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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 73 / 0 / 9 / 60 it is the complementary color CMYK 0 / 33 / 29 / 11. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 73 / 0 / 9 / 60. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 73 / 0 / 9 / 60: CMYK 68 / 0 / 14 / 60, CMYK 58 / 0 / 11 / 53, CMYK 51 / 0 / 9 / 46, CMYK 46 / 0 / 7 / 39 and CMYK 42 / 0 / 6 / 32

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 73 / 0 / 9 / 60. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 73 / 0 / 9 / 60: CMYK 73 / 0 / 9 / 60, CMYK 87 / 0 / 12 / 67, CMYK 100 / 0 / 17 / 74, CMYK 100 / 0 / 25 / 81 and CMYK 100 / 0 / 43 / 88

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 0 / 9 / 60

HEX #1C665D

RGB 28 102 93

HSL 172.7, 0.57%, 0.25%

LAB 38.79, -24.56, -1.44

 

Complementary color

CMYK 0 / 33 / 29 / 11

HEX #E399A2

RGB 227 153 162

HSL 352.7, 0.57%, 0.75%

LAB 70.68, 28.91, 6.66

 

CMYK 68 / 0 / 14 / 60

HEX #216658

RGB 33 102 88

HSL 167.83, 0.51%, 0.26%

LAB 38.78, -25.14, 1.61

 

CMYK 58 / 0 / 11 / 53

HEX #32786B

RGB 50 120 107

HSL 168.86, 0.41%, 0.33%

LAB 45.87, -25.36, 0.53

 

CMYK 51 / 0 / 9 / 46

HEX #438A7E

RGB 67 138 126

HSL 169.86, 0.35%, 0.4%

LAB 52.81, -25.4, -0.41

 

CMYK 46 / 0 / 7 / 39

HEX #549C91

RGB 84 156 145

HSL 170.83, 0.3%, 0.47%

LAB 59.62, -25.35, -1.26

 

CMYK 42 / 0 / 6 / 32

HEX #65AEA4

RGB 101 174 164

HSL 171.78, 0.31%, 0.54%

LAB 66.3, -25.25, -2.03

 

CMYK 73 / 0 / 9 / 60

HEX #1C665D

RGB 28 102 93

HSL 172.7, 0.57%, 0.25%

LAB 38.79, -24.56, -1.44

 

CMYK 87 / 0 / 12 / 67

HEX #0B544A

RGB 11 84 74

HSL 171.78, 0.77%, 0.19%

LAB 31.59, -23.67, -0.19

 

CMYK 100 / 0 / 17 / 74

HEX #004237

RGB 0 66 55

HSL 170, 1%, 0.13%

LAB 24.23, -22.04, 1.36

 

CMYK 100 / 0 / 25 / 81

HEX #003024

RGB 0 48 36

HSL 165, 1%, 0.09%

LAB 16.71, -19.13, 3.36

 

CMYK 100 / 0 / 43 / 88

HEX #001E11

RGB 0 30 17

HSL 154, 1%, 0.06%

LAB 8.73, -14.47, 5.22

 

CMYK 73 / 0 / 9 / 60

HEX #1C665D

RGB 28 102 93

HSL 172.7, 0.57%, 0.25%

LAB 38.79, -24.56, -1.44

 

CMYK 73 / 3 / 0 / 61

HEX #1B6164

RGB 27 97 100

HSL 182.47, 0.57%, 0.25%

LAB 37.3, -19.9, -7.97

 

CMYK 73 / 15 / 0 / 61

HEX #1B5564

RGB 27 85 100

HSL 192.33, 0.57%, 0.25%

LAB 33.24, -13.16, -14.12

 

CMYK 73 / 27 / 0 / 61

HEX #1B4964

RGB 27 73 100

HSL 202.19, 0.57%, 0.25%

LAB 29.21, -5.83, -20.36

 

CMYK 73 / 39 / 0 / 61

HEX #1B3D64

RGB 27 61 100

HSL 212.05, 0.57%, 0.25%

LAB 25.23, 2.1, -26.61

 

CMYK 73 / 0 / 9 / 60

HEX #1C665D

RGB 28 102 93

HSL 172.7, 0.57%, 0.25%

LAB 38.79, -24.56, -1.44

 

CMYK 73 / 0 / 8 / 40

HEX #2A998C

RGB 42 153 140

HSL 172.97, 0.57%, 0.38%

LAB 57.24, -33.53, -2.06

 

CMYK 73 / 0 / 9 / 20

HEX #38CCBA

RGB 56 204 186

HSL 172.7, 0.59%, 0.51%

LAB 74.55, -42.17, -2.13

 

CMYK 0 / 0 / 0 / 100

HEX #000000

RGB 0 0 0

HSL 0, 0%, 0%

LAB 0, 0, 0

 

CMYK 73 / 0 / 8 / 80

HEX #0E332F

RGB 14 51 47

HSL 173.51, 0.57%, 0.13%

LAB 18.65, -14.2, -1.35

 

CMYK 73 / 0 / 9 / 60

HEX #1C665D

RGB 28 102 93

HSL 172.7, 0.57%, 0.25%

LAB 38.79, -24.56, -1.44

 

CMYK 68 / 73 / 0 / 61

HEX #201B64

RGB 32 27 100

HSL 244.11, 0.57%, 0.25%

LAB 15.55, 26.94, -42.22

 

CMYK 0 / 39 / 73 / 61

HEX #643D1B

RGB 100 61 27

HSL 27.95, 0.57%, 0.25%

LAB 29.73, 13.69, 27.48

 

CMYK 73 / 0 / 9 / 60

HEX #1C665D

RGB 28 102 93

HSL 172.7, 0.57%, 0.25%

LAB 38.79, -24.56, -1.44

 

CMYK 10 / 73 / 0 / 61

HEX #5A1B64

RGB 90 27 100

HSL 291.78, 0.57%, 0.25%

LAB 23.26, 39.43, -29.36

 

CMYK 0 / 10 / 73 / 61

HEX #645A1B

RGB 100 90 27

HSL 51.78, 0.57%, 0.25%

LAB 38.02, -4.04, 36.25

 

CMYK 73 / 0 / 9 / 60

HEX #1C665D

RGB 28 102 93

HSL 172.7, 0.57%, 0.25%

LAB 38.79, -24.56, -1.44

 

CMYK 68 / 73 / 0 / 61

HEX #201B64

RGB 32 27 100

HSL 244.11, 0.57%, 0.25%

LAB 15.55, 26.94, -42.22

 

CMYK 0 / 73 / 63 / 61

HEX #641B25

RGB 100 27 37

HSL 351.78, 0.57%, 0.25%

LAB 22.4, 33.38, 12.27

 

CMYK 5 / 0 / 73 / 61

HEX #5F641B

RGB 95 100 27

HSL 64.11, 0.57%, 0.25%

LAB 40.62, -12.2, 38.71

 

CMYK 73 / 0 / 9 / 60

HEX #1C665D

RGB 28 102 93

HSL 172.7, 0.57%, 0.25%

LAB 38.79, -24.56, -1.44

 

CMYK 46 / 73 / 0 / 61

HEX #361B64

RGB 54 27 100

HSL 262.19, 0.57%, 0.25%

LAB 17.87, 30.99, -38.33

 

CMYK 0 / 73 / 63 / 61

HEX #641B25

RGB 100 27 37

HSL 351.78, 0.57%, 0.25%

LAB 22.4, 33.38, 12.27

 

CMYK 27 / 0 / 73 / 61

HEX #49641B

RGB 73 100 27

HSL 82.19, 0.57%, 0.25%

LAB 38.92, -22.22, 36.44

 

Description

Color code: CMYK 73 / 0 / 9 / 60 | qconv.com Color code: CMYK 73 / 0 / 9 / 60 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 28 red, 102 green and 93 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
28 102 93 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, none magenta, 9 yellow and 60 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 0% 9% 60% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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