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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 64 / 18 / 0 / 58 it is the complementary color CMYK 0 / 23 / 31 / 15. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 64 / 18 / 0 / 58. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 64 / 18 / 0 / 58: CMYK 57 / 14 / 0 / 60, CMYK 50 / 12 / 0 / 53, CMYK 44 / 11 / 0 / 45, CMYK 40 / 11 / 0 / 38 and CMYK 37 / 10 / 0 / 30

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 64 / 18 / 0 / 58. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 64 / 18 / 0 / 58: CMYK 64 / 18 / 0 / 58, CMYK 75 / 20 / 0 / 65, CMYK 93 / 25 / 0 / 73, CMYK 100 / 32 / 0 / 80 and CMYK 100 / 48 / 0 / 88

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 18 / 0 / 58

HEX #27586B

RGB 39 88 107

HSL 196.76, 0.47%, 0.29%

LAB 34.95, -10.22, -15.86

 

Complementary color

CMYK 0 / 23 / 31 / 15

HEX #D8A794

RGB 216 167 148

HSL 16.76, 0.47%, 0.71%

LAB 72.48, 15.37, 16.76

 

CMYK 57 / 14 / 0 / 60

HEX #2C5866

RGB 44 88 102

HSL 194.48, 0.4%, 0.29%

LAB 34.95, -10.77, -12.71

 

CMYK 50 / 12 / 0 / 53

HEX #3D6A79

RGB 61 106 121

HSL 195, 0.33%, 0.36%

LAB 42.28, -11.06, -13.18

 

CMYK 44 / 11 / 0 / 45

HEX #4E7C8C

RGB 78 124 140

HSL 195.48, 0.28%, 0.43%

LAB 49.41, -11.24, -13.61

 

CMYK 40 / 11 / 0 / 38

HEX #5F8E9F

RGB 95 142 159

HSL 195.94, 0.25%, 0.5%

LAB 56.37, -11.35, -14.03

 

CMYK 37 / 10 / 0 / 30

HEX #70A0B2

RGB 112 160 178

HSL 196.36, 0.3%, 0.57%

LAB 63.18, -11.43, -14.44

 

CMYK 64 / 18 / 0 / 58

HEX #27586B

RGB 39 88 107

HSL 196.76, 0.47%, 0.29%

LAB 34.95, -10.22, -15.86

 

CMYK 75 / 20 / 0 / 65

HEX #164658

RGB 22 70 88

HSL 196.36, 0.6%, 0.22%

LAB 27.45, -9.37, -15.38

 

CMYK 93 / 25 / 0 / 73

HEX #053445

RGB 5 52 69

HSL 195.94, 0.86%, 0.15%

LAB 19.71, -7.97, -14.82

 

CMYK 100 / 32 / 0 / 80

HEX #002232

RGB 0 34 50

HSL 199.2, 1%, 0.1%

LAB 11.79, -5.06, -13.96

 

CMYK 100 / 48 / 0 / 88

HEX #00101F

RGB 0 16 31

HSL 209.03, 1%, 0.06%

LAB 4.24, -0.56, -11.55

 

CMYK 64 / 18 / 0 / 58

HEX #27586B

RGB 39 88 107

HSL 196.76, 0.47%, 0.29%

LAB 34.95, -10.22, -15.86

 

CMYK 64 / 28 / 0 / 58

HEX #274E6C

RGB 39 78 108

HSL 206.09, 0.47%, 0.29%

LAB 31.72, -3.69, -21.47

 

CMYK 64 / 39 / 0 / 58

HEX #27426C

RGB 39 66 108

HSL 216.52, 0.47%, 0.29%

LAB 27.87, 4.19, -27.52

 

CMYK 64 / 49 / 0 / 58

HEX #27376C

RGB 39 55 108

HSL 226.09, 0.47%, 0.29%

LAB 24.47, 11.77, -32.94

 

CMYK 64 / 60 / 0 / 58

HEX #272B6C

RGB 39 43 108

HSL 236.52, 0.47%, 0.29%

LAB 20.99, 20.2, -38.55

 

CMYK 64 / 18 / 0 / 58

HEX #27586B

RGB 39 88 107

HSL 196.76, 0.47%, 0.29%

LAB 34.95, -10.22, -15.86

 

CMYK 63 / 18 / 0 / 38

HEX #3A829E

RGB 58 130 158

HSL 196.8, 0.46%, 0.42%

LAB 51.08, -13.62, -21.67

 

CMYK 64 / 18 / 0 / 18

HEX #4CACD1

RGB 76 172 209

HSL 196.69, 0.59%, 0.56%

LAB 66.25, -16.98, -27.16

 

CMYK 60 / 20 / 0 / 98

HEX #020405

RGB 2 4 5

HSL 200, 0.43%, 0.01%

LAB 1, -0.38, -0.56

 

CMYK 64 / 18 / 0 / 78

HEX #142E38

RGB 20 46 56

HSL 196.67, 0.47%, 0.15%

LAB 17.41, -6.43, -9.43

 

CMYK 64 / 18 / 0 / 58

HEX #27586B

RGB 39 88 107

HSL 196.76, 0.47%, 0.29%

LAB 34.95, -10.22, -15.86

 

CMYK 34 / 64 / 0 / 58

HEX #47276C

RGB 71 39 108

HSL 267.83, 0.47%, 0.29%

LAB 23.25, 30.25, -34.74

 

CMYK 0 / 8 / 64 / 58

HEX #6C6327

RGB 108 99 39

HSL 52.17, 0.47%, 0.29%

LAB 41.62, -4.62, 34.54

 

CMYK 64 / 18 / 0 / 58

HEX #27586B

RGB 39 88 107

HSL 196.76, 0.47%, 0.29%

LAB 34.95, -10.22, -15.86

 

CMYK 0 / 64 / 17 / 58

HEX #6C275A

RGB 108 39 90

HSL 315.65, 0.47%, 0.29%

LAB 27.78, 37.09, -15.49

 

CMYK 17 / 0 / 64 / 58

HEX #5A6C27

RGB 90 108 39

HSL 75.65, 0.47%, 0.29%

LAB 42.83, -17.97, 35.43

 

CMYK 64 / 18 / 0 / 58

HEX #27586B

RGB 39 88 107

HSL 196.76, 0.47%, 0.29%

LAB 34.95, -10.22, -15.86

 

CMYK 34 / 64 / 0 / 58

HEX #47276C

RGB 71 39 108

HSL 267.83, 0.47%, 0.29%

LAB 23.25, 30.25, -34.74

 

CMYK 0 / 47 / 64 / 58

HEX #6C3927

RGB 108 57 39

HSL 15.65, 0.47%, 0.29%

LAB 30.06, 20.71, 21.05

 

CMYK 30 / 0 / 64 / 58

HEX #4C6C27

RGB 76 108 39

HSL 87.83, 0.47%, 0.29%

LAB 41.86, -23.97, 34.08

 

CMYK 64 / 18 / 0 / 58

HEX #27586B

RGB 39 88 107

HSL 196.76, 0.47%, 0.29%

LAB 34.95, -10.22, -15.86

 

CMYK 15 / 64 / 0 / 58

HEX #5C276C

RGB 92 39 108

HSL 286.09, 0.47%, 0.29%

LAB 26.18, 35.88, -29.87

 

CMYK 0 / 47 / 64 / 58

HEX #6C3927

RGB 108 57 39

HSL 15.65, 0.47%, 0.29%

LAB 30.06, 20.71, 21.05

 

CMYK 49 / 0 / 64 / 58

HEX #376C27

RGB 55 108 39

HSL 106.09, 0.47%, 0.29%

LAB 40.71, -31.86, 32.47

 

Description

Color code: CMYK 64 / 18 / 0 / 58 | qconv.com Color code: CMYK 64 / 18 / 0 / 58 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 39 red, 88 green and 107 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
39 88 107 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, 18 magenta, none yellow and 58 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 18% 0% 58% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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