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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 78 / 27 / 6 / 8 it is the complementary color CMYK 0 / 59 / 83 / 20. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 78 / 27 / 6 / 8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 78 / 27 / 6 / 8: CMYK 74 / 21 / 0 / 15, CMYK 69 / 20 / 0 / 8, CMYK 64 / 19 / 0 / 0, CMYK 58 / 12 / 0 / 0 and CMYK 51 / 5 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 78 / 27 / 6 / 8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 78 / 27 / 6 / 8: CMYK 76 / 23 / 0 / 13, CMYK 83 / 24 / 0 / 21, CMYK 90 / 26 / 0 / 28, CMYK 99 / 29 / 0 / 36 and CMYK 100 / 32 / 0 / 43

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 78 / 27 / 6 / 8

HEX #34ABDD

RGB 52 171 221

HSL 197.75, 0.71%, 0.54%

LAB 65.81, -15.9, -34.51

 

Complementary color

CMYK 0 / 59 / 83 / 20

HEX #CB5422

RGB 203 84 34

HSL 17.75, 0.71%, 0.46%

LAB 50.87, 44.83, 50.33

 

CMYK 74 / 21 / 0 / 15

HEX #39ABD8

RGB 57 171 216

HSL 196.98, 0.67%, 0.54%

LAB 65.71, -16.98, -31.9

 

CMYK 69 / 20 / 0 / 8

HEX #4ABDEB

RGB 74 189 235

HSL 197.14, 0.8%, 0.61%

LAB 72.13, -18.04, -32.33

 

CMYK 64 / 19 / 0 / 0

HEX #5BCFFE

RGB 91 207 254

HSL 197.3, 0.99%, 0.68%

LAB 78.46, -18.88, -32.72

 

CMYK 58 / 12 / 0 / 0

HEX #6CE1FF

RGB 108 225 255

HSL 192.24, 1%, 0.71%

LAB 84.1, -24.74, -24.58

 

CMYK 51 / 5 / 0 / 0

HEX #7DF3FF

RGB 125 243 255

HSL 185.54, 1%, 0.75%

LAB 89.71, -30.2, -16.04

 

CMYK 76 / 23 / 0 / 13

HEX #34ABDD

RGB 52 171 221

HSL 197.75, 0.71%, 0.54%

LAB 65.81, -15.9, -34.51

 

CMYK 83 / 24 / 0 / 21

HEX #2399CA

RGB 35 153 202

HSL 197.6, 0.7%, 0.46%

LAB 59.35, -14.35, -34.03

 

CMYK 90 / 26 / 0 / 28

HEX #1287B7

RGB 18 135 183

HSL 197.45, 0.82%, 0.39%

LAB 52.81, -12.37, -33.48

 

CMYK 99 / 29 / 0 / 36

HEX #0175A4

RGB 1 117 164

HSL 197.3, 0.99%, 0.32%

LAB 46.19, -9.95, -32.85

 

CMYK 100 / 32 / 0 / 43

HEX #006391

RGB 0 99 145

HSL 199.03, 1%, 0.28%

LAB 39.53, -6.71, -32.05

 

CMYK 76 / 23 / 0 / 13

HEX #34ABDD

RGB 52 171 221

HSL 197.75, 0.71%, 0.54%

LAB 65.81, -15.9, -34.51

 

CMYK 75 / 34 / 0 / 14

HEX #3692DC

RGB 54 146 220

HSL 206.75, 0.7%, 0.54%

LAB 58.52, -2.04, -45.38

 

CMYK 75 / 46 / 0 / 14

HEX #3676DC

RGB 54 118 220

HSL 216.87, 0.7%, 0.54%

LAB 50.58, 14.9, -58.03

 

CMYK 75 / 59 / 0 / 14

HEX #365ADC

RGB 54 90 220

HSL 226.99, 0.7%, 0.54%

LAB 43.16, 32.65, -70.05

 

CMYK 75 / 72 / 0 / 14

HEX #363EDC

RGB 54 62 220

HSL 237.11, 0.7%, 0.54%

LAB 36.74, 49.69, -80.59

 

CMYK 76 / 23 / 0 / 13

HEX #34ABDD

RGB 52 171 221

HSL 197.75, 0.71%, 0.54%

LAB 65.81, -15.9, -34.51

 

CMYK 76 / 24 / 0 / 93

HEX #040D11

RGB 4 13 17

HSL 198.46, 0.62%, 0.04%

LAB 3.2, -1.7, -2.83

 

CMYK 76 / 22 / 0 / 73

HEX #103544

RGB 16 53 68

HSL 197.31, 0.62%, 0.16%

LAB 20.34, -7.33, -13.16

 

CMYK 76 / 23 / 0 / 53

HEX #1C5C77

RGB 28 92 119

HSL 197.8, 0.62%, 0.29%

LAB 36.43, -10.24, -21.04

 

CMYK 76 / 22 / 0 / 33

HEX #2884AA

RGB 40 132 170

HSL 197.54, 0.62%, 0.41%

LAB 51.67, -13.44, -27.74

 

CMYK 76 / 23 / 0 / 13

HEX #34ABDD

RGB 52 171 221

HSL 197.75, 0.71%, 0.54%

LAB 65.81, -15.9, -34.51

 

CMYK 39 / 75 / 0 / 14

HEX #8636DC

RGB 134 54 220

HSL 268.92, 0.7%, 0.54%

LAB 42.57, 63.86, -70.74

 

CMYK 0 / 9 / 75 / 14

HEX #DCC936

RGB 220 201 54

HSL 53.13, 0.7%, 0.54%

LAB 80.32, -8.71, 70.59

 

CMYK 76 / 23 / 0 / 13

HEX #34ABDD

RGB 52 171 221

HSL 197.75, 0.71%, 0.54%

LAB 65.81, -15.9, -34.51

 

CMYK 0 / 75 / 21 / 14

HEX #DC36AD

RGB 220 54 173

HSL 316.99, 0.7%, 0.54%

LAB 52.81, 72.97, -26.42

 

CMYK 21 / 0 / 75 / 14

HEX #ADDC36

RGB 173 220 54

HSL 76.99, 0.7%, 0.54%

LAB 82.02, -37.21, 70.92

 

CMYK 76 / 23 / 0 / 13

HEX #34ABDD

RGB 52 171 221

HSL 197.75, 0.71%, 0.54%

LAB 65.81, -15.9, -34.51

 

CMYK 39 / 75 / 0 / 14

HEX #8636DC

RGB 134 54 220

HSL 268.92, 0.7%, 0.54%

LAB 42.57, 63.86, -70.74

 

CMYK 0 / 54 / 75 / 14

HEX #DC6536

RGB 220 101 54

HSL 16.99, 0.7%, 0.54%

LAB 56.87, 43.72, 47.72

 

CMYK 36 / 0 / 75 / 14

HEX #8CDC36

RGB 140 220 54

HSL 88.92, 0.7%, 0.54%

LAB 80.2, -49.31, 68.54

 

CMYK 76 / 23 / 0 / 13

HEX #34ABDD

RGB 52 171 221

HSL 197.75, 0.71%, 0.54%

LAB 65.81, -15.9, -34.51

 

CMYK 16 / 75 / 0 / 14

HEX #B836DC

RGB 184 54 220

HSL 286.99, 0.7%, 0.54%

LAB 49.49, 72.66, -59.2

 

CMYK 0 / 54 / 75 / 14

HEX #DC6536

RGB 220 101 54

HSL 16.99, 0.7%, 0.54%

LAB 56.87, 43.72, 47.72

 

CMYK 59 / 0 / 75 / 14

HEX #5ADC36

RGB 90 220 54

HSL 106.99, 0.7%, 0.54%

LAB 78.24, -64, 65.98

 

Description

Color code: CMYK 78 / 27 / 6 / 8 | qconv.com Color code: CMYK 78 / 27 / 6 / 8 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 52 red, 171 green and 221 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
52 171 221 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 78 cyan, 27 magenta, 6 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
78% 27% 6% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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