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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 68 / 9 / 0 / 30 it is the complementary color CMYK 0 / 53 / 62 / 22. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 68 / 9 / 0 / 30. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 68 / 9 / 0 / 30: CMYK 64 / 7 / 0 / 32, CMYK 59 / 7 / 0 / 24, CMYK 55 / 7 / 0 / 17, CMYK 51 / 6 / 0 / 9 and CMYK 48 / 6 / 0 / 2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 68 / 9 / 0 / 30. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 68 / 9 / 0 / 30: CMYK 68 / 9 / 0 / 30, CMYK 75 / 10 / 0 / 37, CMYK 84 / 11 / 0 / 45, CMYK 95 / 11 / 0 / 52 and CMYK 100 / 13 / 0 / 60

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 9 / 0 / 30

HEX #39A2B3

RGB 57 162 179

HSL 188.36, 0.52%, 0.46%

LAB 61.62, -24.17, -17.56

 

Complementary color

CMYK 0 / 53 / 62 / 22

HEX #C65D4C

RGB 198 93 76

HSL 8.36, 0.52%, 0.54%

LAB 52.24, 40.56, 29.69

 

CMYK 64 / 7 / 0 / 32

HEX #3EA2AE

RGB 62 162 174

HSL 186.43, 0.47%, 0.46%

LAB 61.59, -24.9, -14.8

 

CMYK 59 / 7 / 0 / 24

HEX #4FB4C1

RGB 79 180 193

HSL 186.84, 0.48%, 0.53%

LAB 68.13, -25.38, -15.45

 

CMYK 55 / 7 / 0 / 17

HEX #60C6D4

RGB 96 198 212

HSL 187.24, 0.57%, 0.6%

LAB 74.59, -25.72, -16.04

 

CMYK 51 / 6 / 0 / 9

HEX #71D8E7

RGB 113 216 231

HSL 187.63, 0.71%, 0.67%

LAB 80.96, -25.95, -16.6

 

CMYK 48 / 6 / 0 / 2

HEX #82EAFA

RGB 130 234 250

HSL 188, 0.92%, 0.75%

LAB 87.24, -26.12, -17.12

 

CMYK 68 / 9 / 0 / 30

HEX #39A2B3

RGB 57 162 179

HSL 188.36, 0.52%, 0.46%

LAB 61.62, -24.17, -17.56

 

CMYK 75 / 10 / 0 / 37

HEX #2890A0

RGB 40 144 160

HSL 188, 0.6%, 0.39%

LAB 55.01, -23.28, -16.86

 

CMYK 84 / 11 / 0 / 45

HEX #177E8D

RGB 23 126 141

HSL 187.63, 0.72%, 0.32%

LAB 48.29, -22.04, -16.06

 

CMYK 95 / 11 / 0 / 52

HEX #066C7A

RGB 6 108 122

HSL 187.24, 0.91%, 0.25%

LAB 41.48, -20.3, -15.13

 

CMYK 100 / 13 / 0 / 60

HEX #005A67

RGB 0 90 103

HSL 187.57, 1%, 0.2%

LAB 34.58, -17.8, -14

 

CMYK 68 / 9 / 0 / 30

HEX #39A2B3

RGB 57 162 179

HSL 188.36, 0.52%, 0.46%

LAB 61.62, -24.17, -17.56

 

CMYK 69 / 21 / 0 / 30

HEX #388DB2

RGB 56 141 178

HSL 198.2, 0.52%, 0.46%

LAB 55.18, -13.48, -26.87

 

CMYK 69 / 32 / 0 / 30

HEX #3879B2

RGB 56 121 178

HSL 208.03, 0.52%, 0.46%

LAB 49.17, -1.94, -36.26

 

CMYK 69 / 43 / 0 / 30

HEX #3865B2

RGB 56 101 178

HSL 217.87, 0.52%, 0.46%

LAB 43.3, 10.44, -45.55

 

CMYK 69 / 55 / 0 / 30

HEX #3850B2

RGB 56 80 178

HSL 228.2, 0.52%, 0.46%

LAB 37.47, 24.05, -54.95

 

CMYK 68 / 9 / 0 / 30

HEX #39A2B3

RGB 57 162 179

HSL 188.36, 0.52%, 0.46%

LAB 61.62, -24.17, -17.56

 

CMYK 68 / 10 / 0 / 10

HEX #49D0E6

RGB 73 208 230

HSL 188.41, 0.76%, 0.59%

LAB 77.42, -29.3, -21.52

 

CMYK 69 / 8 / 0 / 90

HEX #08181A

RGB 8 24 26

HSL 186.67, 0.53%, 0.07%

LAB 7.04, -5.23, -3.45

 

CMYK 68 / 9 / 0 / 70

HEX #19464D

RGB 25 70 77

HSL 188.08, 0.51%, 0.2%

LAB 27.08, -12.79, -8.79

 

CMYK 68 / 9 / 0 / 50

HEX #297480

RGB 41 116 128

HSL 188.28, 0.51%, 0.33%

LAB 44.97, -18.73, -13.37

 

CMYK 68 / 9 / 0 / 30

HEX #39A2B3

RGB 57 162 179

HSL 188.36, 0.52%, 0.46%

LAB 61.62, -24.17, -17.56

 

CMYK 46 / 69 / 0 / 30

HEX #6038B2

RGB 96 56 178

HSL 259.67, 0.52%, 0.46%

LAB 35.06, 45.67, -58.71

 

CMYK 0 / 19 / 69 / 30

HEX #B29138

RGB 178 145 56

HSL 43.77, 0.52%, 0.46%

LAB 61.66, 2.66, 50.15

 

CMYK 68 / 9 / 0 / 30

HEX #39A2B3

RGB 57 162 179

HSL 188.36, 0.52%, 0.46%

LAB 61.62, -24.17, -17.56

 

CMYK 0 / 69 / 9 / 30

HEX #B238A2

RGB 178 56 162

HSL 307.87, 0.52%, 0.46%

LAB 45.5, 60.72, -31.84

 

CMYK 9 / 0 / 69 / 30

HEX #A2B238

RGB 162 178 56

HSL 67.87, 0.52%, 0.46%

LAB 69.33, -21.67, 57.61

 

CMYK 68 / 9 / 0 / 30

HEX #39A2B3

RGB 57 162 179

HSL 188.36, 0.52%, 0.46%

LAB 61.62, -24.17, -17.56

 

CMYK 46 / 69 / 0 / 30

HEX #6038B2

RGB 96 56 178

HSL 259.67, 0.52%, 0.46%

LAB 35.06, 45.67, -58.71

 

CMYK 0 / 60 / 69 / 30

HEX #B24838

RGB 178 72 56

HSL 7.87, 0.52%, 0.46%

LAB 44.78, 42.15, 31.36

 

CMYK 23 / 0 / 69 / 30

HEX #89B238

RGB 137 178 56

HSL 80.16, 0.52%, 0.46%

LAB 67.61, -31.9, 55.3

 

CMYK 68 / 9 / 0 / 30

HEX #39A2B3

RGB 57 162 179

HSL 188.36, 0.52%, 0.46%

LAB 61.62, -24.17, -17.56

 

CMYK 25 / 69 / 0 / 30

HEX #8538B2

RGB 133 56 178

HSL 277.87, 0.52%, 0.46%

LAB 39.63, 53.2, -51.09

 

CMYK 0 / 60 / 69 / 30

HEX #B24838

RGB 178 72 56

HSL 7.87, 0.52%, 0.46%

LAB 44.78, 42.15, 31.36

 

CMYK 43 / 0 / 69 / 30

HEX #65B238

RGB 101 178 56

HSL 97.87, 0.52%, 0.46%

LAB 65.67, -45.01, 52.67

 

Description

Color code: CMYK 68 / 9 / 0 / 30 | qconv.com Color code: CMYK 68 / 9 / 0 / 30 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 57 red, 162 green and 179 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
57 162 179 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, 9 magenta, none yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 9% 0% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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