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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 66 / 62 / 0 / 51 it is the complementary color CMYK 0 / 2 / 39 / 16. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 66 / 62 / 0 / 51. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 66 / 62 / 0 / 51: CMYK 61 / 61 / 0 / 53, CMYK 54 / 53 / 0 / 45, CMYK 49 / 47 / 0 / 38, CMYK 45 / 43 / 0 / 31 and CMYK 41 / 39 / 0 / 23

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 66 / 62 / 0 / 51. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 66 / 62 / 0 / 51: CMYK 66 / 62 / 0 / 51, CMYK 76 / 73 / 0 / 58, CMYK 91 / 87 / 0 / 66, CMYK 100 / 100 / 0 / 73 and CMYK 100 / 100 / 0 / 81

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 62 / 0 / 51

HEX #2A2F7D

RGB 42 47 125

HSL 236.39, 0.5%, 0.33%

LAB 23.69, 24.32, -45.02

 

Complementary color

CMYK 0 / 2 / 39 / 16

HEX #D5D082

RGB 213 208 130

HSL 56.39, 0.5%, 0.67%

LAB 82.31, -9.56, 39.33

 

CMYK 61 / 61 / 0 / 53

HEX #2F2F78

RGB 47 47 120

HSL 240, 0.44%, 0.33%

LAB 23.65, 23.41, -41.9

 

CMYK 54 / 53 / 0 / 45

HEX #40418B

RGB 64 65 139

HSL 239.2, 0.37%, 0.4%

LAB 31.2, 21.6, -41.54

 

CMYK 49 / 47 / 0 / 38

HEX #51539E

RGB 81 83 158

HSL 238.44, 0.32%, 0.47%

LAB 38.56, 20.17, -41.2

 

CMYK 45 / 43 / 0 / 31

HEX #6265B1

RGB 98 101 177

HSL 237.72, 0.34%, 0.54%

LAB 45.74, 19.01, -40.94

 

CMYK 41 / 39 / 0 / 23

HEX #7377C4

RGB 115 119 196

HSL 237.04, 0.41%, 0.61%

LAB 52.76, 18.04, -40.73

 

CMYK 66 / 62 / 0 / 51

HEX #2A2F7D

RGB 42 47 125

HSL 236.39, 0.5%, 0.33%

LAB 23.69, 24.32, -45.02

 

CMYK 76 / 73 / 0 / 58

HEX #191D6A

RGB 25 29 106

HSL 237.04, 0.62%, 0.26%

LAB 16.14, 26.91, -45.21

 

CMYK 91 / 87 / 0 / 66

HEX #080B57

RGB 8 11 87

HSL 237.72, 0.83%, 0.19%

LAB 8.82, 29.68, -44.67

 

CMYK 100 / 100 / 0 / 73

HEX #000044

RGB 0 0 68

HSL 240, 1%, 0.13%

LAB 3.77, 25.91, -39.82

 

CMYK 100 / 100 / 0 / 81

HEX #000031

RGB 0 0 49

HSL 240, 1%, 0.1%

LAB 2, 14.08, -28.82

 

CMYK 66 / 62 / 0 / 51

HEX #2A2F7D

RGB 42 47 125

HSL 236.39, 0.5%, 0.33%

LAB 23.69, 24.32, -45.02

 

CMYK 60 / 67 / 0 / 51

HEX #322A7E

RGB 50 42 126

HSL 245.71, 0.5%, 0.33%

LAB 23.14, 29.38, -46.53

 

CMYK 49 / 67 / 0 / 51

HEX #402A7E

RGB 64 42 126

HSL 255.71, 0.5%, 0.33%

LAB 24.49, 32.11, -44.27

 

CMYK 38 / 67 / 0 / 51

HEX #4E2A7E

RGB 78 42 126

HSL 265.71, 0.5%, 0.33%

LAB 26.1, 35.2, -41.57

 

CMYK 27 / 67 / 0 / 51

HEX #5C2A7E

RGB 92 42 126

HSL 275.71, 0.5%, 0.33%

LAB 27.95, 38.53, -38.51

 

CMYK 66 / 62 / 0 / 51

HEX #2A2F7D

RGB 42 47 125

HSL 236.39, 0.5%, 0.33%

LAB 23.69, 24.32, -45.02

 

CMYK 66 / 63 / 0 / 31

HEX #3B42B0

RGB 59 66 176

HSL 236.41, 0.5%, 0.46%

LAB 33.9, 32.84, -59.55

 

CMYK 67 / 63 / 0 / 11

HEX #4C55E3

RGB 76 85 227

HSL 236.42, 0.73%, 0.59%

LAB 43.62, 40.86, -73.23

 

CMYK 65 / 61 / 0 / 91

HEX #080917

RGB 8 9 23

HSL 236, 0.48%, 0.06%

LAB 2.79, 2.41, -7.37

 

CMYK 66 / 62 / 0 / 71

HEX #191C4A

RGB 25 28 74

HSL 236.33, 0.49%, 0.19%

LAB 12.81, 15.06, -29.16

 

CMYK 66 / 62 / 0 / 51

HEX #2A2F7D

RGB 42 47 125

HSL 236.39, 0.5%, 0.33%

LAB 23.69, 24.32, -45.02

 

CMYK 0 / 67 / 9 / 51

HEX #7E2A73

RGB 126 42 115

HSL 307.86, 0.5%, 0.33%

LAB 32.55, 45.2, -23.94

 

CMYK 36 / 0 / 67 / 51

HEX #517E2A

RGB 81 126 42

HSL 92.14, 0.5%, 0.33%

LAB 48.06, -30.45, 39.56

 

CMYK 66 / 62 / 0 / 51

HEX #2A2F7D

RGB 42 47 125

HSL 236.39, 0.5%, 0.33%

LAB 23.69, 24.32, -45.02

 

CMYK 0 / 67 / 63 / 51

HEX #7E2A2F

RGB 126 42 47

HSL 356.43, 0.5%, 0.33%

LAB 30.15, 36.69, 16.71

 

CMYK 63 / 0 / 67 / 51

HEX #2F7E2A

RGB 47 126 42

HSL 116.43, 0.5%, 0.33%

LAB 46.57, -41.37, 37.51

 

CMYK 66 / 62 / 0 / 51

HEX #2A2F7D

RGB 42 47 125

HSL 236.39, 0.5%, 0.33%

LAB 23.69, 24.32, -45.02

 

CMYK 0 / 67 / 9 / 51

HEX #7E2A73

RGB 126 42 115

HSL 307.86, 0.5%, 0.33%

LAB 32.55, 45.2, -23.94

 

CMYK 0 / 5 / 67 / 51

HEX #7E782A

RGB 126 120 42

HSL 55.71, 0.5%, 0.33%

LAB 49.54, -7.93, 42.14

 

CMYK 67 / 0 / 58 / 51

HEX #2A7E35

RGB 42 126 53

HSL 127.86, 0.5%, 0.33%

LAB 46.54, -41.18, 32.08

 

CMYK 66 / 62 / 0 / 51

HEX #2A2F7D

RGB 42 47 125

HSL 236.39, 0.5%, 0.33%

LAB 23.69, 24.32, -45.02

 

CMYK 0 / 67 / 29 / 51

HEX #7E2A59

RGB 126 42 89

HSL 326.43, 0.5%, 0.33%

LAB 31.38, 41.18, -9.07

 

CMYK 0 / 5 / 67 / 51

HEX #7E782A

RGB 126 120 42

HSL 55.71, 0.5%, 0.33%

LAB 49.54, -7.93, 42.14

 

CMYK 67 / 0 / 38 / 51

HEX #2A7E4E

RGB 42 126 78

HSL 145.71, 0.5%, 0.33%

LAB 46.93, -36.85, 18.95

 

Description

Color code: CMYK 66 / 62 / 0 / 51 | qconv.com Color code: CMYK 66 / 62 / 0 / 51 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 42 red, 47 green and 125 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
42 47 125 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, 62 magenta, none yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 62% 0% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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