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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 68 / 43 / 0 / 44 it is the complementary color CMYK 0 / 17 / 46 / 18. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 68 / 43 / 0 / 44. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 68 / 43 / 0 / 44: CMYK 63 / 41 / 0 / 46, CMYK 57 / 37 / 0 / 38, CMYK 52 / 34 / 0 / 31, CMYK 48 / 31 / 0 / 24 and CMYK 44 / 29 / 0 / 16

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 68 / 43 / 0 / 44. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 68 / 43 / 0 / 44: CMYK 68 / 43 / 0 / 44, CMYK 77 / 49 / 0 / 51, CMYK 89 / 57 / 0 / 59, CMYK 100 / 69 / 0 / 66 and CMYK 100 / 87 / 0 / 74

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 43 / 0 / 44

HEX #2E518F

RGB 46 81 143

HSL 218.35, 0.51%, 0.37%

LAB 34.9, 8.73, -38.11

 

Complementary color

CMYK 0 / 17 / 46 / 18

HEX #D1AE70

RGB 209 174 112

HSL 38.35, 0.51%, 0.63%

LAB 72.89, 4.68, 36.48

 

CMYK 63 / 41 / 0 / 46

HEX #33518A

RGB 51 81 138

HSL 219.31, 0.46%, 0.37%

LAB 34.85, 7.83, -35.12

 

CMYK 57 / 37 / 0 / 38

HEX #44639D

RGB 68 99 157

HSL 219.1, 0.4%, 0.44%

LAB 42.13, 6.58, -34.98

 

CMYK 52 / 34 / 0 / 31

HEX #5575B0

RGB 85 117 176

HSL 218.9, 0.37%, 0.51%

LAB 49.24, 5.63, -34.89

 

CMYK 48 / 31 / 0 / 24

HEX #6687C3

RGB 102 135 195

HSL 218.71, 0.44%, 0.58%

LAB 56.18, 4.88, -34.85

 

CMYK 44 / 29 / 0 / 16

HEX #7799D6

RGB 119 153 214

HSL 218.53, 0.54%, 0.65%

LAB 62.98, 4.26, -34.84

 

CMYK 68 / 43 / 0 / 44

HEX #2E518F

RGB 46 81 143

HSL 218.35, 0.51%, 0.37%

LAB 34.9, 8.73, -38.11

 

CMYK 77 / 49 / 0 / 51

HEX #1D3F7C

RGB 29 63 124

HSL 218.53, 0.62%, 0.3%

LAB 27.49, 10.75, -38.27

 

CMYK 89 / 57 / 0 / 59

HEX #0C2D69

RGB 12 45 105

HSL 218.71, 0.79%, 0.23%

LAB 19.94, 13.61, -38.36

 

CMYK 100 / 69 / 0 / 66

HEX #001B56

RGB 0 27 86

HSL 221.16, 1%, 0.17%

LAB 12.32, 17.58, -38.21

 

CMYK 100 / 87 / 0 / 74

HEX #000943

RGB 0 9 67

HSL 231.94, 1%, 0.13%

LAB 5.43, 21.12, -36.39

 

CMYK 68 / 43 / 0 / 44

HEX #2E518F

RGB 46 81 143

HSL 218.35, 0.51%, 0.37%

LAB 34.9, 8.73, -38.11

 

CMYK 68 / 54 / 0 / 44

HEX #2E418E

RGB 46 65 142

HSL 228.13, 0.51%, 0.37%

LAB 30.19, 19.1, -45.06

 

CMYK 68 / 65 / 0 / 44

HEX #2E318E

RGB 46 49 142

HSL 238.13, 0.51%, 0.37%

LAB 25.95, 29.82, -51.95

 

CMYK 58 / 68 / 0 / 44

HEX #3B2E8E

RGB 59 46 142

HSL 248.13, 0.51%, 0.37%

LAB 26.26, 33.83, -51.4

 

CMYK 47 / 68 / 0 / 44

HEX #4B2E8E

RGB 75 46 142

HSL 258.13, 0.51%, 0.37%

LAB 27.85, 36.84, -48.74

 

CMYK 68 / 43 / 0 / 44

HEX #2E518F

RGB 46 81 143

HSL 218.35, 0.51%, 0.37%

LAB 34.9, 8.73, -38.11

 

CMYK 68 / 43 / 0 / 24

HEX #3E6EC2

RGB 62 110 194

HSL 218.18, 0.52%, 0.5%

LAB 47.07, 11.52, -48.82

 

CMYK 68 / 43 / 0 / 4

HEX #4F8BF5

RGB 79 139 245

HSL 218.31, 0.89%, 0.64%

LAB 58.71, 14.32, -58.89

 

CMYK 68 / 44 / 0 / 84

HEX #0D1729

RGB 13 23 41

HSL 218.57, 0.52%, 0.11%

LAB 7.75, 2.31, -13.66

 

CMYK 67 / 43 / 0 / 64

HEX #1E345C

RGB 30 52 92

HSL 218.71, 0.51%, 0.24%

LAB 21.96, 5.76, -26.57

 

CMYK 68 / 43 / 0 / 44

HEX #2E518F

RGB 46 81 143

HSL 218.35, 0.51%, 0.37%

LAB 34.9, 8.73, -38.11

 

CMYK 11 / 68 / 0 / 44

HEX #7E2E8E

RGB 126 46 142

HSL 290, 0.51%, 0.37%

LAB 34.69, 48.47, -37.38

 

CMYK 15 / 0 / 68 / 44

HEX #788E2E

RGB 120 142 46

HSL 73.75, 0.51%, 0.37%

LAB 55.62, -22.05, 46.61

 

CMYK 68 / 43 / 0 / 44

HEX #2E518F

RGB 46 81 143

HSL 218.35, 0.51%, 0.37%

LAB 34.9, 8.73, -38.11

 

CMYK 0 / 68 / 43 / 44

HEX #8E2E51

RGB 142 46 81

HSL 338.13, 0.51%, 0.37%

LAB 34.6, 43.54, 1.2

 

CMYK 43 / 0 / 68 / 44

HEX #518E2E

RGB 81 142 46

HSL 98.13, 0.51%, 0.37%

LAB 53.27, -37.31, 43.41

 

CMYK 68 / 43 / 0 / 44

HEX #2E518F

RGB 46 81 143

HSL 218.35, 0.51%, 0.37%

LAB 34.9, 8.73, -38.11

 

CMYK 11 / 68 / 0 / 44

HEX #7E2E8E

RGB 126 46 142

HSL 290, 0.51%, 0.37%

LAB 34.69, 48.47, -37.38

 

CMYK 0 / 25 / 68 / 44

HEX #8E6B2E

RGB 142 107 46

HSL 38.13, 0.51%, 0.37%

LAB 47.58, 7.16, 38.61

 

CMYK 56 / 0 / 68 / 44

HEX #3E8E2E

RGB 62 142 46

HSL 110, 0.51%, 0.37%

LAB 52.47, -43.25, 42.31

 

CMYK 68 / 43 / 0 / 44

HEX #2E518F

RGB 46 81 143

HSL 218.35, 0.51%, 0.37%

LAB 34.9, 8.73, -38.11

 

CMYK 0 / 68 / 9 / 44

HEX #8E2E81

RGB 142 46 129

HSL 308.13, 0.51%, 0.37%

LAB 36.54, 50.17, -26.27

 

CMYK 0 / 25 / 68 / 44

HEX #8E6B2E

RGB 142 107 46

HSL 38.13, 0.51%, 0.37%

LAB 47.58, 7.16, 38.61

 

CMYK 68 / 0 / 58 / 44

HEX #2E8E3B

RGB 46 142 59

HSL 128.13, 0.51%, 0.37%

LAB 52.11, -45.64, 35.69

 

Description

Color code: CMYK 68 / 43 / 0 / 44 | qconv.com Color code: CMYK 68 / 43 / 0 / 44 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 46 red, 81 green and 143 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
46 81 143 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, 43 magenta, none yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 43% 0% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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