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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 65 / 18 / 0 / 25 it is the complementary color CMYK 0 / 48 / 66 / 26. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 65 / 18 / 0 / 25. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 65 / 18 / 0 / 25: CMYK 61 / 16 / 0 / 27, CMYK 57 / 15 / 0 / 20, CMYK 53 / 14 / 0 / 12, CMYK 49 / 13 / 0 / 5 and CMYK 45 / 10 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 65 / 18 / 0 / 25. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 65 / 18 / 0 / 25: CMYK 65 / 18 / 0 / 25, CMYK 71 / 19 / 0 / 33, CMYK 78 / 21 / 0 / 40, CMYK 88 / 23 / 0 / 47 and CMYK 100 / 26 / 0 / 55

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 18 / 0 / 25

HEX #439DBF

RGB 67 157 191

HSL 196.45, 0.49%, 0.51%

LAB 60.84, -16.18, -25.48

 

Complementary color

CMYK 0 / 48 / 66 / 26

HEX #BC6240

RGB 188 98 64

HSL 16.45, 0.49%, 0.49%

LAB 51.61, 33.3, 35.32

 

CMYK 61 / 16 / 0 / 27

HEX #489DBA

RGB 72 157 186

HSL 195.26, 0.45%, 0.51%

LAB 60.81, -16.87, -22.7

 

CMYK 57 / 15 / 0 / 20

HEX #59AFCD

RGB 89 175 205

HSL 195.52, 0.54%, 0.58%

LAB 67.42, -17.37, -23.12

 

CMYK 53 / 14 / 0 / 12

HEX #6AC1E0

RGB 106 193 224

HSL 195.76, 0.66%, 0.65%

LAB 73.92, -17.75, -23.52

 

CMYK 49 / 13 / 0 / 5

HEX #7BD3F3

RGB 123 211 243

HSL 196, 0.83%, 0.72%

LAB 80.33, -18.05, -23.9

 

CMYK 45 / 10 / 0 / 0

HEX #8CE5FF

RGB 140 229 255

HSL 193.57, 1%, 0.77%

LAB 86.42, -20.11, -20.94

 

CMYK 65 / 18 / 0 / 25

HEX #439DBF

RGB 67 157 191

HSL 196.45, 0.49%, 0.51%

LAB 60.84, -16.18, -25.48

 

CMYK 71 / 19 / 0 / 33

HEX #328BAC

RGB 50 139 172

HSL 196.23, 0.55%, 0.44%

LAB 54.16, -15.29, -25.03

 

CMYK 78 / 21 / 0 / 40

HEX #217999

RGB 33 121 153

HSL 196, 0.65%, 0.36%

LAB 47.36, -14.09, -24.53

 

CMYK 88 / 23 / 0 / 47

HEX #106786

RGB 16 103 134

HSL 195.76, 0.79%, 0.29%

LAB 40.46, -12.42, -23.94

 

CMYK 100 / 26 / 0 / 55

HEX #005573

RGB 0 85 115

HSL 195.65, 1%, 0.23%

LAB 33.42, -10.23, -23.27

 

CMYK 65 / 18 / 0 / 25

HEX #439DBF

RGB 67 157 191

HSL 196.45, 0.49%, 0.51%

LAB 60.84, -16.18, -25.48

 

CMYK 64 / 28 / 0 / 25

HEX #448ABF

RGB 68 138 191

HSL 205.85, 0.49%, 0.51%

LAB 55.24, -5.41, -34.16

 

CMYK 64 / 39 / 0 / 25

HEX #4475BF

RGB 68 117 191

HSL 216.1, 0.49%, 0.51%

LAB 49.15, 7.12, -43.76

 

CMYK 64 / 49 / 0 / 25

HEX #4461BF

RGB 68 97 191

HSL 225.85, 0.49%, 0.51%

LAB 43.57, 19.69, -52.68

 

CMYK 64 / 60 / 0 / 25

HEX #444CBF

RGB 68 76 191

HSL 236.1, 0.49%, 0.51%

LAB 38.13, 33.07, -61.48

 

CMYK 65 / 18 / 0 / 25

HEX #439DBF

RGB 67 157 191

HSL 196.45, 0.49%, 0.51%

LAB 60.84, -16.18, -25.48

 

CMYK 65 / 18 / 0 / 5

HEX #55C7F2

RGB 85 199 242

HSL 196.43, 0.86%, 0.64%

LAB 75.57, -19.39, -30.77

 

CMYK 66 / 18 / 0 / 85

HEX #0D1F26

RGB 13 31 38

HSL 196.8, 0.49%, 0.1%

LAB 10.6, -4.87, -7.03

 

CMYK 65 / 18 / 0 / 65

HEX #1F4959

RGB 31 73 89

HSL 196.55, 0.48%, 0.24%

LAB 28.84, -9.11, -13.86

 

CMYK 65 / 18 / 0 / 45

HEX #31738C

RGB 49 115 140

HSL 196.48, 0.48%, 0.37%

LAB 45.37, -12.78, -19.89

 

CMYK 65 / 18 / 0 / 25

HEX #439DBF

RGB 67 157 191

HSL 196.45, 0.49%, 0.51%

LAB 60.84, -16.18, -25.48

 

CMYK 35 / 64 / 0 / 25

HEX #7D44BF

RGB 125 68 191

HSL 267.8, 0.49%, 0.51%

LAB 41.62, 48.68, -55.58

 

CMYK 0 / 9 / 64 / 25

HEX #BFAE44

RGB 191 174 68

HSL 51.71, 0.49%, 0.51%

LAB 70.71, -6.49, 54.84

 

CMYK 65 / 18 / 0 / 25

HEX #439DBF

RGB 67 157 191

HSL 196.45, 0.49%, 0.51%

LAB 60.84, -16.18, -25.48

 

CMYK 0 / 64 / 17 / 25

HEX #BF449E

RGB 191 68 158

HSL 316.1, 0.49%, 0.51%

LAB 49.1, 58.76, -23.69

 

CMYK 17 / 0 / 64 / 25

HEX #9EBF44

RGB 158 191 68

HSL 76.1, 0.49%, 0.51%

LAB 72.86, -28.86, 56.35

 

CMYK 65 / 18 / 0 / 25

HEX #439DBF

RGB 67 157 191

HSL 196.45, 0.49%, 0.51%

LAB 60.84, -16.18, -25.48

 

CMYK 35 / 64 / 0 / 25

HEX #7D44BF

RGB 125 68 191

HSL 267.8, 0.49%, 0.51%

LAB 41.62, 48.68, -55.58

 

CMYK 0 / 47 / 64 / 25

HEX #BF6544

RGB 191 101 68

HSL 16.1, 0.49%, 0.51%

LAB 52.73, 33.17, 34.56

 

CMYK 30 / 0 / 64 / 25

HEX #86BF44

RGB 134 191 68

HSL 87.8, 0.49%, 0.51%

LAB 71.38, -38.1, 54.33

 

CMYK 65 / 18 / 0 / 25

HEX #439DBF

RGB 67 157 191

HSL 196.45, 0.49%, 0.51%

LAB 60.84, -16.18, -25.48

 

CMYK 15 / 64 / 0 / 25

HEX #A244BF

RGB 162 68 191

HSL 285.85, 0.49%, 0.51%

LAB 46.41, 57.08, -47.62

 

CMYK 0 / 47 / 64 / 25

HEX #BF6544

RGB 191 101 68

HSL 16.1, 0.49%, 0.51%

LAB 52.73, 33.17, 34.56

 

CMYK 49 / 0 / 64 / 25

HEX #61BF44

RGB 97 191 68

HSL 105.85, 0.49%, 0.51%

LAB 69.63, -50.42, 51.91

 

Description

Color code: CMYK 65 / 18 / 0 / 25 | qconv.com Color code: CMYK 65 / 18 / 0 / 25 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 67 red, 157 green and 191 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
67 157 191 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, 18 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 18% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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