEX #2B4C0F

RGB 43 76 15

HSL 92.46, 0.67%, 0.18%

LAB 28.69, -23.67, 30.62

 

CMYK 79 / 43 / 0 / 70

HEX #102C4D

RGB 16 44 77

HSL 212.46, 0.66%, 0.18%

LAB 17.68, 2.61, -23.42

 

CMYK 21 / 80 / 0 / 70

HEX #3C0F4C

RGB 60 15 76

HSL 284.26, 0.67%, 0.18%

LAB 14.54, 32.13, -27.52

 

CMYK 0 / 38 / 80 / 70

HEX #4C2F0F

RGB 76 47 15

HSL 31.48, 0.67%, 0.18%

LAB 22.32, 9.96, 25.14

 

CMYK 59 / 0 / 80 / 70

HEX #1F4C0F

RGB 31 76 15

HSL 104.26, 0.67%, 0.18%

LAB 28.1, -28.04, 29.84

 

CMYK 79 / 43 / 0 / 70

HEX #102C4D

RGB 16 44 77

HSL 212.46, 0.66%, 0.18%

LAB 17.68, 2.61, -23.42

 

CMYK 0 / 80 / 3 / 70

HEX #4C0F4A

RGB 76 15 74

HSL 301.97, 0.67%, 0.18%

LAB 17.33, 35.69, -21.51

 

CMYK 0 / 38 / 80 / 70

HEX #4C2F0F

RGB 76 47 15

HSL 31.48, 0.67%, 0.18%

LAB 22.32, 9.96, 25.14

 

CMYK 80 / 0 / 78 / 70

HEX #0F4C11

RGB 15 76 17

HSL 121.97, 0.67%, 0.18%

LAB 27.6, -32.02, 28.28

 

Description

Color code: CMYK 79 / 42 / 0 / 70 | qconv.com Color code: CMYK 79 / 42 / 0 / 70 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 16 red, 44 green and 77 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
16 44 77 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 79 cyan, 42 magenta, none yellow and 70 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
79% 42% 0% 70% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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