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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 65 / 35 / 55 / 21 it is the complementary color CMYK 0 / 33 / 11 / 28. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 65 / 35 / 55 / 21. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 65 / 35 / 55 / 21: CMYK 42 / 0 / 34 / 49, CMYK 38 / 0 / 30 / 42, CMYK 34 / 0 / 26 / 35, CMYK 31 / 0 / 23 / 27 and CMYK 29 / 0 / 20 / 20

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 65 / 35 / 55 / 21. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 65 / 35 / 55 / 21: CMYK 46 / 0 / 31 / 49, CMYK 52 / 0 / 36 / 56, CMYK 61 / 0 / 44 / 63, CMYK 74 / 0 / 56 / 70 and CMYK 95 / 0 / 75 / 77

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 35 / 55 / 21

HEX #47835B

RGB 71 131 91

HSL 140, 0.3%, 0.4%

LAB 49.89, -29.05, 15.71

 

Complementary color

CMYK 0 / 33 / 11 / 28

HEX #B87CA4

RGB 184 124 164

HSL 320, 0.3%, 0.6%

LAB 59.24, 29.5, -11.84

 

CMYK 42 / 0 / 34 / 49

HEX #4C8356

RGB 76 131 86

HSL 130.91, 0.27%, 0.41%

LAB 50.03, -28.47, 18.78

 

CMYK 38 / 0 / 30 / 42

HEX #5D9569

RGB 93 149 105

HSL 132.86, 0.23%, 0.47%

LAB 56.92, -28.19, 17.57

 

CMYK 34 / 0 / 26 / 35

HEX #6EA77C

RGB 110 167 124

HSL 134.74, 0.24%, 0.54%

LAB 63.68, -27.91, 16.45

 

CMYK 31 / 0 / 23 / 27

HEX #7FB98F

RGB 127 185 143

HSL 136.55, 0.29%, 0.61%

LAB 70.31, -27.64, 15.42

 

CMYK 29 / 0 / 20 / 20

HEX #90CBA2

RGB 144 203 162

HSL 138.31, 0.36%, 0.68%

LAB 76.83, -27.38, 14.46

 

CMYK 46 / 0 / 31 / 49

HEX #47835B

RGB 71 131 91

HSL 140, 0.3%, 0.4%

LAB 49.89, -29.05, 15.71

 

CMYK 52 / 0 / 36 / 56

HEX #367148

RGB 54 113 72

HSL 138.31, 0.35%, 0.33%

LAB 42.86, -29.26, 17.02

 

CMYK 61 / 0 / 44 / 63

HEX #255F35

RGB 37 95 53

HSL 136.55, 0.44%, 0.26%

LAB 35.66, -29.32, 18.5

 

CMYK 74 / 0 / 56 / 70

HEX #144D22

RGB 20 77 34

HSL 134.74, 0.59%, 0.19%

LAB 28.31, -29, 20.17

 

CMYK 95 / 0 / 75 / 77

HEX #033B0F

RGB 3 59 15

HSL 132.86, 0.9%, 0.12%

LAB 20.76, -27.99, 21.81

 

CMYK 46 / 0 / 31 / 49

HEX #47835B

RGB 71 131 91

HSL 140, 0.3%, 0.4%

LAB 49.89, -29.05, 15.71

 

CMYK 46 / 0 / 23 / 48

HEX #478466

RGB 71 132 102

HSL 150.49, 0.3%, 0.4%

LAB 50.45, -27.2, 10.14

 

CMYK 46 / 0 / 15 / 48

HEX #478470

RGB 71 132 112

HSL 160.33, 0.3%, 0.4%

LAB 50.7, -24.87, 4.68

 

CMYK 46 / 0 / 8 / 48

HEX #47847A

RGB 71 132 122

HSL 170.16, 0.3%, 0.4%

LAB 50.98, -22.37, -0.75

 

CMYK 46 / 0 / 0 / 48

HEX #478484

RGB 71 132 132

HSL 180, 0.3%, 0.4%

LAB 51.28, -19.7, -6.15

 

CMYK 46 / 0 / 31 / 49

HEX #47835B

RGB 71 131 91

HSL 140, 0.3%, 0.4%

LAB 49.89, -29.05, 15.71

 

CMYK 46 / 0 / 31 / 29

HEX #63B67E

RGB 99 182 126

HSL 139.52, 0.36%, 0.55%

LAB 67.74, -37.86, 20.86

 

CMYK 46 / 0 / 30 / 9

HEX #7EE9A2

RGB 126 233 162

HSL 140.19, 0.71%, 0.7%

LAB 84.65, -46.27, 25.16

 

CMYK 45 / 0 / 31 / 89

HEX #101D14

RGB 16 29 20

HSL 138.46, 0.29%, 0.09%

LAB 9.32, -8.23, 4.31

 

CMYK 46 / 0 / 30 / 69

HEX #2B5038

RGB 43 80 56

HSL 141.08, 0.3%, 0.24%

LAB 30.73, -19.48, 10.1

 

CMYK 46 / 0 / 31 / 49

HEX #47835B

RGB 71 131 91

HSL 140, 0.3%, 0.4%

LAB 49.89, -29.05, 15.71

 

CMYK 46 / 25 / 0 / 48

HEX #476384

RGB 71 99 132

HSL 212.46, 0.3%, 0.4%

LAB 41.1, -0.82, -21.58

 

CMYK 0 / 46 / 43 / 48

HEX #84474B

RGB 132 71 75

HSL 356.07, 0.3%, 0.4%

LAB 37.7, 26.41, 9.22

 

CMYK 46 / 0 / 31 / 49

HEX #47835B

RGB 71 131 91

HSL 140, 0.3%, 0.4%

LAB 49.89, -29.05, 15.71

 

CMYK 31 / 46 / 0 / 48

HEX #5B4784

RGB 91 71 132

HSL 259.67, 0.3%, 0.4%

LAB 34.8, 22.72, -31.33

 

CMYK 0 / 31 / 46 / 48

HEX #845B47

RGB 132 91 71

HSL 19.67, 0.3%, 0.4%

LAB 42.53, 14.25, 18.27

 

CMYK 46 / 0 / 31 / 49

HEX #47835B

RGB 71 131 91

HSL 140, 0.3%, 0.4%

LAB 49.89, -29.05, 15.71

 

CMYK 46 / 25 / 0 / 48

HEX #476384

RGB 71 99 132

HSL 212.46, 0.3%, 0.4%

LAB 41.1, -0.82, -21.58

 

CMYK 0 / 46 / 15 / 48

HEX #844770

RGB 132 71 112

HSL 319.67, 0.3%, 0.4%

LAB 38.87, 31.85, -12.24

 

CMYK 0 / 21 / 46 / 48

HEX #846847

RGB 132 104 71

HSL 32.46, 0.3%, 0.4%

LAB 45.99, 6.58, 22.82

 

CMYK 46 / 0 / 31 / 49

HEX #47835B

RGB 71 131 91

HSL 140, 0.3%, 0.4%

LAB 49.89, -29.05, 15.71

 

CMYK 46 / 39 / 0 / 48

HEX #475184

RGB 71 81 132

HSL 230.16, 0.3%, 0.4%

LAB 35.77, 10.55, -29.91

 

CMYK 0 / 46 / 15 / 48

HEX #844770

RGB 132 71 112

HSL 319.67, 0.3%, 0.4%

LAB 38.87, 31.85, -12.24

 

CMYK 0 / 8 / 46 / 48

HEX #847A47

RGB 132 122 71

HSL 50.16, 0.3%, 0.4%

LAB 51.01, -3.79, 29.22

 

Description

Color code: CMYK 65 / 35 / 55 / 21 | qconv.com Color code: CMYK 65 / 35 / 55 / 21 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 71 red, 131 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
71 131 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, 35 magenta, 55 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 35% 55% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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