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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 72 / 0 / 47 / 22 it is the complementary color CMYK 0 / 72 / 25 / 22. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 72 / 0 / 47 / 22. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 72 / 0 / 47 / 22: CMYK 69 / 0 / 50 / 22, CMYK 64 / 0 / 45 / 15, CMYK 60 / 0 / 41 / 8, CMYK 56 / 0 / 38 / 1 and CMYK 49 / 0 / 31 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 72 / 0 / 47 / 22. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 72 / 0 / 47 / 22: CMYK 72 / 0 / 47 / 22, CMYK 78 / 0 / 52 / 29, CMYK 87 / 0 / 59 / 36, CMYK 97 / 0 / 67 / 43 and CMYK 100 / 0 / 77 / 50

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 0 / 47 / 22

HEX #38C769

RGB 56 199 105

HSL 140.56, 0.56%, 0.5%

LAB 71.36, -57.88, 36.34

 

Complementary color

CMYK 0 / 72 / 25 / 22

HEX #C73896

RGB 199 56 150

HSL 320.56, 0.56%, 0.5%

LAB 48.48, 64.29, -19.78

 

CMYK 69 / 0 / 50 / 22

HEX #3DC764

RGB 61 199 100

HSL 136.96, 0.55%, 0.51%

LAB 71.39, -57.84, 38.89

 

CMYK 64 / 0 / 45 / 15

HEX #4ED977

RGB 78 217 119

HSL 137.7, 0.65%, 0.58%

LAB 77.62, -58.33, 37.42

 

CMYK 60 / 0 / 41 / 8

HEX #5FEB8A

RGB 95 235 138

HSL 138.43, 0.78%, 0.65%

LAB 83.8, -58.58, 36.01

 

CMYK 56 / 0 / 38 / 1

HEX #70FD9D

RGB 112 253 157

HSL 139.15, 0.97%, 0.72%

LAB 89.92, -58.67, 34.68

 

CMYK 49 / 0 / 31 / 0

HEX #81FFB0

RGB 129 255 176

HSL 142.38, 1%, 0.75%

LAB 91.38, -52.21, 27.21

 

CMYK 72 / 0 / 47 / 22

HEX #38C769

RGB 56 199 105

HSL 140.56, 0.56%, 0.5%

LAB 71.36, -57.88, 36.34

 

CMYK 78 / 0 / 52 / 29

HEX #27B556

RGB 39 181 86

HSL 139.86, 0.65%, 0.43%

LAB 65.08, -56.93, 37.92

 

CMYK 87 / 0 / 59 / 36

HEX #16A343

RGB 22 163 67

HSL 139.15, 0.76%, 0.36%

LAB 58.76, -55.44, 39.52

 

CMYK 97 / 0 / 67 / 43

HEX #059130

RGB 5 145 48

HSL 138.43, 0.93%, 0.29%

LAB 52.39, -53.21, 41.03

 

CMYK 100 / 0 / 77 / 50

HEX #007F1D

RGB 0 127 29

HSL 133.7, 1%, 0.25%

LAB 46, -49.85, 42.13

 

CMYK 72 / 0 / 47 / 22

HEX #38C769

RGB 56 199 105

HSL 140.56, 0.56%, 0.5%

LAB 71.36, -57.88, 36.34

 

CMYK 72 / 0 / 36 / 22

HEX #38C67F

RGB 56 198 127

HSL 150, 0.56%, 0.5%

LAB 71.39, -53.56, 25.06

 

CMYK 72 / 0 / 24 / 22

HEX #38C697

RGB 56 198 151

HSL 160.14, 0.56%, 0.5%

LAB 71.87, -48.4, 12.92

 

CMYK 72 / 0 / 12 / 22

HEX #38C6AF

RGB 56 198 175

HSL 170.28, 0.56%, 0.5%

LAB 72.44, -42.46, 0.75

 

CMYK 72 / 0 / 0 / 22

HEX #38C6C6

RGB 56 198 198

HSL 180, 0.56%, 0.5%

LAB 73.09, -36.12, -10.8

 

CMYK 72 / 0 / 47 / 22

HEX #38C769

RGB 56 199 105

HSL 140.56, 0.56%, 0.5%

LAB 71.36, -57.88, 36.34

 

CMYK 72 / 0 / 47 / 2

HEX #46FA84

RGB 70 250 132

HSL 140.67, 0.95%, 0.63%

LAB 87.65, -69.35, 43.76

 

CMYK 72 / 0 / 48 / 82

HEX #0D2E18

RGB 13 46 24

HSL 140, 0.56%, 0.12%

LAB 16.03, -18.25, 10.7

 

CMYK 72 / 0 / 47 / 62

HEX #1B6133

RGB 27 97 51

HSL 140.57, 0.56%, 0.24%

LAB 36.03, -32.94, 20.08

 

CMYK 72 / 0 / 47 / 42

HEX #2A944E

RGB 42 148 78

HSL 140.38, 0.56%, 0.37%

LAB 54.26, -45.77, 28.52

 

CMYK 72 / 0 / 47 / 22

HEX #38C769

RGB 56 199 105

HSL 140.56, 0.56%, 0.5%

LAB 71.36, -57.88, 36.34

 

CMYK 72 / 38 / 0 / 22

HEX #387AC6

RGB 56 122 198

HSL 212.11, 0.56%, 0.5%

LAB 50.5, 4.62, -45.66

 

CMYK 0 / 72 / 67 / 22

HEX #C63841

RGB 198 56 65

HSL 356.2, 0.56%, 0.5%

LAB 45.93, 56.21, 28.27

 

CMYK 72 / 0 / 47 / 22

HEX #38C769

RGB 56 199 105

HSL 140.56, 0.56%, 0.5%

LAB 71.36, -57.88, 36.34

 

CMYK 48 / 72 / 0 / 22

HEX #6738C6

RGB 103 56 198

HSL 259.86, 0.56%, 0.5%

LAB 37.46, 52.38, -66.53

 

CMYK 0 / 48 / 72 / 22

HEX #C66738

RGB 198 103 56

HSL 19.86, 0.56%, 0.5%

LAB 54.02, 34.23, 42.69

 

CMYK 72 / 0 / 47 / 22

HEX #38C769

RGB 56 199 105

HSL 140.56, 0.56%, 0.5%

LAB 71.36, -57.88, 36.34

 

CMYK 72 / 38 / 0 / 22

HEX #387AC6

RGB 56 122 198

HSL 212.11, 0.56%, 0.5%

LAB 50.5, 4.62, -45.66

 

CMYK 0 / 72 / 24 / 22

HEX #C63897

RGB 198 56 151

HSL 319.86, 0.56%, 0.5%

LAB 48.35, 64.17, -20.6

 

CMYK 0 / 33 / 72 / 22

HEX #C68438

RGB 198 132 56

HSL 32.11, 0.56%, 0.5%

LAB 60.6, 18.58, 49.72

 

CMYK 72 / 0 / 47 / 22

HEX #38C769

RGB 56 199 105

HSL 140.56, 0.56%, 0.5%

LAB 71.36, -57.88, 36.34

 

CMYK 72 / 60 / 0 / 22

HEX #384FC6

RGB 56 79 198

HSL 230.28, 0.56%, 0.5%

LAB 38.74, 31.94, -64.59

 

CMYK 0 / 72 / 24 / 22

HEX #C63897

RGB 198 56 151

HSL 319.86, 0.56%, 0.5%

LAB 48.35, 64.17, -20.6

 

CMYK 0 / 12 / 72 / 22

HEX #C6AF38

RGB 198 175 56

HSL 50.28, 0.56%, 0.5%

LAB 71.52, -4.65, 60.79

 

Description

Color code: CMYK 72 / 0 / 47 / 22 | qconv.com Color code: CMYK 72 / 0 / 47 / 22 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 56 red, 199 green and 105 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
56 199 105 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, none magenta, 47 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 0% 47% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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