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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 65 / 0 / 23 / 12 it is the complementary color CMYK 0 / 82 / 53 / 31. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 65 / 0 / 23 / 12. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 65 / 0 / 23 / 12: CMYK 63 / 0 / 25 / 12, CMYK 58 / 0 / 23 / 5, CMYK 54 / 0 / 19 / 0, CMYK 47 / 0 / 12 / 0 and CMYK 40 / 0 / 4 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 65 / 0 / 23 / 12. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 65 / 0 / 23 / 12: CMYK 65 / 0 / 23 / 12, CMYK 70 / 0 / 25 / 19, CMYK 76 / 0 / 28 / 26, CMYK 84 / 0 / 32 / 33 and CMYK 93 / 0 / 36 / 40

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 0 / 23 / 12

HEX #4FE0AD

RGB 79 224 173

HSL 158.9, 0.7%, 0.59%

LAB 80.73, -50.49, 13.77

 

Complementary color

CMYK 0 / 82 / 53 / 31

HEX #B01F52

RGB 176 31 82

HSL 338.9, 0.7%, 0.41%

LAB 39.27, 58.73, 8.11

 

CMYK 63 / 0 / 25 / 12

HEX #54E0A8

RGB 84 224 168

HSL 156, 0.69%, 0.6%

LAB 80.75, -50.71, 16.44

 

CMYK 58 / 0 / 23 / 5

HEX #65F2BB

RGB 101 242 187

HSL 156.6, 0.84%, 0.67%

LAB 86.93, -50.84, 15.27

 

CMYK 54 / 0 / 19 / 0

HEX #76FFCE

RGB 118 255 206

HSL 158.54, 1%, 0.73%

LAB 91.61, -48.76, 12.15

 

CMYK 47 / 0 / 12 / 0

HEX #87FFE1

RGB 135 255 225

HSL 165, 1%, 0.76%

LAB 92.62, -40.85, 3.88

 

CMYK 40 / 0 / 4 / 0

HEX #98FFF4

RGB 152 255 244

HSL 173.59, 1%, 0.8%

LAB 93.77, -32.52, -4.19

 

CMYK 65 / 0 / 23 / 12

HEX #4FE0AD

RGB 79 224 173

HSL 158.9, 0.7%, 0.59%

LAB 80.73, -50.49, 13.77

 

CMYK 70 / 0 / 25 / 19

HEX #3ECE9A

RGB 62 206 154

HSL 158.33, 0.6%, 0.53%

LAB 74.51, -50.1, 15.03

 

CMYK 76 / 0 / 28 / 26

HEX #2DBC87

RGB 45 188 135

HSL 157.76, 0.61%, 0.46%

LAB 68.22, -49.48, 16.42

 

CMYK 84 / 0 / 32 / 33

HEX #1CAA74

RGB 28 170 116

HSL 157.18, 0.72%, 0.39%

LAB 61.88, -48.51, 17.96

 

CMYK 93 / 0 / 36 / 40

HEX #0B9861

RGB 11 152 97

HSL 156.6, 0.87%, 0.32%

LAB 55.47, -47.04, 19.68

 

CMYK 65 / 0 / 23 / 12

HEX #4FE0AD

RGB 79 224 173

HSL 158.9, 0.7%, 0.59%

LAB 80.73, -50.49, 13.77

 

CMYK 65 / 0 / 13 / 13

HEX #4DDFC2

RGB 77 223 194

HSL 168.08, 0.7%, 0.59%

LAB 80.88, -45.44, 2.86

 

CMYK 65 / 0 / 2 / 13

HEX #4DDFDA

RGB 77 223 218

HSL 177.95, 0.7%, 0.59%

LAB 81.52, -39.19, -8.95

 

CMYK 65 / 9 / 0 / 13

HEX #4DCCDF

RGB 77 204 223

HSL 187.81, 0.7%, 0.59%

LAB 76.13, -28.84, -19.72

 

CMYK 65 / 20 / 0 / 13

HEX #4DB3DF

RGB 77 179 223

HSL 198.08, 0.7%, 0.59%

LAB 68.86, -16.12, -30.84

 

CMYK 65 / 0 / 23 / 12

HEX #4FE0AD

RGB 79 224 173

HSL 158.9, 0.7%, 0.59%

LAB 80.73, -50.49, 13.77

 

CMYK 65 / 0 / 25 / 92

HEX #07140F

RGB 7 20 15

HSL 156.92, 0.48%, 0.05%

LAB 5.24, -5.21, 1.29

 

CMYK 65 / 0 / 23 / 72

HEX #194737

RGB 25 71 55

HSL 159.13, 0.48%, 0.19%

LAB 26.7, -20.23, 4.99

 

CMYK 65 / 0 / 23 / 52

HEX #2B7A5E

RGB 43 122 94

HSL 158.73, 0.48%, 0.32%

LAB 45.96, -31.22, 8.34

 

CMYK 65 / 0 / 23 / 32

HEX #3DAD86

RGB 61 173 134

HSL 159.11, 0.48%, 0.46%

LAB 63.84, -41.03, 10.87

 

CMYK 65 / 0 / 23 / 12

HEX #4FE0AD

RGB 79 224 173

HSL 158.9, 0.7%, 0.59%

LAB 80.73, -50.49, 13.77

 

CMYK 65 / 55 / 0 / 13

HEX #4D65DF

RGB 77 101 223

HSL 230.14, 0.7%, 0.59%

LAB 47.25, 29.79, -65.05

 

CMYK 0 / 50 / 65 / 13

HEX #DF6F4D

RGB 223 111 77

HSL 13.97, 0.7%, 0.59%

LAB 59.52, 41.06, 38.86

 

CMYK 65 / 0 / 23 / 12

HEX #4FE0AD

RGB 79 224 173

HSL 158.9, 0.7%, 0.59%

LAB 80.73, -50.49, 13.77

 

CMYK 24 / 65 / 0 / 13

HEX #A94DDF

RGB 169 77 223

HSL 277.81, 0.7%, 0.59%

LAB 50.77, 61.25, -58.95

 

CMYK 0 / 24 / 65 / 13

HEX #DFA94D

RGB 223 169 77

HSL 37.81, 0.7%, 0.59%

LAB 72.63, 10.43, 53.8

 

CMYK 65 / 0 / 23 / 12

HEX #4FE0AD

RGB 79 224 173

HSL 158.9, 0.7%, 0.59%

LAB 80.73, -50.49, 13.77

 

CMYK 65 / 55 / 0 / 13

HEX #4D65DF

RGB 77 101 223

HSL 230.14, 0.7%, 0.59%

LAB 47.25, 29.79, -65.05

 

CMYK 0 / 65 / 42 / 13

HEX #DF4D82

RGB 223 77 130

HSL 338.22, 0.7%, 0.59%

LAB 54.67, 60.87, 1.82

 

CMYK 0 / 11 / 65 / 13

HEX #DFC74D

RGB 223 199 77

HSL 50.14, 0.7%, 0.59%

LAB 80.22, -5.29, 61.95

 

CMYK 65 / 0 / 23 / 12

HEX #4FE0AD

RGB 79 224 173

HSL 158.9, 0.7%, 0.59%

LAB 80.73, -50.49, 13.77

 

CMYK 57 / 65 / 0 / 13

HEX #604DDF

RGB 96 77 223

HSL 247.81, 0.7%, 0.59%

LAB 42.95, 47.21, -72

 

CMYK 0 / 65 / 42 / 13

HEX #DF4D82

RGB 223 77 130

HSL 338.22, 0.7%, 0.59%

LAB 54.67, 60.87, 1.82

 

CMYK 9 / 0 / 65 / 13

HEX #CCDF4D

RGB 204 223 77

HSL 67.81, 0.7%, 0.59%

LAB 85.07, -25.07, 66.54

 

Description

Color code: CMYK 65 / 0 / 23 / 12 | qconv.com Color code: CMYK 65 / 0 / 23 / 12 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 79 red, 224 green and 173 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
79 224 173 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, none magenta, 23 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 0% 23% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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