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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 6 / 71 / 0 / 44 it is the complementary color CMYK 43 / 0 / 48 / 16. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 6 / 71 / 0 / 44. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 6 / 71 / 0 / 44: CMYK 0 / 71 / 1 / 45, CMYK 1 / 62 / 0 / 38, CMYK 2 / 56 / 0 / 31, CMYK 3 / 51 / 0 / 24 and CMYK 3 / 47 / 0 / 16

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 6 / 71 / 0 / 44. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 6 / 71 / 0 / 44: CMYK 6 / 71 / 0 / 44, CMYK 6 / 81 / 0 / 51, CMYK 5 / 95 / 0 / 59, CMYK 3 / 100 / 0 / 66 and CMYK 1 / 100 / 0 / 74

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 71 / 0 / 44

HEX #86298F

RGB 134 41 143

HSL 294.71, 0.55%, 0.36%

LAB 35.28, 52.63, -36.98

 

Complementary color

CMYK 43 / 0 / 48 / 16

HEX #79D670

RGB 121 214 112

HSL 114.71, 0.55%, 0.64%

LAB 78.07, -47.58, 41.73

 

CMYK 0 / 71 / 1 / 45

HEX #8B298A

RGB 139 41 138

HSL 300.61, 0.54%, 0.35%

LAB 35.81, 52.92, -33.01

 

CMYK 1 / 62 / 0 / 38

HEX #9C3B9D

RGB 156 59 157

HSL 299.39, 0.45%, 0.42%

LAB 42.2, 53.12, -34.28

 

CMYK 2 / 56 / 0 / 31

HEX #AD4DB0

RGB 173 77 176

HSL 298.18, 0.39%, 0.5%

LAB 48.67, 52.85, -35.19

 

CMYK 3 / 51 / 0 / 24

HEX #BE5FC3

RGB 190 95 195

HSL 297, 0.45%, 0.57%

LAB 55.15, 52.32, -35.87

 

CMYK 3 / 47 / 0 / 16

HEX #CF71D6

RGB 207 113 214

HSL 295.84, 0.55%, 0.64%

LAB 61.59, 51.67, -36.4

 

CMYK 6 / 71 / 0 / 44

HEX #86298F

RGB 134 41 143

HSL 294.71, 0.55%, 0.36%

LAB 35.28, 52.63, -36.98

 

CMYK 6 / 81 / 0 / 51

HEX #75177C

RGB 117 23 124

HSL 295.84, 0.69%, 0.29%

LAB 29.03, 51.62, -35.29

 

CMYK 5 / 95 / 0 / 59

HEX #640569

RGB 100 5 105

HSL 297, 0.91%, 0.22%

LAB 23.13, 49.18, -32.74

 

CMYK 3 / 100 / 0 / 66

HEX #530056

RGB 83 0 86

HSL 297.91, 1%, 0.17%

LAB 17.97, 43.97, -28.6

 

CMYK 1 / 100 / 0 / 74

HEX #420043

RGB 66 0 67

HSL 299.1, 1%, 0.13%

LAB 13.01, 37.43, -23.65

 

CMYK 6 / 71 / 0 / 44

HEX #86298F

RGB 134 41 143

HSL 294.71, 0.55%, 0.36%

LAB 35.28, 52.63, -36.98

 

CMYK 0 / 71 / 5 / 44

HEX #8E2987

RGB 142 41 135

HSL 304.16, 0.55%, 0.36%

LAB 36.15, 53.13, -30.59

 

CMYK 0 / 71 / 17 / 44

HEX #8E2976

RGB 142 41 118

HSL 314.26, 0.55%, 0.36%

LAB 35.29, 50.42, -21.35

 

CMYK 0 / 71 / 29 / 44

HEX #8E2965

RGB 142 41 101

HSL 324.36, 0.55%, 0.36%

LAB 34.55, 48.02, -11.72

 

CMYK 0 / 71 / 40 / 44

HEX #8E2955

RGB 142 41 85

HSL 333.86, 0.55%, 0.36%

LAB 33.97, 46.07, -2.31

 

CMYK 6 / 71 / 0 / 44

HEX #86298F

RGB 134 41 143

HSL 294.71, 0.55%, 0.36%

LAB 35.28, 52.63, -36.98

 

CMYK 6 / 71 / 0 / 24

HEX #B638C2

RGB 182 56 194

HSL 294.78, 0.55%, 0.49%

LAB 47.84, 66.93, -46.91

 

CMYK 6 / 71 / 0 / 4

HEX #E646F5

RGB 230 70 245

HSL 294.86, 0.9%, 0.62%

LAB 59.7, 80.8, -56.51

 

CMYK 7 / 71 / 0 / 84

HEX #260C29

RGB 38 12 41

HSL 293.79, 0.55%, 0.1%

LAB 7.54, 19.04, -13.79

 

CMYK 7 / 72 / 0 / 64

HEX #561A5C

RGB 86 26 92

HSL 294.55, 0.56%, 0.23%

LAB 21.91, 37.21, -26.28

 

CMYK 6 / 71 / 0 / 44

HEX #86298F

RGB 134 41 143

HSL 294.71, 0.55%, 0.36%

LAB 35.28, 52.63, -36.98

 

CMYK 0 / 64 / 71 / 44

HEX #8E3329

RGB 142 51 41

HSL 5.94, 0.55%, 0.36%

LAB 34.56, 37.97, 26.6

 

CMYK 71 / 0 / 36 / 44

HEX #298E5B

RGB 41 142 91

HSL 149.7, 0.55%, 0.36%

LAB 52.48, -41.06, 19.05

 

CMYK 6 / 71 / 0 / 44

HEX #86298F

RGB 134 41 143

HSL 294.71, 0.55%, 0.36%

LAB 35.28, 52.63, -36.98

 

CMYK 0 / 7 / 71 / 44

HEX #8E8429

RGB 142 132 41

HSL 54.06, 0.55%, 0.36%

LAB 54.46, -7.28, 48.1

 

CMYK 71 / 0 / 7 / 44

HEX #298E84

RGB 41 142 132

HSL 174.06, 0.55%, 0.36%

LAB 53.47, -30.75, -3.01

 

CMYK 6 / 71 / 0 / 44

HEX #86298F

RGB 134 41 143

HSL 294.71, 0.55%, 0.36%

LAB 35.28, 52.63, -36.98

 

CMYK 0 / 64 / 71 / 44

HEX #8E3329

RGB 142 51 41

HSL 5.94, 0.55%, 0.36%

LAB 34.56, 37.97, 26.6

 

CMYK 64 / 0 / 71 / 44

HEX #338E29

RGB 51 142 41

HSL 114.06, 0.55%, 0.36%

LAB 52.07, -46.56, 43.91

 

CMYK 71 / 7 / 0 / 44

HEX #29848E

RGB 41 132 142

HSL 185.94, 0.55%, 0.36%

LAB 50.6, -22.71, -13.11

 

CMYK 6 / 71 / 0 / 44

HEX #86298F

RGB 134 41 143

HSL 294.71, 0.55%, 0.36%

LAB 35.28, 52.63, -36.98

 

CMYK 0 / 43 / 71 / 44

HEX #8E5129

RGB 142 81 41

HSL 23.76, 0.55%, 0.36%

LAB 40.89, 21.94, 33.83

 

CMYK 64 / 0 / 71 / 44

HEX #338E29

RGB 51 142 41

HSL 114.06, 0.55%, 0.36%

LAB 52.07, -46.56, 43.91

 

CMYK 71 / 29 / 0 / 44

HEX #29658E

RGB 41 101 142

HSL 204.36, 0.55%, 0.36%

LAB 40.79, -5.23, -28.21

 

Description

Color code: CMYK 6 / 71 / 0 / 44 | qconv.com Color code: CMYK 6 / 71 / 0 / 44 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 134 red, 41 green and 143 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
134 41 143 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, 71 magenta, none yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 71% 0% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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