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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 67 / 82 / 0 / 58 it is the complementary color CMYK 7 / 0 / 37 / 7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 67 / 82 / 0 / 58. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 67 / 82 / 0 / 58: CMYK 61 / 81 / 0 / 60, CMYK 53 / 69 / 0 / 53, CMYK 47 / 61 / 0 / 45, CMYK 43 / 54 / 0 / 38 and CMYK 39 / 49 / 0 / 30

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 67 / 82 / 0 / 58. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 67 / 82 / 0 / 58: CMYK 67 / 82 / 0 / 58, CMYK 80 / 99 / 0 / 65, CMYK 99 / 100 / 0 / 73, CMYK 100 / 100 / 0 / 80 and CMYK 100 / 100 / 0 / 88

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 82 / 0 / 58

HEX #23136B

RGB 35 19 107

HSL 250.91, 0.7%, 0.25%

LAB 14.87, 34.54, -47.93

 

Complementary color

CMYK 7 / 0 / 37 / 7

HEX #DCEC94

RGB 220 236 148

HSL 70.91, 0.7%, 0.75%

LAB 90.48, -18.78, 40.91

 

CMYK 61 / 81 / 0 / 60

HEX #281366

RGB 40 19 102

HSL 255.18, 0.69%, 0.24%

LAB 14.82, 33.58, -44.7

 

CMYK 53 / 69 / 0 / 53

HEX #392579

RGB 57 37 121

HSL 254.29, 0.53%, 0.31%

LAB 22.21, 32.16, -44.84

 

CMYK 47 / 61 / 0 / 45

HEX #4A378C

RGB 74 55 140

HSL 253.41, 0.44%, 0.38%

LAB 29.62, 30.62, -44.65

 

CMYK 43 / 54 / 0 / 38

HEX #5B499F

RGB 91 73 159

HSL 252.56, 0.37%, 0.45%

LAB 36.92, 29.23, -44.39

 

CMYK 39 / 49 / 0 / 30

HEX #6C5BB2

RGB 108 91 178

HSL 251.72, 0.36%, 0.53%

LAB 44.07, 28.02, -44.13

 

CMYK 67 / 82 / 0 / 58

HEX #23136B

RGB 35 19 107

HSL 250.91, 0.7%, 0.25%

LAB 14.87, 34.54, -47.93

 

CMYK 80 / 99 / 0 / 65

HEX #120158

RGB 18 1 88

HSL 251.72, 0.98%, 0.17%

LAB 7.72, 36.29, -47.15

 

CMYK 99 / 100 / 0 / 73

HEX #010045

RGB 1 0 69

HSL 240.87, 1%, 0.14%

LAB 3.94, 26.69, -40.25

 

CMYK 100 / 100 / 0 / 80

HEX #000032

RGB 0 0 50

HSL 240, 1%, 0.1%

LAB 2.08, 14.62, -29.45

 

CMYK 100 / 100 / 0 / 88

HEX #00001F

RGB 0 0 31

HSL 240, 1%, 0.06%

LAB 0.89, 6.28, -16.61

 

CMYK 67 / 82 / 0 / 58

HEX #23136B

RGB 35 19 107

HSL 250.91, 0.7%, 0.25%

LAB 14.87, 34.54, -47.93

 

CMYK 56 / 82 / 0 / 58

HEX #30136C

RGB 48 19 108

HSL 259.55, 0.7%, 0.25%

LAB 16.39, 36.58, -46.03

 

CMYK 42 / 82 / 0 / 58

HEX #3F136C

RGB 63 19 108

HSL 269.66, 0.7%, 0.25%

LAB 18.39, 38.99, -42.67

 

CMYK 28 / 82 / 0 / 58

HEX #4E136C

RGB 78 19 108

HSL 279.78, 0.7%, 0.25%

LAB 20.71, 41.77, -38.8

 

CMYK 14 / 82 / 0 / 58

HEX #5D136C

RGB 93 19 108

HSL 289.89, 0.7%, 0.25%

LAB 23.26, 44.81, -34.55

 

CMYK 67 / 82 / 0 / 58

HEX #23136B

RGB 35 19 107

HSL 250.91, 0.7%, 0.25%

LAB 14.87, 34.54, -47.93

 

CMYK 67 / 82 / 0 / 38

HEX #341C9E

RGB 52 28 158

HSL 251.08, 0.7%, 0.36%

LAB 23.77, 47.74, -65.37

 

CMYK 67 / 82 / 0 / 18

HEX #4425D1

RGB 68 37 209

HSL 250.81, 0.7%, 0.48%

LAB 32.16, 59.92, -81.78

 

CMYK 60 / 80 / 0 / 98

HEX #020105

RGB 2 1 5

HSL 255, 0.67%, 0.01%

LAB 0.41, 0.82, -1.42

 

CMYK 68 / 82 / 0 / 78

HEX #120A38

RGB 18 10 56

HSL 250.43, 0.7%, 0.13%

LAB 5.7, 18.58, -27.98

 

CMYK 67 / 82 / 0 / 58

HEX #23136B

RGB 35 19 107

HSL 250.91, 0.7%, 0.25%

LAB 14.87, 34.54, -47.93

 

CMYK 0 / 82 / 31 / 58

HEX #6C134B

RGB 108 19 75

HSL 322.25, 0.7%, 0.25%

LAB 24.2, 42.95, -11.02

 

CMYK 64 / 0 / 82 / 58

HEX #276C13

RGB 39 108 19

HSL 106.52, 0.7%, 0.25%

LAB 39.92, -38.51, 39.99

 

CMYK 67 / 82 / 0 / 58

HEX #23136B

RGB 35 19 107

HSL 250.91, 0.7%, 0.25%

LAB 14.87, 34.54, -47.93

 

CMYK 0 / 69 / 82 / 58

HEX #6C2213

RGB 108 34 19

HSL 10.11, 0.7%, 0.25%

LAB 24.89, 32.08, 27.27

 

CMYK 82 / 0 / 69 / 58

HEX #136C21

RGB 19 108 33

HSL 129.44, 0.7%, 0.25%

LAB 39.54, -41.34, 33.74

 

CMYK 67 / 82 / 0 / 58

HEX #23136B

RGB 35 19 107

HSL 250.91, 0.7%, 0.25%

LAB 14.87, 34.54, -47.93

 

CMYK 0 / 82 / 31 / 58

HEX #6C134B

RGB 108 19 75

HSL 322.25, 0.7%, 0.25%

LAB 24.2, 42.95, -11.02

 

CMYK 14 / 0 / 82 / 58

HEX #5D6C13

RGB 93 108 19

HSL 70.11, 0.7%, 0.25%

LAB 42.91, -17.94, 43.85

 

CMYK 82 / 0 / 53 / 58

HEX #136C33

RGB 19 108 51

HSL 141.57, 0.7%, 0.25%

LAB 39.75, -38.73, 24.76

 

CMYK 67 / 82 / 0 / 58

HEX #23136B

RGB 35 19 107

HSL 250.91, 0.7%, 0.25%

LAB 14.87, 34.54, -47.93

 

CMYK 0 / 82 / 56 / 58

HEX #6C1330

RGB 108 19 48

HSL 340.45, 0.7%, 0.25%

LAB 23.23, 40.01, 6.07

 

CMYK 14 / 0 / 82 / 58

HEX #5D6C13

RGB 93 108 19

HSL 70.11, 0.7%, 0.25%

LAB 42.91, -17.94, 43.85

 

CMYK 82 / 0 / 28 / 58

HEX #136C4E

RGB 19 108 78

HSL 159.78, 0.7%, 0.25%

LAB 40.27, -32.89, 9.76

 

Description

Color code: CMYK 67 / 82 / 0 / 58 | qconv.com Color code: CMYK 67 / 82 / 0 / 58 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 35 red, 19 green and 107 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
35 19 107 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, 82 magenta, none yellow and 58 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 82% 0% 58% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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