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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 68 / 36 / 0 / 5 it is the complementary color CMYK 0 / 44 / 93 / 31. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 68 / 36 / 0 / 5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 68 / 36 / 0 / 5: CMYK 65 / 35 / 0 / 7, CMYK 61 / 32 / 0 / 0, CMYK 54 / 25 / 0 / 0, CMYK 47 / 18 / 0 / 0 and CMYK 41 / 11 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 68 / 36 / 0 / 5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 68 / 36 / 0 / 5: CMYK 68 / 36 / 0 / 5, CMYK 73 / 39 / 0 / 13, CMYK 78 / 42 / 0 / 20, CMYK 85 / 45 / 0 / 27 and CMYK 94 / 50 / 0 / 35

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 36 / 0 / 5

HEX #4E9BF2

RGB 78 155 242

HSL 211.83, 0.86%, 0.63%

LAB 62.91, 3.66, -50.57

 

Complementary color

CMYK 0 / 44 / 93 / 31

HEX #B1640D

RGB 177 100 13

HSL 31.83, 0.86%, 0.37%

LAB 50.09, 25.64, 55.26

 

CMYK 65 / 35 / 0 / 7

HEX #539BED

RGB 83 155 237

HSL 211.95, 0.81%, 0.63%

LAB 62.84, 2.76, -47.91

 

CMYK 61 / 32 / 0 / 0

HEX #64ADFF

RGB 100 173 255

HSL 211.74, 1%, 0.7%

LAB 69.34, 1.31, -47.45

 

CMYK 54 / 25 / 0 / 0

HEX #75BFFF

RGB 117 191 255

HSL 207.83, 1%, 0.73%

LAB 74.99, -5.36, -38.56

 

CMYK 47 / 18 / 0 / 0

HEX #86D1FF

RGB 134 209 255

HSL 202.81, 1%, 0.76%

LAB 80.68, -11.26, -29.72

 

CMYK 41 / 11 / 0 / 0

HEX #97E3FF

RGB 151 227 255

HSL 196.15, 1%, 0.8%

LAB 86.37, -16.48, -20.96

 

CMYK 68 / 36 / 0 / 5

HEX #4E9BF2

RGB 78 155 242

HSL 211.83, 0.86%, 0.63%

LAB 62.91, 3.66, -50.57

 

CMYK 73 / 39 / 0 / 13

HEX #3D89DF

RGB 61 137 223

HSL 211.85, 0.72%, 0.56%

LAB 56.3, 5.23, -50.56

 

CMYK 78 / 42 / 0 / 20

HEX #2C77CC

RGB 44 119 204

HSL 211.88, 0.65%, 0.49%

LAB 49.6, 7.17, -50.53

 

CMYK 85 / 45 / 0 / 27

HEX #1B65B9

RGB 27 101 185

HSL 211.9, 0.75%, 0.42%

LAB 42.83, 9.62, -50.45

 

CMYK 94 / 50 / 0 / 35

HEX #0A53A6

RGB 10 83 166

HSL 211.92, 0.89%, 0.35%

LAB 35.99, 12.73, -50.28

 

CMYK 68 / 36 / 0 / 5

HEX #4E9BF2

RGB 78 155 242

HSL 211.83, 0.86%, 0.63%

LAB 62.91, 3.66, -50.57

 

CMYK 67 / 46 / 0 / 5

HEX #4F82F1

RGB 79 130 241

HSL 221.11, 0.85%, 0.63%

LAB 56.07, 18.4, -60.92

 

CMYK 67 / 57 / 0 / 5

HEX #4F67F1

RGB 79 103 241

HSL 231.11, 0.85%, 0.63%

LAB 49.15, 35.01, -72.1

 

CMYK 66 / 67 / 0 / 5

HEX #524FF1

RGB 82 79 241

HSL 241.11, 0.85%, 0.63%

LAB 43.85, 49.72, -80.75

 

CMYK 55 / 67 / 0 / 5

HEX #6D4FF1

RGB 109 79 241

HSL 251.11, 0.85%, 0.63%

LAB 45.9, 53.47, -77.31

 

CMYK 68 / 36 / 0 / 5

HEX #4E9BF2

RGB 78 155 242

HSL 211.83, 0.86%, 0.63%

LAB 62.91, 3.66, -50.57

 

CMYK 68 / 37 / 0 / 85

HEX #0C1826

RGB 12 24 38

HSL 212.31, 0.52%, 0.1%

LAB 7.87, -0, -11.24

 

CMYK 67 / 36 / 0 / 65

HEX #1D3959

RGB 29 57 89

HSL 212, 0.51%, 0.23%

LAB 23.37, 0.88, -22.38

 

CMYK 68 / 36 / 0 / 45

HEX #2D5A8C

RGB 45 90 140

HSL 211.58, 0.51%, 0.36%

LAB 37.41, 1.58, -32.3

 

CMYK 68 / 36 / 0 / 25

HEX #3E7ABF

RGB 62 122 191

HSL 212.09, 0.51%, 0.5%

LAB 50.34, 3.03, -41.88

 

CMYK 68 / 36 / 0 / 5

HEX #4E9BF2

RGB 78 155 242

HSL 211.83, 0.86%, 0.63%

LAB 62.91, 3.66, -50.57

 

CMYK 19 / 67 / 0 / 5

HEX #C34FF1

RGB 195 79 241

HSL 282.96, 0.85%, 0.63%

LAB 55.63, 69.59, -61.08

 

CMYK 8 / 0 / 67 / 5

HEX #DEF14F

RGB 222 241 79

HSL 67.04, 0.85%, 0.63%

LAB 91.24, -26.3, 72.49

 

CMYK 68 / 36 / 0 / 5

HEX #4E9BF2

RGB 78 155 242

HSL 211.83, 0.86%, 0.63%

LAB 62.91, 3.66, -50.57

 

CMYK 0 / 67 / 35 / 5

HEX #F14F9D

RGB 241 79 157

HSL 331.11, 0.85%, 0.63%

LAB 58.72, 68.08, -7.75

 

CMYK 35 / 0 / 67 / 5

HEX #9DF14F

RGB 157 241 79

HSL 91.11, 0.85%, 0.63%

LAB 87.31, -50.56, 67.22

 

CMYK 68 / 36 / 0 / 5

HEX #4E9BF2

RGB 78 155 242

HSL 211.83, 0.86%, 0.63%

LAB 62.91, 3.66, -50.57

 

CMYK 19 / 67 / 0 / 5

HEX #C34FF1

RGB 195 79 241

HSL 282.96, 0.85%, 0.63%

LAB 55.63, 69.59, -61.08

 

CMYK 0 / 32 / 67 / 5

HEX #F1A34F

RGB 241 163 79

HSL 31.11, 0.85%, 0.63%

LAB 73.19, 21.27, 54.07

 

CMYK 48 / 0 / 67 / 5

HEX #7DF14F

RGB 125 241 79

HSL 102.96, 0.85%, 0.63%

LAB 85.92, -60.54, 65.33

 

CMYK 68 / 36 / 0 / 5

HEX #4E9BF2

RGB 78 155 242

HSL 211.83, 0.86%, 0.63%

LAB 62.91, 3.66, -50.57

 

CMYK 0 / 67 / 1 / 5

HEX #F14FEF

RGB 241 79 239

HSL 300.74, 0.85%, 0.63%

LAB 62.1, 79.12, -49.26

 

CMYK 0 / 32 / 67 / 5

HEX #F1A34F

RGB 241 163 79

HSL 31.11, 0.85%, 0.63%

LAB 73.19, 21.27, 54.07

 

CMYK 67 / 0 / 66 / 5

HEX #4FF152

RGB 79 241 82

HSL 121.11, 0.85%, 0.63%

LAB 84.58, -71.08, 62.33

 

Description

Color code: CMYK 68 / 36 / 0 / 5 | qconv.com Color code: CMYK 68 / 36 / 0 / 5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 78 red, 155 green and 242 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
78 155 242 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, 36 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 36% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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