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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 70 / 3 / 0 / 20 it is the complementary color CMYK 0 / 71 / 74 / 24. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 70 / 3 / 0 / 20. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 70 / 3 / 0 / 20: CMYK 67 / 1 / 0 / 22, CMYK 62 / 1 / 0 / 15, CMYK 58 / 1 / 0 / 7, CMYK 54 / 1 / 0 / 0 and CMYK 47 / 0 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 70 / 3 / 0 / 20. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 70 / 3 / 0 / 20: CMYK 70 / 3 / 0 / 20, CMYK 76 / 3 / 0 / 27, CMYK 84 / 2 / 0 / 35, CMYK 93 / 2 / 0 / 42 and CMYK 100 / 2 / 0 / 50

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 3 / 0 / 20

HEX #3DC6CC

RGB 61 198 204

HSL 182.52, 0.58%, 0.52%

LAB 73.38, -33.76, -13.62

 

Complementary color

CMYK 0 / 71 / 74 / 24

HEX #C23933

RGB 194 57 51

HSL 2.52, 0.58%, 0.48%

LAB 45.13, 53.89, 35.36

 

CMYK 67 / 1 / 0 / 22

HEX #42C6C7

RGB 66 198 199

HSL 180.45, 0.54%, 0.52%

LAB 73.33, -34.52, -10.97

 

CMYK 62 / 1 / 0 / 15

HEX #53D8DA

RGB 83 216 218

HSL 180.89, 0.65%, 0.59%

LAB 79.62, -35.05, -11.76

 

CMYK 58 / 1 / 0 / 7

HEX #64EAED

RGB 100 234 237

HSL 181.31, 0.79%, 0.66%

LAB 85.84, -35.44, -12.49

 

CMYK 54 / 1 / 0 / 0

HEX #75FCFF

RGB 117 252 255

HSL 181.3, 1%, 0.73%

LAB 91.96, -35.97, -12.69

 

CMYK 47 / 0 / 0 / 0

HEX #86FFFF

RGB 134 255 255

HSL 180, 1%, 0.76%

LAB 93.37, -33.98, -10.54

 

CMYK 70 / 3 / 0 / 20

HEX #3DC6CC

RGB 61 198 204

HSL 182.52, 0.58%, 0.52%

LAB 73.38, -33.76, -13.62

 

CMYK 76 / 3 / 0 / 27

HEX #2CB4B9

RGB 44 180 185

HSL 182.13, 0.62%, 0.45%

LAB 67.04, -32.86, -12.76

 

CMYK 84 / 2 / 0 / 35

HEX #1BA2A6

RGB 27 162 166

HSL 181.73, 0.72%, 0.38%

LAB 60.63, -31.64, -11.8

 

CMYK 93 / 2 / 0 / 42

HEX #0A9093

RGB 10 144 147

HSL 181.31, 0.87%, 0.31%

LAB 54.15, -30, -10.71

 

CMYK 100 / 2 / 0 / 50

HEX #007E80

RGB 0 126 128

HSL 180.94, 1%, 0.25%

LAB 47.6, -27.86, -9.47

 

CMYK 70 / 3 / 0 / 20

HEX #3DC6CC

RGB 61 198 204

HSL 182.52, 0.58%, 0.52%

LAB 73.38, -33.76, -13.62

 

CMYK 70 / 14 / 0 / 20

HEX #3DAFCB

RGB 61 175 203

HSL 191.83, 0.58%, 0.52%

LAB 66.49, -22.74, -23.51

 

CMYK 70 / 26 / 0 / 20

HEX #3D97CB

RGB 61 151 203

HSL 201.97, 0.58%, 0.52%

LAB 59.38, -9.88, -34.5

 

CMYK 70 / 37 / 0 / 20

HEX #3D7FCB

RGB 61 127 203

HSL 212.11, 0.58%, 0.52%

LAB 52.38, 4.11, -45.51

 

CMYK 70 / 49 / 0 / 20

HEX #3D68CB

RGB 61 104 203

HSL 221.83, 0.58%, 0.52%

LAB 45.91, 18.41, -55.85

 

CMYK 70 / 3 / 0 / 20

HEX #3DC6CC

RGB 61 198 204

HSL 182.52, 0.58%, 0.52%

LAB 73.38, -33.76, -13.62

 

CMYK 0 / 0 / 0 / 100

HEX #000000

RGB 0 0 0

HSL 0, 0%, 0%

LAB 0, 0, 0

 

CMYK 71 / 2 / 0 / 80

HEX #0F3233

RGB 15 50 51

HSL 181.67, 0.55%, 0.13%

LAB 18.46, -12.01, -4.39

 

CMYK 70 / 3 / 0 / 60

HEX #1F6366

RGB 31 99 102

HSL 182.54, 0.53%, 0.26%

LAB 38.15, -19.68, -7.92

 

CMYK 70 / 3 / 0 / 40

HEX #2E9599

RGB 46 149 153

HSL 182.24, 0.54%, 0.39%

LAB 56.46, -27.22, -10.64

 

CMYK 70 / 3 / 0 / 20

HEX #3DC6CC

RGB 61 198 204

HSL 182.52, 0.58%, 0.52%

LAB 73.38, -33.76, -13.62

 

CMYK 54 / 70 / 0 / 20

HEX #5E3DCB

RGB 94 61 203

HSL 253.94, 0.58%, 0.52%

LAB 37.89, 49.76, -68.77

 

CMYK 0 / 26 / 70 / 20

HEX #CB973D

RGB 203 151 61

HSL 38.03, 0.58%, 0.52%

LAB 65.88, 10.63, 53.16

 

CMYK 70 / 3 / 0 / 20

HEX #3DC6CC

RGB 61 198 204

HSL 182.52, 0.58%, 0.52%

LAB 73.38, -33.76, -13.62

 

CMYK 0 / 70 / 2 / 20

HEX #CB3DC6

RGB 203 61 198

HSL 302.11, 0.58%, 0.52%

LAB 51.96, 70.46, -42.47

 

CMYK 2 / 0 / 70 / 20

HEX #C6CB3D

RGB 198 203 61

HSL 62.11, 0.58%, 0.52%

LAB 79.07, -18.7, 66.34

 

CMYK 70 / 3 / 0 / 20

HEX #3DC6CC

RGB 61 198 204

HSL 182.52, 0.58%, 0.52%

LAB 73.38, -33.76, -13.62

 

CMYK 54 / 70 / 0 / 20

HEX #5E3DCB

RGB 94 61 203

HSL 253.94, 0.58%, 0.52%

LAB 37.89, 49.76, -68.77

 

CMYK 0 / 67 / 70 / 20

HEX #CB423D

RGB 203 66 61

HSL 2.11, 0.58%, 0.52%

LAB 48.17, 53.77, 33.54

 

CMYK 16 / 0 / 70 / 20

HEX #AACB3D

RGB 170 203 61

HSL 73.94, 0.58%, 0.52%

LAB 77.04, -30.19, 63.65

 

CMYK 70 / 3 / 0 / 20

HEX #3DC6CC

RGB 61 198 204

HSL 182.52, 0.58%, 0.52%

LAB 73.38, -33.76, -13.62

 

CMYK 33 / 70 / 0 / 20

HEX #893DCB

RGB 137 61 203

HSL 272.11, 0.58%, 0.52%

LAB 42.71, 57.43, -60.71

 

CMYK 0 / 67 / 70 / 20

HEX #CB423D

RGB 203 66 61

HSL 2.11, 0.58%, 0.52%

LAB 48.17, 53.77, 33.54

 

CMYK 37 / 0 / 70 / 20

HEX #7FCB3D

RGB 127 203 61

HSL 92.11, 0.58%, 0.52%

LAB 74.55, -46.3, 60.32

 

Description

Color code: CMYK 70 / 3 / 0 / 20 | qconv.com Color code: CMYK 70 / 3 / 0 / 20 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 61 red, 198 green and 204 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
61 198 204 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, 3 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 3% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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