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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 67 / 7 / 0 / 63 it is the complementary color CMYK 0 / 25 / 28 / 12. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 67 / 7 / 0 / 63. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 67 / 7 / 0 / 63: CMYK 60 / 1 / 0 / 65, CMYK 51 / 2 / 0 / 58, CMYK 45 / 2 / 0 / 50, CMYK 40 / 3 / 0 / 43 and CMYK 37 / 3 / 0 / 35

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 67 / 7 / 0 / 63. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 67 / 7 / 0 / 63: CMYK 67 / 6 / 0 / 63, CMYK 81 / 7 / 0 / 71, CMYK 100 / 7 / 0 / 78, CMYK 100 / 8 / 0 / 85 and CMYK 100 / 11 / 0 / 93

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 7 / 0 / 63

HEX #1F585E

RGB 31 88 94

HSL 185.71, 0.5%, 0.25%

LAB 34.15, -16.24, -8.97

 

Complementary color

CMYK 0 / 25 / 28 / 12

HEX #E0A7A1

RGB 224 167 161

HSL 5.71, 0.5%, 0.75%

LAB 73.58, 20.15, 11.31

 

CMYK 60 / 1 / 0 / 65

HEX #245859

RGB 36 88 89

HSL 181.13, 0.42%, 0.25%

LAB 34.14, -16.81, -5.82

 

CMYK 51 / 2 / 0 / 58

HEX #356A6C

RGB 53 106 108

HSL 182.18, 0.34%, 0.32%

LAB 41.45, -16.99, -6.58

 

CMYK 45 / 2 / 0 / 50

HEX #467C7F

RGB 70 124 127

HSL 183.16, 0.29%, 0.39%

LAB 48.57, -17.04, -7.25

 

CMYK 40 / 3 / 0 / 43

HEX #578E92

RGB 87 142 146

HSL 184.07, 0.25%, 0.46%

LAB 55.53, -17.04, -7.86

 

CMYK 37 / 3 / 0 / 35

HEX #68A0A5

RGB 104 160 165

HSL 184.92, 0.25%, 0.53%

LAB 62.34, -17.01, -8.44

 

CMYK 67 / 6 / 0 / 63

HEX #1F585E

RGB 31 88 94

HSL 185.71, 0.5%, 0.25%

LAB 34.15, -16.24, -8.97

 

CMYK 81 / 7 / 0 / 71

HEX #0E464B

RGB 14 70 75

HSL 184.92, 0.69%, 0.17%

LAB 26.68, -15.42, -8.12

 

CMYK 100 / 7 / 0 / 78

HEX #003438

RGB 0 52 56

HSL 184.29, 1%, 0.11%

LAB 18.98, -14.08, -7.1

 

CMYK 100 / 8 / 0 / 85

HEX #002225

RGB 0 34 37

HSL 184.86, 1%, 0.07%

LAB 11.12, -10.88, -5.56

 

CMYK 100 / 11 / 0 / 93

HEX #001012

RGB 0 16 18

HSL 186.67, 1%, 0.04%

LAB 3.74, -4.07, -2.66

 

CMYK 67 / 6 / 0 / 63

HEX #1F585E

RGB 31 88 94

HSL 185.71, 0.5%, 0.25%

LAB 34.15, -16.24, -8.97

 

CMYK 67 / 17 / 0 / 63

HEX #1F4F5F

RGB 31 79 95

HSL 195, 0.51%, 0.25%

LAB 31.14, -10.64, -14.18

 

CMYK 67 / 27 / 0 / 63

HEX #1F455F

RGB 31 69 95

HSL 204.38, 0.51%, 0.25%

LAB 27.77, -4.4, -19.37

 

CMYK 67 / 39 / 0 / 63

HEX #1F3A5F

RGB 31 58 95

HSL 214.69, 0.51%, 0.25%

LAB 24.14, 2.96, -25.08

 

CMYK 67 / 51 / 0 / 63

HEX #1F2F5F

RGB 31 47 95

HSL 225, 0.51%, 0.25%

LAB 20.64, 10.73, -30.66

 

CMYK 67 / 6 / 0 / 63

HEX #1F585E

RGB 31 88 94

HSL 185.71, 0.5%, 0.25%

LAB 34.15, -16.24, -8.97

 

CMYK 67 / 6 / 0 / 43

HEX #308891

RGB 48 136 145

HSL 185.57, 0.5%, 0.38%

LAB 52.15, -22.76, -12.5

 

CMYK 67 / 7 / 0 / 23

HEX #41B7C4

RGB 65 183 196

HSL 185.95, 0.53%, 0.51%

LAB 68.73, -28.33, -16.23

 

CMYK 67 / 6 / 0 / 3

HEX #51E7F7

RGB 81 231 247

HSL 185.78, 0.91%, 0.64%

LAB 84.8, -34.23, -19.37

 

CMYK 67 / 7 / 0 / 83

HEX #0E282B

RGB 14 40 43

HSL 186.21, 0.51%, 0.11%

LAB 14.32, -8.82, -5.01

 

CMYK 67 / 6 / 0 / 63

HEX #1F585E

RGB 31 88 94

HSL 185.71, 0.5%, 0.25%

LAB 34.15, -16.24, -8.97

 

CMYK 48 / 67 / 0 / 63

HEX #311F5F

RGB 49 31 95

HSL 256.88, 0.51%, 0.25%

LAB 17.73, 25.9, -35.27

 

CMYK 0 / 21 / 67 / 63

HEX #5F4B1F

RGB 95 75 31

HSL 41.25, 0.51%, 0.25%

LAB 33.06, 2.84, 28.8

 

CMYK 67 / 6 / 0 / 63

HEX #1F585E

RGB 31 88 94

HSL 185.71, 0.5%, 0.25%

LAB 34.15, -16.24, -8.97

 

CMYK 0 / 67 / 5 / 63

HEX #5F1F5A

RGB 95 31 90

HSL 304.69, 0.51%, 0.25%

LAB 24.16, 37, -21.29

 

CMYK 5 / 0 / 67 / 63

HEX #5A5F1F

RGB 90 95 31

HSL 64.69, 0.51%, 0.25%

LAB 38.65, -11.48, 34.75

 

CMYK 67 / 6 / 0 / 63

HEX #1F585E

RGB 31 88 94

HSL 185.71, 0.5%, 0.25%

LAB 34.15, -16.24, -8.97

 

CMYK 48 / 67 / 0 / 63

HEX #311F5F

RGB 49 31 95

HSL 256.88, 0.51%, 0.25%

LAB 17.73, 25.9, -35.27

 

CMYK 0 / 61 / 67 / 63

HEX #5F251F

RGB 95 37 31

HSL 5.63, 0.51%, 0.25%

LAB 23.19, 25.98, 17.15

 

CMYK 19 / 0 / 67 / 63

HEX #4D5F1F

RGB 77 95 31

HSL 76.88, 0.51%, 0.25%

LAB 37.59, -17.5, 33.3

 

CMYK 67 / 6 / 0 / 63

HEX #1F585E

RGB 31 88 94

HSL 185.71, 0.5%, 0.25%

LAB 34.15, -16.24, -8.97

 

CMYK 27 / 67 / 0 / 63

HEX #451F5F

RGB 69 31 95

HSL 275.63, 0.51%, 0.25%

LAB 20.33, 30.88, -30.95

 

CMYK 0 / 61 / 67 / 63

HEX #5F251F

RGB 95 37 31

HSL 5.63, 0.51%, 0.25%

LAB 23.19, 25.98, 17.15

 

CMYK 39 / 0 / 67 / 63

HEX #3A5F1F

RGB 58 95 31

HSL 94.69, 0.51%, 0.25%

LAB 36.33, -25.56, 31.56

 

Description

Color code: CMYK 67 / 7 / 0 / 63 | qconv.com Color code: CMYK 67 / 7 / 0 / 63 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 31 red, 88 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
31 88 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, 7 magenta, none yellow and 63 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 7% 0% 63% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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