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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 77 / 28 / 0 / 24 it is the complementary color CMYK 0 / 45 / 71 / 18. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 77 / 28 / 0 / 24. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 77 / 28 / 0 / 24: CMYK 74 / 26 / 0 / 26, CMYK 68 / 24 / 0 / 18, CMYK 63 / 22 / 0 / 11, CMYK 59 / 21 / 0 / 4 and CMYK 54 / 17 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 77 / 28 / 0 / 24. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 77 / 28 / 0 / 24: CMYK 77 / 28 / 0 / 24, CMYK 84 / 30 / 0 / 31, CMYK 93 / 33 / 0 / 39, CMYK 100 / 37 / 0 / 46 and CMYK 100 / 42 / 0 / 54

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 28 / 0 / 24

HEX #2D8CC2

RGB 45 140 194

HSL 201.74, 0.62%, 0.47%

LAB 55.29, -8.9, -35.84

 

Complementary color

CMYK 0 / 45 / 71 / 18

HEX #D2733D

RGB 210 115 61

HSL 21.74, 0.62%, 0.53%

LAB 58.32, 33.02, 45.35

 

CMYK 74 / 26 / 0 / 26

HEX #328CBD

RGB 50 140 189

HSL 201.15, 0.58%, 0.47%

LAB 55.18, -10.03, -33.15

 

CMYK 68 / 24 / 0 / 18

HEX #439ED0

RGB 67 158 208

HSL 201.28, 0.6%, 0.54%

LAB 61.83, -11.19, -33.47

 

CMYK 63 / 22 / 0 / 11

HEX #54B0E3

RGB 84 176 227

HSL 201.4, 0.72%, 0.61%

LAB 68.37, -12.09, -33.76

 

CMYK 59 / 21 / 0 / 4

HEX #65C2F6

RGB 101 194 246

HSL 201.52, 0.89%, 0.68%

LAB 74.83, -12.81, -34.03

 

CMYK 54 / 17 / 0 / 0

HEX #76D4FF

RGB 118 212 255

HSL 198.83, 1%, 0.73%

LAB 80.83, -16.26, -29.55

 

CMYK 77 / 28 / 0 / 24

HEX #2D8CC2

RGB 45 140 194

HSL 201.74, 0.62%, 0.47%

LAB 55.29, -8.9, -35.84

 

CMYK 84 / 30 / 0 / 31

HEX #1C7AAF

RGB 28 122 175

HSL 201.63, 0.72%, 0.4%

LAB 48.59, -7.14, -35.48

 

CMYK 93 / 33 / 0 / 39

HEX #0B689C

RGB 11 104 156

HSL 201.52, 0.87%, 0.33%

LAB 41.8, -4.83, -35.03

 

CMYK 100 / 37 / 0 / 46

HEX #005689

RGB 0 86 137

HSL 202.34, 1%, 0.27%

LAB 34.93, -1.83, -34.48

 

CMYK 100 / 42 / 0 / 54

HEX #004476

RGB 0 68 118

HSL 205.42, 1%, 0.23%

LAB 27.96, 1.99, -33.79

 

CMYK 77 / 28 / 0 / 24

HEX #2D8CC2

RGB 45 140 194

HSL 201.74, 0.62%, 0.47%

LAB 55.29, -8.9, -35.84

 

CMYK 77 / 40 / 0 / 24

HEX #2D75C2

RGB 45 117 194

HSL 211.01, 0.62%, 0.47%

LAB 48.48, 4.78, -46.6

 

CMYK 77 / 53 / 0 / 24

HEX #2D5CC2

RGB 45 92 194

HSL 221.07, 0.62%, 0.47%

LAB 41.39, 20.71, -57.99

 

CMYK 77 / 65 / 0 / 24

HEX #2D43C2

RGB 45 67 194

HSL 231.14, 0.62%, 0.47%

LAB 34.94, 36.91, -68.5

 

CMYK 75 / 77 / 0 / 24

HEX #302DC2

RGB 48 45 194

HSL 241.21, 0.62%, 0.47%

LAB 30.4, 50.1, -75.98

 

CMYK 77 / 28 / 0 / 24

HEX #2D8CC2

RGB 45 140 194

HSL 201.74, 0.62%, 0.47%

LAB 55.29, -8.9, -35.84

 

CMYK 77 / 28 / 0 / 4

HEX #39B1F5

RGB 57 177 245

HSL 201.7, 0.9%, 0.59%

LAB 68.68, -10.46, -43.15

 

CMYK 76 / 27 / 0 / 84

HEX #0A1E29

RGB 10 30 41

HSL 201.29, 0.61%, 0.1%

LAB 10.21, -3.78, -9.85

 

CMYK 77 / 28 / 0 / 64

HEX #15425C

RGB 21 66 92

HSL 201.97, 0.63%, 0.22%

LAB 26.24, -5.45, -19.86

 

CMYK 77 / 28 / 0 / 44

HEX #21678F

RGB 33 103 143

HSL 201.82, 0.63%, 0.35%

LAB 41.23, -7.25, -28.14

 

CMYK 77 / 28 / 0 / 24

HEX #2D8CC2

RGB 45 140 194

HSL 201.74, 0.62%, 0.47%

LAB 55.29, -8.9, -35.84

 

CMYK 35 / 77 / 0 / 24

HEX #7F2DC2

RGB 127 45 194

HSL 273.02, 0.62%, 0.47%

LAB 38.35, 60.28, -62.63

 

CMYK 0 / 4 / 77 / 24

HEX #C2BA2D

RGB 194 186 45

HSL 56.78, 0.62%, 0.47%

LAB 74.05, -12.56, 66.9

 

CMYK 77 / 28 / 0 / 24

HEX #2D8CC2

RGB 45 140 194

HSL 201.74, 0.62%, 0.47%

LAB 55.29, -8.9, -35.84

 

CMYK 0 / 77 / 27 / 24

HEX #C22D8E

RGB 194 45 142

HSL 320.94, 0.62%, 0.47%

LAB 46.04, 65.55, -18.78

 

CMYK 27 / 0 / 77 / 24

HEX #8EC22D

RGB 142 194 45

HSL 80.94, 0.62%, 0.47%

LAB 72.58, -37.92, 64.18

 

CMYK 77 / 28 / 0 / 24

HEX #2D8CC2

RGB 45 140 194

HSL 201.74, 0.62%, 0.47%

LAB 55.29, -8.9, -35.84

 

CMYK 35 / 77 / 0 / 24

HEX #7F2DC2

RGB 127 45 194

HSL 273.02, 0.62%, 0.47%

LAB 38.35, 60.28, -62.63

 

CMYK 0 / 50 / 77 / 24

HEX #C2612D

RGB 194 97 45

HSL 20.94, 0.62%, 0.47%

LAB 52.07, 35.26, 45.94

 

CMYK 42 / 0 / 77 / 24

HEX #70C22D

RGB 112 194 45

HSL 93.02, 0.62%, 0.47%

LAB 71.02, -48.66, 62.15

 

CMYK 77 / 28 / 0 / 24

HEX #2D8CC2

RGB 45 140 194

HSL 201.74, 0.62%, 0.47%

LAB 55.29, -8.9, -35.84

 

CMYK 12 / 77 / 0 / 24

HEX #AB2DC2

RGB 171 45 194

HSL 290.74, 0.62%, 0.47%

LAB 44.84, 68.33, -51.81

 

CMYK 0 / 50 / 77 / 24

HEX #C2612D

RGB 194 97 45

HSL 20.94, 0.62%, 0.47%

LAB 52.07, 35.26, 45.94

 

CMYK 65 / 0 / 77 / 24

HEX #43C22D

RGB 67 194 45

HSL 111.14, 0.62%, 0.47%

LAB 69.45, -60.93, 60.09

 

Description

Color code: CMYK 77 / 28 / 0 / 24 | qconv.com Color code: CMYK 77 / 28 / 0 / 24 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 45 red, 140 green and 194 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
45 140 194 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, 28 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 28% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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