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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 72 / 0 / 90 / 0 it is the complementary color CMYK 20 / 100 / 0 / 10. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 72 / 0 / 90 / 0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 72 / 0 / 90 / 0: CMYK 70 / 0 / 92 / 0, CMYK 64 / 0 / 84 / 0, CMYK 57 / 0 / 77 / 0, CMYK 50 / 0 / 69 / 0 and CMYK 44 / 0 / 62 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 72 / 0 / 90 / 0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 72 / 0 / 90 / 0: CMYK 72 / 0 / 90 / 0, CMYK 77 / 0 / 97 / 7, CMYK 83 / 0 / 100 / 14, CMYK 90 / 0 / 100 / 21 and CMYK 98 / 0 / 100 / 28

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 0 / 90 / 0

HEX #47FF1A

RGB 71 255 26

HSL 108.21, 1%, 0.55%

LAB 88.42, -79.98, 81.49

 

Complementary color

CMYK 20 / 100 / 0 / 10

HEX #B800E5

RGB 184 0 229

HSL 288.21, 1%, 0.45%

LAB 46.77, 84.05, -68.71

 

CMYK 70 / 0 / 92 / 0

HEX #4CFF15

RGB 76 255 21

HSL 105.9, 1%, 0.54%

LAB 88.5, -79.28, 82.27

 

CMYK 64 / 0 / 84 / 0

HEX #5DFF28

RGB 93 255 40

HSL 105.21, 1%, 0.58%

LAB 88.92, -75.52, 79.6

 

CMYK 57 / 0 / 77 / 0

HEX #6EFF3B

RGB 110 255 59

HSL 104.39, 1%, 0.62%

LAB 89.46, -70.81, 75.47

 

CMYK 50 / 0 / 69 / 0

HEX #7FFF4E

RGB 127 255 78

HSL 103.39, 1%, 0.65%

LAB 90.13, -65.21, 70.11

 

CMYK 44 / 0 / 62 / 0

HEX #90FF61

RGB 144 255 97

HSL 102.15, 1%, 0.69%

LAB 90.92, -58.81, 63.84

 

CMYK 72 / 0 / 90 / 0

HEX #47FF1A

RGB 71 255 26

HSL 108.21, 1%, 0.55%

LAB 88.42, -79.98, 81.49

 

CMYK 77 / 0 / 97 / 7

HEX #36ED07

RGB 54 237 7

HSL 107.74, 0.94%, 0.48%

LAB 82.58, -77.63, 78.63

 

CMYK 83 / 0 / 100 / 14

HEX #25DB00

RGB 37 219 0

HSL 109.86, 1%, 0.43%

LAB 76.71, -74.66, 74.44

 

CMYK 90 / 0 / 100 / 21

HEX #14C900

RGB 20 201 0

HSL 114.03, 1%, 0.39%

LAB 70.82, -71.1, 69.66

 

CMYK 98 / 0 / 100 / 28

HEX #03B700

RGB 3 183 0

HSL 119.02, 1%, 0.36%

LAB 64.87, -67.03, 64.85

 

CMYK 72 / 0 / 90 / 0

HEX #47FF1A

RGB 71 255 26

HSL 108.21, 1%, 0.55%

LAB 88.42, -79.98, 81.49

 

CMYK 87 / 0 / 90 / 0

HEX #21FF19

RGB 33 255 25

HSL 117.91, 1%, 0.55%

LAB 87.93, -84.32, 81.02

 

CMYK 90 / 0 / 78 / 0

HEX #19FF38

RGB 25 255 56

HSL 128.09, 1%, 0.55%

LAB 87.97, -83.5, 74.4

 

CMYK 90 / 0 / 63 / 0

HEX #19FF5E

RGB 25 255 94

HSL 138, 1%, 0.55%

LAB 88.23, -80.32, 61.32

 

CMYK 90 / 0 / 48 / 0

HEX #19FF84

RGB 25 255 132

HSL 147.91, 1%, 0.55%

LAB 88.63, -75.3, 44.89

 

CMYK 72 / 0 / 90 / 0

HEX #47FF1A

RGB 71 255 26

HSL 108.21, 1%, 0.55%

LAB 88.42, -79.98, 81.49

 

CMYK 73 / 0 / 90 / 80

HEX #0E3305

RGB 14 51 5

HSL 108.26, 0.82%, 0.11%

LAB 17.79, -23.31, 22.85

 

CMYK 73 / 0 / 90 / 60

HEX #1C660A

RGB 28 102 10

HSL 108.26, 0.82%, 0.22%

LAB 37.43, -39.46, 40.29

 

CMYK 72 / 0 / 90 / 40

HEX #2B9910

RGB 43 153 16

HSL 108.18, 0.81%, 0.33%

LAB 55.41, -53.68, 54.83

 

CMYK 72 / 0 / 90 / 20

HEX #39CC15

RGB 57 204 21

HSL 108.2, 0.81%, 0.44%

LAB 72.3, -67.17, 68.51

 

CMYK 72 / 0 / 90 / 0

HEX #47FF1A

RGB 71 255 26

HSL 108.21, 1%, 0.55%

LAB 88.42, -79.98, 81.49

 

CMYK 90 / 0 / 0 / 0

HEX #19FFFF

RGB 25 255 255

HSL 180, 1%, 0.55%

LAB 91.21, -47.46, -13.99

 

CMYK 0 / 90 / 36 / 0

HEX #FF19A3

RGB 255 25 163

HSL 324, 1%, 0.55%

LAB 56.68, 85.43, -14.07

 

CMYK 72 / 0 / 90 / 0

HEX #47FF1A

RGB 71 255 26

HSL 108.21, 1%, 0.55%

LAB 88.42, -79.98, 81.49

 

CMYK 90 / 72 / 0 / 0

HEX #1947FF

RGB 25 71 255

HSL 228, 1%, 0.55%

LAB 41.11, 54.68, -93.19

 

CMYK 0 / 90 / 72 / 0

HEX #FF1947

RGB 255 25 71

HSL 348, 1%, 0.55%

LAB 54.46, 79.31, 37.59

 

CMYK 72 / 0 / 90 / 0

HEX #47FF1A

RGB 71 255 26

HSL 108.21, 1%, 0.55%

LAB 88.42, -79.98, 81.49

 

CMYK 90 / 0 / 0 / 0

HEX #19FFFF

RGB 25 255 255

HSL 180, 1%, 0.55%

LAB 91.21, -47.46, -13.99

 

CMYK 18 / 90 / 0 / 0

HEX #D119FF

RGB 209 25 255

HSL 288, 1%, 0.55%

LAB 53.46, 89.41, -72.28

 

CMYK 0 / 90 / 90 / 0

HEX #FF1919

RGB 255 25 25

HSL 0, 1%, 0.55%

LAB 54.05, 78.16, 60.58

 

CMYK 72 / 0 / 90 / 0

HEX #47FF1A

RGB 71 255 26

HSL 108.21, 1%, 0.55%

LAB 88.42, -79.98, 81.49

 

CMYK 90 / 27 / 0 / 0

HEX #19BAFF

RGB 25 186 255

HSL 198, 1%, 0.55%

LAB 71.24, -14.26, -44.58

 

CMYK 18 / 90 / 0 / 0

HEX #D119FF

RGB 209 25 255

HSL 288, 1%, 0.55%

LAB 53.46, 89.41, -72.28

 

CMYK 0 / 63 / 90 / 0

HEX #FF5E19

RGB 255 94 25

HSL 18, 1%, 0.55%

LAB 61.08, 58.67, 65.38

 

Description

Color code: CMYK 72 / 0 / 90 / 0 | qconv.com Color code: CMYK 72 / 0 / 90 / 0 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 71 red, 255 green and 26 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
71 255 26 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, none magenta, 90 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 0% 90% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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