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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 68 / 43 / 0 / 47 it is the complementary color CMYK 0 / 16 / 43 / 17. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 68 / 43 / 0 / 47. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 68 / 43 / 0 / 47: CMYK 63 / 41 / 0 / 49, CMYK 56 / 36 / 0 / 42, CMYK 51 / 33 / 0 / 34, CMYK 47 / 30 / 0 / 27 and CMYK 44 / 28 / 0 / 19

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 68 / 43 / 0 / 47. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 68 / 43 / 0 / 47: CMYK 68 / 43 / 0 / 47, CMYK 78 / 49 / 0 / 55, CMYK 91 / 58 / 0 / 62, CMYK 100 / 71 / 0 / 69 and CMYK 100 / 92 / 0 / 77

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 43 / 0 / 47

HEX #2B4D87

RGB 43 77 135

HSL 217.83, 0.52%, 0.35%

LAB 33.07, 7.82, -36.14

 

Complementary color

CMYK 0 / 16 / 43 / 17

HEX #D4B278

RGB 212 178 120

HSL 37.83, 0.52%, 0.65%

LAB 74.31, 4.59, 34.18

 

CMYK 63 / 41 / 0 / 49

HEX #304D82

RGB 48 77 130

HSL 218.78, 0.46%, 0.35%

LAB 33.02, 6.92, -33.12

 

CMYK 56 / 36 / 0 / 42

HEX #415F95

RGB 65 95 149

HSL 218.57, 0.39%, 0.42%

LAB 40.37, 5.71, -32.99

 

CMYK 51 / 33 / 0 / 34

HEX #5271A8

RGB 82 113 168

HSL 218.37, 0.34%, 0.49%

LAB 47.54, 4.8, -32.92

 

CMYK 47 / 30 / 0 / 27

HEX #6383BB

RGB 99 131 187

HSL 218.18, 0.39%, 0.56%

LAB 54.53, 4.08, -32.89

 

CMYK 44 / 28 / 0 / 19

HEX #7495CE

RGB 116 149 206

HSL 218, 0.48%, 0.63%

LAB 61.36, 3.49, -32.91

 

CMYK 68 / 43 / 0 / 47

HEX #2B4D87

RGB 43 77 135

HSL 217.83, 0.52%, 0.35%

LAB 33.07, 7.82, -36.14

 

CMYK 78 / 49 / 0 / 55

HEX #1A3B74

RGB 26 59 116

HSL 218, 0.63%, 0.28%

LAB 25.59, 9.85, -36.29

 

CMYK 91 / 58 / 0 / 62

HEX #092961

RGB 9 41 97

HSL 218.18, 0.83%, 0.21%

LAB 17.95, 12.78, -36.36

 

CMYK 100 / 71 / 0 / 69

HEX #00174E

RGB 0 23 78

HSL 222.31, 1%, 0.15%

LAB 10.28, 17.01, -36.1

 

CMYK 100 / 92 / 0 / 77

HEX #00053B

RGB 0 5 59

HSL 234.92, 1%, 0.12%

LAB 3.83, 18.04, -33.25

 

CMYK 68 / 43 / 0 / 47

HEX #2B4D87

RGB 43 77 135

HSL 217.83, 0.52%, 0.35%

LAB 33.07, 7.82, -36.14

 

CMYK 69 / 54 / 0 / 47

HEX #2A3E87

RGB 42 62 135

HSL 227.1, 0.53%, 0.35%

LAB 28.61, 17.81, -43.31

 

CMYK 69 / 65 / 0 / 47

HEX #2A2F87

RGB 42 47 135

HSL 236.77, 0.53%, 0.35%

LAB 24.56, 28, -49.89

 

CMYK 61 / 69 / 0 / 47

HEX #352A87

RGB 53 42 135

HSL 247.1, 0.53%, 0.35%

LAB 24.2, 32.95, -50.44

 

CMYK 49 / 69 / 0 / 47

HEX #452A87

RGB 69 42 135

HSL 257.42, 0.53%, 0.35%

LAB 25.77, 35.87, -47.81

 

CMYK 68 / 43 / 0 / 47

HEX #2B4D87

RGB 43 77 135

HSL 217.83, 0.52%, 0.35%

LAB 33.07, 7.82, -36.14

 

CMYK 68 / 43 / 0 / 27

HEX #3B6ABA

RGB 59 106 186

HSL 217.8, 0.52%, 0.48%

LAB 45.34, 10.66, -46.96

 

CMYK 68 / 43 / 0 / 7

HEX #4B87ED

RGB 75 135 237

HSL 217.78, 0.82%, 0.61%

LAB 57.02, 13.36, -57.19

 

CMYK 67 / 42 / 0 / 87

HEX #0B1321

RGB 11 19 33

HSL 218.18, 0.5%, 0.09%

LAB 5.84, 1.26, -10.6

 

CMYK 68 / 43 / 0 / 67

HEX #1B3054

RGB 27 48 84

HSL 217.89, 0.51%, 0.22%

LAB 19.99, 4.77, -24.42

 

CMYK 68 / 43 / 0 / 47

HEX #2B4D87

RGB 43 77 135

HSL 217.83, 0.52%, 0.35%

LAB 33.07, 7.82, -36.14

 

CMYK 13 / 69 / 0 / 47

HEX #762A87

RGB 118 42 135

HSL 289.03, 0.53%, 0.35%

LAB 32.38, 46.88, -36.81

 

CMYK 15 / 0 / 69 / 47

HEX #73872A

RGB 115 135 42

HSL 72.9, 0.53%, 0.35%

LAB 53.1, -20.91, 45.57

 

CMYK 68 / 43 / 0 / 47

HEX #2B4D87

RGB 43 77 135

HSL 217.83, 0.52%, 0.35%

LAB 33.07, 7.82, -36.14

 

CMYK 0 / 69 / 42 / 47

HEX #872A4E

RGB 135 42 78

HSL 336.77, 0.53%, 0.35%

LAB 32.61, 42.67, 0.09

 

CMYK 42 / 0 / 69 / 47

HEX #4E872A

RGB 78 135 42

HSL 96.77, 0.53%, 0.35%

LAB 50.82, -35.64, 42.48

 

CMYK 68 / 43 / 0 / 47

HEX #2B4D87

RGB 43 77 135

HSL 217.83, 0.52%, 0.35%

LAB 33.07, 7.82, -36.14

 

CMYK 13 / 69 / 0 / 47

HEX #762A87

RGB 118 42 135

HSL 289.03, 0.53%, 0.35%

LAB 32.38, 46.88, -36.81

 

CMYK 0 / 26 / 69 / 47

HEX #87642A

RGB 135 100 42

HSL 37.42, 0.53%, 0.35%

LAB 44.85, 7.73, 37.4

 

CMYK 56 / 0 / 69 / 47

HEX #3B872A

RGB 59 135 42

HSL 109.03, 0.53%, 0.35%

LAB 50.01, -41.7, 41.37

 

CMYK 68 / 43 / 0 / 47

HEX #2B4D87

RGB 43 77 135

HSL 217.83, 0.52%, 0.35%

LAB 33.07, 7.82, -36.14

 

CMYK 0 / 69 / 8 / 47

HEX #872A7C

RGB 135 42 124

HSL 307.1, 0.53%, 0.35%

LAB 34.52, 49.13, -26.39

 

CMYK 0 / 26 / 69 / 47

HEX #87642A

RGB 135 100 42

HSL 37.42, 0.53%, 0.35%

LAB 44.85, 7.73, 37.4

 

CMYK 69 / 0 / 61 / 47

HEX #2A8735

RGB 42 135 53

HSL 127.1, 0.53%, 0.35%

LAB 49.59, -44.63, 35.66

 

Description

Color code: CMYK 68 / 43 / 0 / 47 | qconv.com Color code: CMYK 68 / 43 / 0 / 47 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 43 red, 77 green and 135 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
43 77 135 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, 43 magenta, none yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 43% 0% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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