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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 69 / 8 / 0 / 86 it is the complementary color CMYK 0 / 9 / 10 / 4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 69 / 8 / 0 / 86. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 69 / 8 / 0 / 86: CMYK 52 / 0 / 6 / 87, CMYK 35 / 0 / 2 / 80, CMYK 28 / 0 / 0 / 73, CMYK 24 / 1 / 0 / 65 and CMYK 21 / 2 / 0 / 58

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 69 / 8 / 0 / 86. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 69 / 8 / 0 / 86: CMYK 69 / 8 / 0 / 86, CMYK 100 / 12 / 0 / 93

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 8 / 0 / 86

HEX #0B2124

RGB 11 33 36

HSL 187.2, 0.53%, 0.09%

LAB 11.18, -7.58, -4.69

 

Complementary color

CMYK 0 / 9 / 10 / 4

HEX #F4DEDB

RGB 244 222 219

HSL 7.2, 0.53%, 0.91%

LAB 90.13, 7.05, 4.2

 

CMYK 52 / 0 / 6 / 87

HEX #10211F

RGB 16 33 31

HSL 172.94, 0.35%, 0.1%

LAB 11.25, -7.73, -0.89

 

CMYK 35 / 0 / 2 / 80

HEX #213332

RGB 33 51 50

HSL 176.67, 0.21%, 0.16%

LAB 19.73, -7.57, -1.73

 

CMYK 28 / 0 / 0 / 73

HEX #324545

RGB 50 69 69

HSL 180, 0.16%, 0.23%

LAB 27.75, -7.45, -2.45

 

CMYK 24 / 1 / 0 / 65

HEX #435758

RGB 67 87 88

HSL 182.86, 0.14%, 0.3%

LAB 35.43, -7.36, -3.1

 

CMYK 21 / 2 / 0 / 58

HEX #54696B

RGB 84 105 107

HSL 185.22, 0.12%, 0.37%

LAB 42.84, -7.31, -3.72

 

CMYK 69 / 8 / 0 / 86

HEX #0B2124

RGB 11 33 36

HSL 187.2, 0.53%, 0.09%

LAB 11.18, -7.58, -4.69

 

CMYK 100 / 12 / 0 / 93

HEX #000F11

RGB 0 15 17

HSL 187.06, 1%, 0.03%

LAB 3.45, -3.74, -2.48

 

CMYK 69 / 8 / 0 / 86

HEX #0B2124

RGB 11 33 36

HSL 187.2, 0.53%, 0.09%

LAB 11.18, -7.58, -4.69

 

CMYK 71 / 20 / 0 / 86

HEX #0A1C23

RGB 10 28 35

HSL 196.8, 0.56%, 0.09%

LAB 9.13, -4.78, -7.07

 

CMYK 71 / 31 / 0 / 86

HEX #0A1823

RGB 10 24 35

HSL 206.4, 0.56%, 0.09%

LAB 7.58, -1.74, -9.45

 

CMYK 71 / 43 / 0 / 86

HEX #0A1423

RGB 10 20 35

HSL 216, 0.56%, 0.09%

LAB 6.2, 1.09, -11.58

 

CMYK 71 / 54 / 0 / 86

HEX #0A1023

RGB 10 16 35

HSL 225.6, 0.56%, 0.09%

LAB 5.03, 3.48, -13.39

 

CMYK 69 / 8 / 0 / 86

HEX #0B2124

RGB 11 33 36

HSL 187.2, 0.53%, 0.09%

LAB 11.18, -7.58, -4.69

 

CMYK 69 / 8 / 0 / 66

HEX #1B5057

RGB 27 80 87

HSL 187, 0.53%, 0.22%

LAB 31.02, -14.8, -9.28

 

CMYK 70 / 8 / 0 / 46

HEX #2A7F8A

RGB 42 127 138

HSL 186.88, 0.53%, 0.35%

LAB 48.89, -21.22, -13.35

 

CMYK 69 / 8 / 0 / 26

HEX #3AADBD

RGB 58 173 189

HSL 187.33, 0.53%, 0.48%

LAB 65.33, -26.5, -17.53

 

CMYK 70 / 8 / 0 / 6

HEX #49DCF0

RGB 73 220 240

HSL 187.19, 0.85%, 0.61%

LAB 81.23, -32.12, -21.08

 

CMYK 69 / 8 / 0 / 86

HEX #0B2124

RGB 11 33 36

HSL 187.2, 0.53%, 0.09%

LAB 11.18, -7.58, -4.69

 

CMYK 49 / 71 / 0 / 86

HEX #120A23

RGB 18 10 35

HSL 259.2, 0.56%, 0.09%

LAB 4.22, 8.91, -14.59

 

CMYK 0 / 20 / 71 / 86

HEX #231C0A

RGB 35 28 10

HSL 43.2, 0.56%, 0.09%

LAB 10.63, 0.44, 11.76

 

CMYK 69 / 8 / 0 / 86

HEX #0B2124

RGB 11 33 36

HSL 187.2, 0.53%, 0.09%

LAB 11.18, -7.58, -4.69

 

CMYK 0 / 71 / 9 / 86

HEX #230A20

RGB 35 10 32

HSL 307.2, 0.56%, 0.09%

LAB 6.13, 16.4, -9.16

 

CMYK 9 / 0 / 71 / 86

HEX #20230A

RGB 32 35 10

HSL 67.2, 0.56%, 0.09%

LAB 12.8, -6.09, 14.69

 

CMYK 69 / 8 / 0 / 86

HEX #0B2124

RGB 11 33 36

HSL 187.2, 0.53%, 0.09%

LAB 11.18, -7.58, -4.69

 

CMYK 49 / 71 / 0 / 86

HEX #120A23

RGB 18 10 35

HSL 259.2, 0.56%, 0.09%

LAB 4.22, 8.91, -14.59

 

CMYK 0 / 63 / 71 / 86

HEX #230D0A

RGB 35 13 10

HSL 7.2, 0.56%, 0.09%

LAB 6.03, 10.52, 5.11

 

CMYK 23 / 0 / 71 / 86

HEX #1B230A

RGB 27 35 10

HSL 79.2, 0.56%, 0.09%

LAB 12.33, -8.76, 13.97

 

CMYK 69 / 8 / 0 / 86

HEX #0B2124

RGB 11 33 36

HSL 187.2, 0.53%, 0.09%

LAB 11.18, -7.58, -4.69

 

CMYK 29 / 71 / 0 / 86

HEX #190A23

RGB 25 10 35

HSL 276, 0.56%, 0.09%

LAB 4.92, 12.07, -13.44

 

CMYK 0 / 63 / 71 / 86

HEX #230D0A

RGB 35 13 10

HSL 7.2, 0.56%, 0.09%

LAB 6.03, 10.52, 5.11

 

CMYK 43 / 0 / 71 / 86

HEX #14230A

RGB 20 35 10

HSL 96, 0.56%, 0.09%

LAB 11.77, -12.23, 13.12

 

Description

Color code: CMYK 69 / 8 / 0 / 86 | qconv.com Color code: CMYK 69 / 8 / 0 / 86 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 11 red, 33 green and 36 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
11 33 36 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, 8 magenta, none yellow and 86 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 8% 0% 86% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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