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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 70 / 38 / 0 / 50 it is the complementary color CMYK 0 / 19 / 41 / 15. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 70 / 38 / 0 / 50. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 70 / 38 / 0 / 50: CMYK 65 / 36 / 0 / 52, CMYK 58 / 32 / 0 / 44, CMYK 52 / 29 / 0 / 37, CMYK 48 / 26 / 0 / 29 and CMYK 44 / 24 / 0 / 22

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 70 / 38 / 0 / 50. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 70 / 38 / 0 / 50: CMYK 70 / 38 / 0 / 50, CMYK 81 / 44 / 0 / 57, CMYK 96 / 52 / 0 / 65, CMYK 100 / 65 / 0 / 72 and CMYK 100 / 87 / 0 / 80

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 38 / 0 / 50

HEX #264F80

RGB 38 79 128

HSL 212.67, 0.54%, 0.33%

LAB 33.05, 2.94, -31.86

 

Complementary color

CMYK 0 / 19 / 41 / 15

HEX #D9B07F

RGB 217 176 127

HSL 32.67, 0.54%, 0.67%

LAB 74.4, 8.42, 30.7

 

CMYK 65 / 36 / 0 / 52

HEX #2B4F7B

RGB 43 79 123

HSL 213, 0.48%, 0.33%

LAB 33, 2, -28.84

 

CMYK 58 / 32 / 0 / 44

HEX #3C618E

RGB 60 97 142

HSL 212.93, 0.41%, 0.4%

LAB 40.35, 0.93, -28.84

 

CMYK 52 / 29 / 0 / 37

HEX #4D73A1

RGB 77 115 161

HSL 212.86, 0.35%, 0.47%

LAB 47.51, 0.14, -28.87

 

CMYK 48 / 26 / 0 / 29

HEX #5E85B4

RGB 94 133 180

HSL 212.79, 0.36%, 0.54%

LAB 54.5, -0.46, -28.94

 

CMYK 44 / 24 / 0 / 22

HEX #6F97C7

RGB 111 151 199

HSL 212.73, 0.44%, 0.61%

LAB 61.34, -0.94, -29.04

 

CMYK 70 / 38 / 0 / 50

HEX #264F80

RGB 38 79 128

HSL 212.67, 0.54%, 0.33%

LAB 33.05, 2.94, -31.86

 

CMYK 81 / 44 / 0 / 57

HEX #153D6D

RGB 21 61 109

HSL 212.73, 0.68%, 0.25%

LAB 25.57, 4.85, -31.87

 

CMYK 96 / 52 / 0 / 65

HEX #042B5A

RGB 4 43 90

HSL 212.79, 0.91%, 0.18%

LAB 17.88, 7.63, -31.84

 

CMYK 100 / 65 / 0 / 72

HEX #001947

RGB 0 25 71

HSL 218.87, 1%, 0.14%

LAB 10.18, 12.13, -31.4

 

CMYK 100 / 87 / 0 / 80

HEX #000734

RGB 0 7 52

HSL 231.92, 1%, 0.1%

LAB 3.61, 12.93, -28.48

 

CMYK 70 / 38 / 0 / 50

HEX #264F80

RGB 38 79 128

HSL 212.67, 0.54%, 0.33%

LAB 33.05, 2.94, -31.86

 

CMYK 71 / 50 / 0 / 49

HEX #264181

RGB 38 65 129

HSL 222.2, 0.54%, 0.33%

LAB 28.84, 12.76, -39.21

 

CMYK 71 / 61 / 0 / 49

HEX #263281

RGB 38 50 129

HSL 232.09, 0.54%, 0.33%

LAB 24.57, 23.13, -46.12

 

CMYK 68 / 71 / 0 / 49

HEX #292681

RGB 41 38 129

HSL 241.98, 0.54%, 0.33%

LAB 21.74, 31.56, -50.75

 

CMYK 57 / 71 / 0 / 49

HEX #382681

RGB 56 38 129

HSL 251.87, 0.54%, 0.33%

LAB 23.04, 33.93, -48.56

 

CMYK 70 / 38 / 0 / 50

HEX #264F80

RGB 38 79 128

HSL 212.67, 0.54%, 0.33%

LAB 33.05, 2.94, -31.86

 

CMYK 70 / 39 / 0 / 30

HEX #356EB3

RGB 53 110 179

HSL 212.86, 0.54%, 0.45%

LAB 45.86, 4.66, -42.08

 

CMYK 70 / 38 / 0 / 10

HEX #448EE6

RGB 68 142 230

HSL 212.59, 0.76%, 0.58%

LAB 58.31, 5.68, -51.25

 

CMYK 69 / 38 / 0 / 90

HEX #08101A

RGB 8 16 26

HSL 213.33, 0.53%, 0.07%

LAB 4.49, -0.01, -7.22

 

CMYK 70 / 38 / 0 / 70

HEX #17304D

RGB 23 48 77

HSL 212.22, 0.54%, 0.2%

LAB 19.36, 1.09, -20.74

 

CMYK 70 / 38 / 0 / 50

HEX #264F80

RGB 38 79 128

HSL 212.67, 0.54%, 0.33%

LAB 33.05, 2.94, -31.86

 

CMYK 19 / 71 / 0 / 49

HEX #692681

RGB 105 38 129

HSL 284.18, 0.54%, 0.33%

LAB 29.35, 44.3, -38.04

 

CMYK 9 / 0 / 71 / 49

HEX #758126

RGB 117 129 38

HSL 67.91, 0.54%, 0.33%

LAB 51.41, -17.17, 45.56

 

CMYK 70 / 38 / 0 / 50

HEX #264F80

RGB 38 79 128

HSL 212.67, 0.54%, 0.33%

LAB 33.05, 2.94, -31.86

 

CMYK 0 / 71 / 37 / 49

HEX #812651

RGB 129 38 81

HSL 331.65, 0.54%, 0.33%

LAB 30.99, 42.82, -4.38

 

CMYK 37 / 0 / 71 / 49

HEX #518126

RGB 81 129 38

HSL 91.65, 0.54%, 0.33%

LAB 48.99, -32.18, 42.31

 

CMYK 70 / 38 / 0 / 50

HEX #264F80

RGB 38 79 128

HSL 212.67, 0.54%, 0.33%

LAB 33.05, 2.94, -31.86

 

CMYK 19 / 71 / 0 / 49

HEX #692681

RGB 105 38 129

HSL 284.18, 0.54%, 0.33%

LAB 29.35, 44.3, -38.04

 

CMYK 0 / 33 / 71 / 49

HEX #815726

RGB 129 87 38

HSL 32.31, 0.54%, 0.33%

LAB 40.61, 12.35, 34.61

 

CMYK 52 / 0 / 71 / 49

HEX #3E8126

RGB 62 129 38

HSL 104.18, 0.54%, 0.33%

LAB 48.09, -38.74, 41.08

 

CMYK 70 / 38 / 0 / 50

HEX #264F80

RGB 38 79 128

HSL 212.67, 0.54%, 0.33%

LAB 33.05, 2.94, -31.86

 

CMYK 0 / 71 / 2 / 49

HEX #81267E

RGB 129 38 126

HSL 301.98, 0.54%, 0.33%

LAB 33.05, 49.54, -30.04

 

CMYK 0 / 33 / 71 / 49

HEX #815726

RGB 129 87 38

HSL 32.31, 0.54%, 0.33%

LAB 40.61, 12.35, 34.61

 

CMYK 71 / 0 / 68 / 49

HEX #268129

RGB 38 129 41

HSL 121.98, 0.54%, 0.33%

LAB 47.33, -44.66, 38.73

 

Description

Color code: CMYK 70 / 38 / 0 / 50 | qconv.com Color code: CMYK 70 / 38 / 0 / 50 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 38 red, 79 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
38 79 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, 38 magenta, none yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 38% 0% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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