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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 78 / 40 / 0 / 0 it is the complementary color CMYK 0 / 49 / 100 / 22. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 78 / 40 / 0 / 0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 78 / 40 / 0 / 0: CMYK 76 / 39 / 0 / 2, CMYK 69 / 33 / 0 / 0, CMYK 63 / 26 / 0 / 0, CMYK 56 / 19 / 0 / 0 and CMYK 49 / 12 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 78 / 40 / 0 / 0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 78 / 40 / 0 / 0: CMYK 78 / 40 / 0 / 0, CMYK 83 / 43 / 0 / 7, CMYK 90 / 46 / 0 / 15, CMYK 97 / 50 / 0 / 22 and CMYK 100 / 55 / 0 / 30

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 78 / 40 / 0 / 0

HEX #3899FF

RGB 56 153 255

HSL 210.75, 1%, 0.61%

LAB 62.38, 6.62, -58.58

 

Complementary color

CMYK 0 / 49 / 100 / 22

HEX #C76600

RGB 199 102 0

HSL 30.75, 1%, 0.39%

LAB 53.65, 33.69, 61.86

 

CMYK 76 / 39 / 0 / 2

HEX #3D99FA

RGB 61 153 250

HSL 210.79, 0.95%, 0.61%

LAB 62.23, 5.36, -56.06

 

CMYK 69 / 33 / 0 / 0

HEX #4EABFF

RGB 78 171 255

HSL 208.47, 1%, 0.65%

LAB 68, -1.11, -49.62

 

CMYK 63 / 26 / 0 / 0

HEX #5FBDFF

RGB 95 189 255

HSL 204.75, 1%, 0.69%

LAB 73.58, -8.42, -40.83

 

CMYK 56 / 19 / 0 / 0

HEX #70CFFF

RGB 112 207 255

HSL 200.14, 1%, 0.72%

LAB 79.21, -14.87, -32.05

 

CMYK 49 / 12 / 0 / 0

HEX #81E1FF

RGB 129 225 255

HSL 194.29, 1%, 0.75%

LAB 84.86, -20.56, -23.35

 

CMYK 78 / 40 / 0 / 0

HEX #3899FF

RGB 56 153 255

HSL 210.75, 1%, 0.61%

LAB 62.38, 6.62, -58.58

 

CMYK 83 / 43 / 0 / 7

HEX #2787EC

RGB 39 135 236

HSL 210.76, 0.84%, 0.54%

LAB 55.9, 8.89, -58.48

 

CMYK 90 / 46 / 0 / 15

HEX #1675D9

RGB 22 117 217

HSL 210.77, 0.82%, 0.47%

LAB 49.38, 11.66, -58.31

 

CMYK 97 / 50 / 0 / 22

HEX #0563C6

RGB 5 99 198

HSL 210.78, 0.95%, 0.4%

LAB 42.81, 14.99, -58.04

 

CMYK 100 / 55 / 0 / 30

HEX #0051B3

RGB 0 81 179

HSL 212.85, 1%, 0.35%

LAB 36.25, 19.02, -57.58

 

CMYK 78 / 40 / 0 / 0

HEX #3899FF

RGB 56 153 255

HSL 210.75, 1%, 0.61%

LAB 62.38, 6.62, -58.58

 

CMYK 78 / 52 / 0 / 0

HEX #387AFF

RGB 56 122 255

HSL 220.1, 1%, 0.61%

LAB 54.01, 25.47, -72.04

 

CMYK 78 / 65 / 0 / 0

HEX #3859FF

RGB 56 89 255

HSL 230.05, 1%, 0.61%

LAB 45.91, 45.84, -85.24

 

CMYK 78 / 78 / 0 / 0

HEX #3838FF

RGB 56 56 255

HSL 240, 1%, 0.61%

LAB 39.39, 63.96, -96.01

 

CMYK 65 / 78 / 0 / 0

HEX #5938FF

RGB 89 56 255

HSL 249.95, 1%, 0.61%

LAB 41.49, 66.4, -92.47

 

CMYK 78 / 40 / 0 / 0

HEX #3899FF

RGB 56 153 255

HSL 210.75, 1%, 0.61%

LAB 62.38, 6.62, -58.58

 

CMYK 78 / 39 / 0 / 80

HEX #0B1F33

RGB 11 31 51

HSL 210, 0.65%, 0.12%

LAB 11.21, -0.02, -15.55

 

CMYK 78 / 40 / 0 / 60

HEX #163D66

RGB 22 61 102

HSL 210.75, 0.65%, 0.24%

LAB 25.16, 2.09, -28.02

 

CMYK 78 / 40 / 0 / 40

HEX #225C99

RGB 34 92 153

HSL 210.76, 0.64%, 0.37%

LAB 38.37, 3.56, -38.66

 

CMYK 78 / 40 / 0 / 20

HEX #2D7ACC

RGB 45 122 204

HSL 210.94, 0.64%, 0.49%

LAB 50.5, 5.43, -49.11

 

CMYK 78 / 40 / 0 / 0

HEX #3899FF

RGB 56 153 255

HSL 210.75, 1%, 0.61%

LAB 62.38, 6.62, -58.58

 

CMYK 24 / 78 / 0 / 0

HEX #C338FF

RGB 195 56 255

HSL 281.91, 1%, 0.61%

LAB 53.65, 80.51, -72.07

 

CMYK 8 / 0 / 78 / 0

HEX #EBFF38

RGB 235 255 56

HSL 66.03, 1%, 0.61%

LAB 95.78, -28.68, 84.43

 

CMYK 78 / 40 / 0 / 0

HEX #3899FF

RGB 56 153 255

HSL 210.75, 1%, 0.61%

LAB 62.38, 6.62, -58.58

 

CMYK 0 / 78 / 39 / 0

HEX #FF389B

RGB 255 56 155

HSL 330.15, 1%, 0.61%

LAB 58.47, 78.77, -6.7

 

CMYK 39 / 0 / 78 / 0

HEX #9BFF38

RGB 155 255 56

HSL 90.15, 1%, 0.61%

LAB 91.13, -58.17, 78.49

 

CMYK 78 / 40 / 0 / 0

HEX #3899FF

RGB 56 153 255

HSL 210.75, 1%, 0.61%

LAB 62.38, 6.62, -58.58

 

CMYK 24 / 78 / 0 / 0

HEX #C338FF

RGB 195 56 255

HSL 281.91, 1%, 0.61%

LAB 53.65, 80.51, -72.07

 

CMYK 0 / 39 / 78 / 0

HEX #FF9B38

RGB 255 155 56

HSL 29.85, 1%, 0.61%

LAB 72.88, 30.16, 64.25

 

CMYK 55 / 0 / 78 / 0

HEX #73FF38

RGB 115 255 56

HSL 102.21, 1%, 0.61%

LAB 89.6, -69.74, 76.51

 

CMYK 78 / 40 / 0 / 0

HEX #3899FF

RGB 56 153 255

HSL 210.75, 1%, 0.61%

LAB 62.38, 6.62, -58.58

 

CMYK 0 / 78 / 0 / 0

HEX #FF38FF

RGB 255 56 255

HSL 300, 1%, 0.61%

LAB 62.77, 91.08, -56.94

 

CMYK 0 / 39 / 78 / 0

HEX #FF9B38

RGB 255 155 56

HSL 29.85, 1%, 0.61%

LAB 72.88, 30.16, 64.25

 

CMYK 78 / 0 / 78 / 0

HEX #38FF38

RGB 56 255 56

HSL 120, 1%, 0.61%

LAB 88.28, -80.8, 74.79

 

Description

Color code: CMYK 78 / 40 / 0 / 0 | qconv.com Color code: CMYK 78 / 40 / 0 / 0 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 56 red, 153 green and 255 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
56 153 255 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 78 cyan, 40 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
78% 40% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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