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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 68 / 46 / 0 / 52 it is the complementary color CMYK 0 / 13 / 38 / 15. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 68 / 46 / 0 / 52. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 68 / 46 / 0 / 52: CMYK 62 / 44 / 0 / 54, CMYK 55 / 38 / 0 / 47, CMYK 50 / 34 / 0 / 39, CMYK 45 / 31 / 0 / 32 and CMYK 42 / 28 / 0 / 24

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 68 / 46 / 0 / 52. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 68 / 46 / 0 / 52: CMYK 68 / 46 / 0 / 52, CMYK 79 / 53 / 0 / 60, CMYK 94 / 64 / 0 / 67, CMYK 100 / 82 / 0 / 75 and CMYK 100 / 100 / 0 / 82

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 46 / 0 / 52

HEX #27427A

RGB 39 66 122

HSL 220.48, 0.52%, 0.32%

LAB 28.73, 9.53, -35.01

 

Complementary color

CMYK 0 / 13 / 38 / 15

HEX #D8BD85

RGB 216 189 133

HSL 40.48, 0.52%, 0.68%

LAB 77.69, 1.8, 31.85

 

CMYK 62 / 44 / 0 / 54

HEX #2C4275

RGB 44 66 117

HSL 221.92, 0.45%, 0.32%

LAB 28.69, 8.64, -31.92

 

CMYK 55 / 38 / 0 / 47

HEX #3D5488

RGB 61 84 136

HSL 221.6, 0.38%, 0.39%

LAB 36.2, 7.37, -31.73

 

CMYK 50 / 34 / 0 / 39

HEX #4E669B

RGB 78 102 155

HSL 221.3, 0.33%, 0.46%

LAB 43.49, 6.43, -31.62

 

CMYK 45 / 31 / 0 / 32

HEX #5F78AE

RGB 95 120 174

HSL 221.01, 0.33%, 0.53%

LAB 50.6, 5.69, -31.56

 

CMYK 42 / 28 / 0 / 24

HEX #708AC1

RGB 112 138 193

HSL 220.74, 0.4%, 0.6%

LAB 57.53, 5.09, -31.56

 

CMYK 68 / 46 / 0 / 52

HEX #27427A

RGB 39 66 122

HSL 220.48, 0.52%, 0.32%

LAB 28.73, 9.53, -35.01

 

CMYK 79 / 53 / 0 / 60

HEX #163067

RGB 22 48 103

HSL 220.74, 0.65%, 0.25%

LAB 21.07, 11.72, -35.22

 

CMYK 94 / 64 / 0 / 67

HEX #051E54

RGB 5 30 84

HSL 221.01, 0.89%, 0.17%

LAB 13.24, 14.89, -35.35

 

CMYK 100 / 82 / 0 / 75

HEX #000C41

RGB 0 12 65

HSL 228.92, 1%, 0.13%

LAB 5.82, 18.54, -34.32

 

CMYK 100 / 100 / 0 / 82

HEX #00002E

RGB 0 0 46

HSL 240, 1%, 0.09%

LAB 1.78, 12.52, -26.91

 

CMYK 68 / 46 / 0 / 52

HEX #27427A

RGB 39 66 122

HSL 220.48, 0.52%, 0.32%

LAB 28.73, 9.53, -35.01

 

CMYK 69 / 57 / 0 / 51

HEX #27357C

RGB 39 53 124

HSL 230.12, 0.52%, 0.32%

LAB 25.05, 19.3, -42.19

 

CMYK 69 / 69 / 0 / 51

HEX #27277C

RGB 39 39 124

HSL 240, 0.52%, 0.32%

LAB 21.35, 28.83, -48.22

 

CMYK 57 / 69 / 0 / 51

HEX #35277C

RGB 53 39 124

HSL 249.88, 0.52%, 0.32%

LAB 22.53, 31.15, -46.25

 

CMYK 46 / 69 / 0 / 51

HEX #43277C

RGB 67 39 124

HSL 259.76, 0.52%, 0.32%

LAB 24, 33.92, -43.79

 

CMYK 68 / 46 / 0 / 52

HEX #27427A

RGB 39 66 122

HSL 220.48, 0.52%, 0.32%

LAB 28.73, 9.53, -35.01

 

CMYK 68 / 46 / 0 / 32

HEX #375EAD

RGB 55 94 173

HSL 220.17, 0.52%, 0.45%

LAB 40.95, 12.93, -46.38

 

CMYK 68 / 46 / 0 / 12

HEX #4879E0

RGB 72 121 224

HSL 220.66, 0.71%, 0.58%

LAB 52.32, 16.91, -57.45

 

CMYK 70 / 45 / 0 / 92

HEX #060B14

RGB 6 11 20

HSL 218.57, 0.54%, 0.05%

LAB 2.97, 0.36, -5.01

 

CMYK 68 / 46 / 0 / 72

HEX #172647

RGB 23 38 71

HSL 221.25, 0.51%, 0.18%

LAB 15.61, 5.9, -22.6

 

CMYK 68 / 46 / 0 / 52

HEX #27427A

RGB 39 66 122

HSL 220.48, 0.52%, 0.32%

LAB 28.73, 9.53, -35.01

 

CMYK 10 / 69 / 0 / 51

HEX #70277C

RGB 112 39 124

HSL 291.53, 0.52%, 0.32%

LAB 30.28, 44.51, -33.35

 

CMYK 19 / 0 / 69 / 51

HEX #657C27

RGB 101 124 39

HSL 76.24, 0.52%, 0.32%

LAB 48.67, -21.53, 41.94

 

CMYK 68 / 46 / 0 / 52

HEX #27427A

RGB 39 66 122

HSL 220.48, 0.52%, 0.32%

LAB 28.73, 9.53, -35.01

 

CMYK 0 / 69 / 46 / 51

HEX #7C2743

RGB 124 39 67

HSL 340.24, 0.52%, 0.32%

LAB 29.77, 39.17, 2.94

 

CMYK 46 / 0 / 69 / 51

HEX #437C27

RGB 67 124 39

HSL 100.24, 0.52%, 0.32%

LAB 46.65, -34.89, 39.18

 

CMYK 68 / 46 / 0 / 52

HEX #27427A

RGB 39 66 122

HSL 220.48, 0.52%, 0.32%

LAB 28.73, 9.53, -35.01

 

CMYK 10 / 69 / 0 / 51

HEX #70277C

RGB 112 39 124

HSL 291.53, 0.52%, 0.32%

LAB 30.28, 44.51, -33.35

 

CMYK 0 / 23 / 69 / 51

HEX #7C5F27

RGB 124 95 39

HSL 39.53, 0.52%, 0.32%

LAB 42.18, 5.32, 35.64

 

CMYK 60 / 0 / 69 / 51

HEX #327C27

RGB 50 124 39

HSL 112.24, 0.52%, 0.32%

LAB 45.96, -40.12, 38.24

 

CMYK 68 / 46 / 0 / 52

HEX #27427A

RGB 39 66 122

HSL 220.48, 0.52%, 0.32%

LAB 28.73, 9.53, -35.01

 

CMYK 0 / 69 / 12 / 51

HEX #7C276D

RGB 124 39 109

HSL 310.59, 0.52%, 0.32%

LAB 31.44, 44.93, -21.88

 

CMYK 0 / 23 / 69 / 51

HEX #7C5F27

RGB 124 95 39

HSL 39.53, 0.52%, 0.32%

LAB 42.18, 5.32, 35.64

 

CMYK 69 / 0 / 57 / 51

HEX #277C35

RGB 39 124 53

HSL 129.88, 0.52%, 0.32%

LAB 45.78, -41.05, 31.15

 

Description

Color code: CMYK 68 / 46 / 0 / 52 | qconv.com Color code: CMYK 68 / 46 / 0 / 52 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 39 red, 66 green and 122 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
39 66 122 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, 46 magenta, none yellow and 52 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 46% 0% 52% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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