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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 64 / 19 / 0 / 51 it is the complementary color CMYK 0 / 27 / 38 / 18. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 64 / 19 / 0 / 51. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 64 / 19 / 0 / 51: CMYK 58 / 16 / 0 / 53, CMYK 52 / 14 / 0 / 45, CMYK 47 / 13 / 0 / 38, CMYK 43 / 12 / 0 / 31 and CMYK 40 / 12 / 0 / 23

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 64 / 19 / 0 / 51. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 64 / 19 / 0 / 51: CMYK 64 / 19 / 0 / 51, CMYK 74 / 22 / 0 / 58, CMYK 87 / 25 / 0 / 66, CMYK 100 / 31 / 0 / 73 and CMYK 100 / 41 / 0 / 81

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 19 / 0 / 51

HEX #2D657D

RGB 45 101 125

HSL 198, 0.47%, 0.33%

LAB 40.16, -10.52, -18.9

 

Complementary color

CMYK 0 / 27 / 38 / 18

HEX #D29A82

RGB 210 154 130

HSL 18, 0.47%, 0.67%

LAB 68.33, 17.83, 20.82

 

CMYK 58 / 16 / 0 / 53

HEX #326578

RGB 50 101 120

HSL 196.29, 0.41%, 0.33%

LAB 40.15, -11.14, -15.86

 

CMYK 52 / 14 / 0 / 45

HEX #43778B

RGB 67 119 139

HSL 196.67, 0.35%, 0.4%

LAB 47.3, -11.52, -16.27

 

CMYK 47 / 13 / 0 / 38

HEX #54899E

RGB 84 137 158

HSL 197.03, 0.31%, 0.47%

LAB 54.29, -11.77, -16.67

 

CMYK 43 / 12 / 0 / 31

HEX #659BB1

RGB 101 155 177

HSL 197.37, 0.33%, 0.55%

LAB 61.12, -11.95, -17.05

 

CMYK 40 / 12 / 0 / 23

HEX #76ADC4

RGB 118 173 196

HSL 197.69, 0.4%, 0.62%

LAB 67.82, -12.08, -17.43

 

CMYK 64 / 19 / 0 / 51

HEX #2D657D

RGB 45 101 125

HSL 198, 0.47%, 0.33%

LAB 40.16, -10.52, -18.9

 

CMYK 74 / 22 / 0 / 58

HEX #1C536A

RGB 28 83 106

HSL 197.69, 0.58%, 0.26%

LAB 32.86, -9.63, -18.48

 

CMYK 87 / 25 / 0 / 66

HEX #0B4157

RGB 11 65 87

HSL 197.37, 0.78%, 0.19%

LAB 25.38, -8.17, -17.96

 

CMYK 100 / 31 / 0 / 73

HEX #002F44

RGB 0 47 68

HSL 198.53, 1%, 0.13%

LAB 17.69, -5.82, -17.3

 

CMYK 100 / 41 / 0 / 81

HEX #001D31

RGB 0 29 49

HSL 204.49, 1%, 0.1%

LAB 9.8, -1.88, -16.36

 

CMYK 64 / 19 / 0 / 51

HEX #2D657D

RGB 45 101 125

HSL 198, 0.47%, 0.33%

LAB 40.16, -10.52, -18.9

 

CMYK 64 / 30 / 0 / 52

HEX #2C567B

RGB 44 86 123

HSL 208.1, 0.47%, 0.33%

LAB 35.24, -2.29, -25.31

 

CMYK 64 / 41 / 0 / 52

HEX #2C497B

RGB 44 73 123

HSL 217.97, 0.47%, 0.33%

LAB 31.19, 6.16, -31.7

 

CMYK 64 / 51 / 0 / 52

HEX #2C3C7B

RGB 44 60 123

HSL 227.85, 0.47%, 0.33%

LAB 27.29, 15, -37.93

 

CMYK 64 / 62 / 0 / 52

HEX #2C2F7B

RGB 44 47 123

HSL 237.72, 0.47%, 0.33%

LAB 23.67, 23.93, -43.79

 

CMYK 64 / 19 / 0 / 51

HEX #2D657D

RGB 45 101 125

HSL 198, 0.47%, 0.33%

LAB 40.16, -10.52, -18.9

 

CMYK 64 / 19 / 0 / 31

HEX #3F8EB0

RGB 63 142 176

HSL 198.05, 0.47%, 0.47%

LAB 55.62, -13.52, -25.03

 

CMYK 64 / 19 / 0 / 11

HEX #52B7E3

RGB 82 183 227

HSL 198.21, 0.72%, 0.61%

LAB 70.32, -16.17, -30.75

 

CMYK 65 / 17 / 0 / 91

HEX #081317

RGB 8 19 23

HSL 196, 0.48%, 0.06%

LAB 5.23, -2.58, -3.81

 

CMYK 64 / 19 / 0 / 71

HEX #1B3C4A

RGB 27 60 74

HSL 197.87, 0.47%, 0.2%

LAB 23.54, -7.23, -12.22

 

CMYK 64 / 19 / 0 / 51

HEX #2D657D

RGB 45 101 125

HSL 198, 0.47%, 0.33%

LAB 40.16, -10.52, -18.9

 

CMYK 32 / 64 / 0 / 52

HEX #542C7B

RGB 84 44 123

HSL 270.38, 0.47%, 0.33%

LAB 27.06, 34.7, -38.1

 

CMYK 0 / 7 / 64 / 52

HEX #7B732C

RGB 123 115 44

HSL 53.92, 0.47%, 0.33%

LAB 47.82, -6.38, 39.29

 

CMYK 64 / 19 / 0 / 51

HEX #2D657D

RGB 45 101 125

HSL 198, 0.47%, 0.33%

LAB 40.16, -10.52, -18.9

 

CMYK 0 / 64 / 20 / 52

HEX #7B2C63

RGB 123 44 99

HSL 318.23, 0.47%, 0.33%

LAB 31.61, 40.8, -15.23

 

CMYK 20 / 0 / 64 / 52

HEX #637B2C

RGB 99 123 44

HSL 78.23, 0.47%, 0.33%

LAB 48.26, -21.48, 39.19

 

CMYK 64 / 19 / 0 / 51

HEX #2D657D

RGB 45 101 125

HSL 198, 0.47%, 0.33%

LAB 40.16, -10.52, -18.9

 

CMYK 32 / 64 / 0 / 52

HEX #542C7B

RGB 84 44 123

HSL 270.38, 0.47%, 0.33%

LAB 27.06, 34.7, -38.1

 

CMYK 0 / 45 / 64 / 52

HEX #7B442C

RGB 123 68 44

HSL 18.23, 0.47%, 0.33%

LAB 35.06, 21.28, 24.65

 

CMYK 32 / 0 / 64 / 52

HEX #547B2C

RGB 84 123 44

HSL 89.62, 0.47%, 0.33%

LAB 47.28, -27.67, 37.84

 

CMYK 64 / 19 / 0 / 51

HEX #2D657D

RGB 45 101 125

HSL 198, 0.47%, 0.33%

LAB 40.16, -10.52, -18.9

 

CMYK 13 / 64 / 0 / 52

HEX #6B2C7B

RGB 107 44 123

HSL 287.85, 0.47%, 0.33%

LAB 30.3, 40.66, -32.74

 

CMYK 0 / 45 / 64 / 52

HEX #7B442C

RGB 123 68 44

HSL 18.23, 0.47%, 0.33%

LAB 35.06, 21.28, 24.65

 

CMYK 51 / 0 / 64 / 52

HEX #3C7B2C

RGB 60 123 44

HSL 107.85, 0.47%, 0.33%

LAB 46.05, -36.24, 36.13

 

Description

Color code: CMYK 64 / 19 / 0 / 51 | qconv.com Color code: CMYK 64 / 19 / 0 / 51 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 45 red, 101 green and 125 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
45 101 125 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, 19 magenta, none yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 19% 0% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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