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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 65 / 55 / 0 / 38 it is the complementary color CMYK 0 / 8 / 52 / 22. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 65 / 55 / 0 / 38. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 65 / 55 / 0 / 38: CMYK 61 / 54 / 0 / 40, CMYK 55 / 48 / 0 / 33, CMYK 51 / 44 / 0 / 25, CMYK 47 / 40 / 0 / 18 and CMYK 44 / 38 / 0 / 10

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 65 / 55 / 0 / 38. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 65 / 55 / 0 / 38: CMYK 65 / 55 / 0 / 38, CMYK 73 / 62 / 0 / 45, CMYK 83 / 71 / 0 / 53, CMYK 96 / 83 / 0 / 60 and CMYK 100 / 100 / 0 / 68

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 55 / 0 / 38

HEX #37479E

RGB 55 71 158

HSL 230.68, 0.48%, 0.42%

LAB 33.54, 22.53, -49.37

 

Complementary color

CMYK 0 / 8 / 52 / 22

HEX #C8B861

RGB 200 184 97

HSL 50.68, 0.48%, 0.58%

LAB 74.46, -5.73, 45.81

 

CMYK 61 / 54 / 0 / 40

HEX #3C4799

RGB 60 71 153

HSL 232.9, 0.44%, 0.42%

LAB 33.49, 21.66, -46.4

 

CMYK 55 / 48 / 0 / 33

HEX #4D59AC

RGB 77 89 172

HSL 232.42, 0.38%, 0.49%

LAB 40.74, 20, -46.07

 

CMYK 51 / 44 / 0 / 25

HEX #5E6BBF

RGB 94 107 191

HSL 231.96, 0.43%, 0.56%

LAB 47.82, 18.67, -45.77

 

CMYK 47 / 40 / 0 / 18

HEX #6F7DD2

RGB 111 125 210

HSL 231.52, 0.52%, 0.63%

LAB 54.76, 17.57, -45.54

 

CMYK 44 / 38 / 0 / 10

HEX #808FE5

RGB 128 143 229

HSL 231.09, 0.66%, 0.7%

LAB 61.56, 16.64, -45.36

 

CMYK 65 / 55 / 0 / 38

HEX #37479E

RGB 55 71 158

HSL 230.68, 0.48%, 0.42%

LAB 33.54, 22.53, -49.37

 

CMYK 73 / 62 / 0 / 45

HEX #26358B

RGB 38 53 139

HSL 231.09, 0.57%, 0.35%

LAB 26.22, 24.89, -49.67

 

CMYK 83 / 71 / 0 / 53

HEX #152378

RGB 21 35 120

HSL 231.52, 0.7%, 0.28%

LAB 18.88, 27.84, -49.77

 

CMYK 96 / 83 / 0 / 60

HEX #041165

RGB 4 17 101

HSL 231.96, 0.92%, 0.21%

LAB 11.73, 31.11, -49.23

 

CMYK 100 / 100 / 0 / 68

HEX #000052

RGB 0 0 82

HSL 240, 1%, 0.16%

LAB 5.5, 33.37, -46.76

 

CMYK 65 / 55 / 0 / 38

HEX #37479E

RGB 55 71 158

HSL 230.68, 0.48%, 0.42%

LAB 33.54, 22.53, -49.37

 

CMYK 65 / 65 / 0 / 38

HEX #37379E

RGB 55 55 158

HSL 240, 0.48%, 0.42%

LAB 29.45, 32.96, -56.03

 

CMYK 54 / 65 / 0 / 38

HEX #48379E

RGB 72 55 158

HSL 249.9, 0.48%, 0.42%

LAB 30.83, 35.84, -53.71

 

CMYK 44 / 65 / 0 / 38

HEX #59379E

RGB 89 55 158

HSL 259.81, 0.48%, 0.42%

LAB 32.54, 39.22, -50.86

 

CMYK 32 / 65 / 0 / 38

HEX #6B379E

RGB 107 55 158

HSL 270.29, 0.48%, 0.42%

LAB 34.65, 43.19, -47.33

 

CMYK 65 / 55 / 0 / 38

HEX #37479E

RGB 55 71 158

HSL 230.68, 0.48%, 0.42%

LAB 33.54, 22.53, -49.37

 

CMYK 65 / 55 / 0 / 18

HEX #495ED1

RGB 73 94 209

HSL 230.74, 0.6%, 0.55%

LAB 44.27, 28.72, -61.92

 

CMYK 60 / 60 / 0 / 98

HEX #020205

RGB 2 2 5

HSL 240, 0.43%, 0.01%

LAB 0.61, 0.42, -1.14

 

CMYK 66 / 55 / 0 / 78

HEX #131938

RGB 19 25 56

HSL 230.27, 0.49%, 0.15%

LAB 9.95, 8.64, -21.12

 

CMYK 65 / 55 / 0 / 58

HEX #25306B

RGB 37 48 107

HSL 230.57, 0.49%, 0.28%

LAB 22.19, 15.91, -35.96

 

CMYK 65 / 55 / 0 / 38

HEX #37479E

RGB 55 71 158

HSL 230.68, 0.48%, 0.42%

LAB 33.54, 22.53, -49.37

 

CMYK 0 / 65 / 2 / 38

HEX #9E379B

RGB 158 55 155

HSL 301.75, 0.48%, 0.42%

LAB 41.8, 54.98, -33.7

 

CMYK 28 / 0 / 65 / 38

HEX #719E37

RGB 113 158 55

HSL 86.21, 0.48%, 0.42%

LAB 60.11, -32.01, 47.36

 

CMYK 65 / 55 / 0 / 38

HEX #37479E

RGB 55 71 158

HSL 230.68, 0.48%, 0.42%

LAB 33.54, 22.53, -49.37

 

CMYK 0 / 65 / 54 / 38

HEX #9E3748

RGB 158 55 72

HSL 350.1, 0.48%, 0.42%

LAB 38.67, 44.04, 13.11

 

CMYK 54 / 0 / 65 / 38

HEX #489E37

RGB 72 158 55

HSL 110.1, 0.48%, 0.42%

LAB 58.14, -45.87, 44.65

 

CMYK 65 / 55 / 0 / 38

HEX #37479E

RGB 55 71 158

HSL 230.68, 0.48%, 0.42%

LAB 33.54, 22.53, -49.37

 

CMYK 0 / 65 / 2 / 38

HEX #9E379B

RGB 158 55 155

HSL 301.75, 0.48%, 0.42%

LAB 41.8, 54.98, -33.7

 

CMYK 0 / 11 / 65 / 38

HEX #9E8D37

RGB 158 141 55

HSL 50.1, 0.48%, 0.42%

LAB 58.6, -4.13, 46.76

 

CMYK 65 / 0 / 63 / 38

HEX #379E3B

RGB 55 158 59

HSL 122.33, 0.48%, 0.42%

LAB 57.64, -49.68, 42.14

 

CMYK 65 / 55 / 0 / 38

HEX #37479E

RGB 55 71 158

HSL 230.68, 0.48%, 0.42%

LAB 33.54, 22.53, -49.37

 

CMYK 0 / 65 / 22 / 38

HEX #9E377C

RGB 158 55 124

HSL 319.81, 0.48%, 0.42%

LAB 40.34, 50.05, -17.07

 

CMYK 0 / 11 / 65 / 38

HEX #9E8D37

RGB 158 141 55

HSL 50.1, 0.48%, 0.42%

LAB 58.6, -4.13, 46.76

 

CMYK 65 / 0 / 44 / 38

HEX #379E59

RGB 55 158 89

HSL 139.81, 0.48%, 0.42%

LAB 58.02, -45.28, 27.55

 

Description

Color code: CMYK 65 / 55 / 0 / 38 | qconv.com Color code: CMYK 65 / 55 / 0 / 38 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 55 red, 71 green and 158 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
55 71 158 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, 55 magenta, none yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 55% 0% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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