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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 70 / 0 / 15 / 22 it is the complementary color CMYK 0 / 71 / 56 / 24. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 70 / 0 / 15 / 22. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 70 / 0 / 15 / 22: CMYK 67 / 0 / 18 / 22, CMYK 62 / 0 / 16 / 15, CMYK 58 / 0 / 14 / 8, CMYK 54 / 0 / 13 / 1 and CMYK 48 / 0 / 6 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 70 / 0 / 15 / 22. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 70 / 0 / 15 / 22: CMYK 70 / 0 / 15 / 22, CMYK 76 / 0 / 17 / 29, CMYK 84 / 0 / 20 / 36, CMYK 94 / 0 / 23 / 43 and CMYK 100 / 0 / 27 / 50

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 0 / 15 / 22

HEX #3CC7A9

RGB 60 199 169

HSL 167.05, 0.55%, 0.51%

LAB 72.68, -43.89, 4.35

 

Complementary color

CMYK 0 / 71 / 56 / 24

HEX #C33856

RGB 195 56 86

HSL 347.05, 0.55%, 0.49%

LAB 45.77, 56.63, 15.17

 

CMYK 67 / 0 / 18 / 22

HEX #41C7A4

RGB 65 199 164

HSL 164.33, 0.54%, 0.52%

LAB 72.66, -44.38, 7.05

 

CMYK 62 / 0 / 16 / 15

HEX #52D9B7

RGB 82 217 183

HSL 164.89, 0.64%, 0.59%

LAB 78.95, -44.7, 5.94

 

CMYK 58 / 0 / 14 / 8

HEX #63EBCA

RGB 99 235 202

HSL 165.44, 0.77%, 0.65%

LAB 85.17, -44.88, 4.92

 

CMYK 54 / 0 / 13 / 1

HEX #74FDDD

RGB 116 253 221

HSL 165.99, 0.97%, 0.72%

LAB 91.32, -44.96, 3.98

 

CMYK 48 / 0 / 6 / 0

HEX #85FFF0

RGB 133 255 240

HSL 172.62, 1%, 0.76%

LAB 92.93, -37.84, -3.44

 

CMYK 70 / 0 / 15 / 22

HEX #3CC7A9

RGB 60 199 169

HSL 167.05, 0.55%, 0.51%

LAB 72.68, -43.89, 4.35

 

CMYK 76 / 0 / 17 / 29

HEX #2BB596

RGB 43 181 150

HSL 166.52, 0.62%, 0.44%

LAB 66.34, -43.22, 5.56

 

CMYK 84 / 0 / 20 / 36

HEX #1AA383

RGB 26 163 131

HSL 165.99, 0.72%, 0.37%

LAB 59.94, -42.22, 6.91

 

CMYK 94 / 0 / 23 / 43

HEX #099170

RGB 9 145 112

HSL 165.44, 0.88%, 0.3%

LAB 53.47, -40.75, 8.44

 

CMYK 100 / 0 / 27 / 50

HEX #007F5D

RGB 0 127 93

HSL 163.94, 1%, 0.25%

LAB 46.93, -38.7, 10.19

 

CMYK 70 / 0 / 15 / 22

HEX #3CC7A9

RGB 60 199 169

HSL 167.05, 0.55%, 0.51%

LAB 72.68, -43.89, 4.35

 

CMYK 69 / 0 / 4 / 22

HEX #3DC6BF

RGB 61 198 191

HSL 176.93, 0.55%, 0.51%

LAB 72.99, -37.46, -7.14

 

CMYK 69 / 8 / 0 / 22

HEX #3DB6C6

RGB 61 182 198

HSL 187.01, 0.55%, 0.51%

LAB 68.41, -27.81, -17.84

 

CMYK 69 / 20 / 0 / 22

HEX #3D9FC6

RGB 61 159 198

HSL 197.08, 0.55%, 0.51%

LAB 61.54, -15.94, -28.35

 

CMYK 69 / 31 / 0 / 22

HEX #3D88C6

RGB 61 136 198

HSL 207.15, 0.55%, 0.51%

LAB 54.74, -3.01, -38.94

 

CMYK 70 / 0 / 15 / 22

HEX #3CC7A9

RGB 60 199 169

HSL 167.05, 0.55%, 0.51%

LAB 72.68, -43.89, 4.35

 

CMYK 70 / 0 / 15 / 2

HEX #4BFAD4

RGB 75 250 212

HSL 166.97, 0.95%, 0.64%

LAB 89.21, -52.67, 5.48

 

CMYK 70 / 0 / 15 / 82

HEX #0E2E27

RGB 14 46 39

HSL 166.88, 0.53%, 0.12%

LAB 16.47, -13.88, 1

 

CMYK 70 / 0 / 15 / 62

HEX #1D6152

RGB 29 97 82

HSL 166.76, 0.54%, 0.25%

LAB 36.78, -25.1, 2.39

 

CMYK 70 / 0 / 15 / 42

HEX #2D947E

RGB 45 148 126

HSL 167.18, 0.53%, 0.38%

LAB 55.32, -34.62, 3.15

 

CMYK 70 / 0 / 15 / 22

HEX #3CC7A9

RGB 60 199 169

HSL 167.05, 0.55%, 0.51%

LAB 72.68, -43.89, 4.35

 

CMYK 69 / 68 / 0 / 22

HEX #3D3FC6

RGB 61 63 198

HSL 239.12, 0.55%, 0.51%

LAB 35.25, 42.49, -70.3

 

CMYK 0 / 42 / 69 / 22

HEX #C6723D

RGB 198 114 61

HSL 23.21, 0.55%, 0.51%

LAB 56.46, 28.65, 42.84

 

CMYK 70 / 0 / 15 / 22

HEX #3CC7A9

RGB 60 199 169

HSL 167.05, 0.55%, 0.51%

LAB 72.68, -43.89, 4.35

 

CMYK 15 / 69 / 0 / 22

HEX #A83DC6

RGB 168 61 198

HSL 286.86, 0.55%, 0.51%

LAB 46.63, 62.77, -51.29

 

CMYK 0 / 15 / 69 / 22

HEX #C6A83D

RGB 198 168 61

HSL 46.86, 0.55%, 0.51%

LAB 69.72, -0.69, 56.98

 

CMYK 70 / 0 / 15 / 22

HEX #3CC7A9

RGB 60 199 169

HSL 167.05, 0.55%, 0.51%

LAB 72.68, -43.89, 4.35

 

CMYK 69 / 68 / 0 / 22

HEX #3D3FC6

RGB 61 63 198

HSL 239.12, 0.55%, 0.51%

LAB 35.25, 42.49, -70.3

 

CMYK 0 / 69 / 54 / 22

HEX #C63D5B

RGB 198 61 91

HSL 346.86, 0.55%, 0.51%

LAB 47.1, 56.06, 14.01

 

CMYK 0 / 1 / 69 / 22

HEX #C6C43D

RGB 198 196 61

HSL 59.12, 0.55%, 0.51%

LAB 77.17, -15.2, 64.48

 

CMYK 70 / 0 / 15 / 22

HEX #3CC7A9

RGB 60 199 169

HSL 167.05, 0.55%, 0.51%

LAB 72.68, -43.89, 4.35

 

CMYK 49 / 69 / 0 / 22

HEX #643DC6

RGB 100 61 198

HSL 257.08, 0.55%, 0.51%

LAB 38.06, 49.32, -65.56

 

CMYK 0 / 69 / 54 / 22

HEX #C63D5B

RGB 198 61 91

HSL 346.86, 0.55%, 0.51%

LAB 47.1, 56.06, 14.01

 

CMYK 20 / 0 / 69 / 22

HEX #9FC63D

RGB 159 198 61

HSL 77.08, 0.55%, 0.51%

LAB 74.89, -32.23, 61.25

 

Description

Color code: CMYK 70 / 0 / 15 / 22 | qconv.com Color code: CMYK 70 / 0 / 15 / 22 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 60 red, 199 green and 169 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
60 199 169 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, none magenta, 15 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 0% 15% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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