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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 64 / 0 / 99 / 32 it is the complementary color CMYK 24 / 68 / 0 / 1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 64 / 0 / 99 / 32. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 64 / 0 / 99 / 32: CMYK 61 / 0 / 100 / 32, CMYK 56 / 0 / 92 / 25, CMYK 52 / 0 / 83 / 18, CMYK 48 / 0 / 76 / 11 and CMYK 45 / 0 / 70 / 4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 64 / 0 / 99 / 32. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 64 / 0 / 99 / 32: CMYK 64 / 0 / 99 / 32, CMYK 71 / 0 / 100 / 39, CMYK 80 / 0 / 100 / 46, CMYK 91 / 0 / 100 / 53 and CMYK 100 / 0 / 100 / 60

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 0 / 99 / 32

HEX #3EAD02

RGB 62 173 2

HSL 98.95, 0.98%, 0.34%

LAB 62.44, -56.7, 62.99

 

Complementary color

CMYK 24 / 68 / 0 / 1

HEX #C152FD

RGB 193 82 253

HSL 278.95, 0.98%, 0.66%

LAB 56.55, 70.35, -66.29

 

CMYK 61 / 0 / 100 / 32

HEX #43AD00

RGB 67 173 0

HSL 96.76, 1%, 0.34%

LAB 62.58, -55.55, 63.43

 

CMYK 56 / 0 / 92 / 25

HEX #54BF10

RGB 84 191 16

HSL 96.69, 0.85%, 0.41%

LAB 68.88, -57.13, 66.72

 

CMYK 52 / 0 / 83 / 18

HEX #65D123

RGB 101 209 35

HSL 97.24, 0.71%, 0.48%

LAB 75.13, -58.27, 68.58

 

CMYK 48 / 0 / 76 / 11

HEX #76E336

RGB 118 227 54

HSL 97.8, 0.76%, 0.55%

LAB 81.32, -59.05, 69.28

 

CMYK 45 / 0 / 70 / 4

HEX #87F549

RGB 135 245 73

HSL 98.37, 0.9%, 0.62%

LAB 87.45, -59.58, 69.25

 

CMYK 64 / 0 / 99 / 32

HEX #3EAD02

RGB 62 173 2

HSL 98.95, 0.98%, 0.34%

LAB 62.44, -56.7, 62.99

 

CMYK 71 / 0 / 100 / 39

HEX #2D9B00

RGB 45 155 0

HSL 102.58, 1%, 0.3%

LAB 56.09, -54.41, 58.04

 

CMYK 80 / 0 / 100 / 46

HEX #1C8900

RGB 28 137 0

HSL 107.74, 1%, 0.27%

LAB 49.66, -51.61, 52.78

 

CMYK 91 / 0 / 100 / 53

HEX #0B7700

RGB 11 119 0

HSL 114.45, 1%, 0.23%

LAB 43.16, -48.1, 47.48

 

CMYK 100 / 0 / 100 / 60

HEX #006500

RGB 0 101 0

HSL 120, 1%, 0.2%

LAB 36.57, -43.67, 42.15

 

CMYK 64 / 0 / 99 / 32

HEX #3EAD02

RGB 62 173 2

HSL 98.95, 0.98%, 0.34%

LAB 62.44, -56.7, 62.99

 

CMYK 80 / 0 / 99 / 33

HEX #23AB01

RGB 35 171 1

HSL 108, 0.99%, 0.34%

LAB 61.21, -61.03, 61.9

 

CMYK 96 / 0 / 99 / 33

HEX #07AB01

RGB 7 171 1

HSL 117.88, 0.99%, 0.34%

LAB 60.93, -63.49, 61.57

 

CMYK 99 / 0 / 86 / 33

HEX #01AB18

RGB 1 171 24

HSL 128.12, 0.99%, 0.34%

LAB 60.96, -63.07, 57.76

 

CMYK 99 / 0 / 70 / 33

HEX #01AB34

RGB 1 171 52

HSL 138, 0.99%, 0.34%

LAB 61.12, -61.03, 48.78

 

CMYK 64 / 0 / 99 / 32

HEX #3EAD02

RGB 62 173 2

HSL 98.95, 0.98%, 0.34%

LAB 62.44, -56.7, 62.99

 

CMYK 64 / 0 / 99 / 12

HEX #50E003

RGB 80 224 3

HSL 99.1, 0.97%, 0.45%

LAB 79.05, -69.36, 76.36

 

CMYK 65 / 0 / 100 / 92

HEX #071400

RGB 7 20 0

HSL 99, 1%, 0.04%

LAB 4.93, -7.4, 7.24

 

CMYK 65 / 0 / 99 / 72

HEX #194701

RGB 25 71 1

HSL 99.43, 0.97%, 0.14%

LAB 25.91, -28.84, 33.24

 

CMYK 64 / 0 / 99 / 52

HEX #2C7A01

RGB 44 122 1

HSL 98.68, 0.98%, 0.24%

LAB 44.88, -43.26, 48.91

 

CMYK 64 / 0 / 99 / 32

HEX #3EAD02

RGB 62 173 2

HSL 98.95, 0.98%, 0.34%

LAB 62.44, -56.7, 62.99

 

CMYK 99 / 0 / 16 / 33

HEX #01AB8F

RGB 1 171 143

HSL 170.12, 0.99%, 0.34%

LAB 62.6, -43.75, 4.01

 

CMYK 0 / 99 / 23 / 33

HEX #AB0184

RGB 171 1 132

HSL 313.76, 0.99%, 0.34%

LAB 38.46, 67.41, -24.74

 

CMYK 64 / 0 / 99 / 32

HEX #3EAD02

RGB 62 173 2

HSL 98.95, 0.98%, 0.34%

LAB 62.44, -56.7, 62.99

 

CMYK 99 / 63 / 0 / 33

HEX #0140AB

RGB 1 64 171

HSL 217.76, 0.99%, 0.34%

LAB 30.91, 27.34, -61.54

 

CMYK 0 / 99 / 63 / 33

HEX #AB0140

RGB 171 1 64

HSL 337.76, 0.99%, 0.34%

LAB 36.08, 61.21, 15.14

 

CMYK 64 / 0 / 99 / 32

HEX #3EAD02

RGB 62 173 2

HSL 98.95, 0.98%, 0.34%

LAB 62.44, -56.7, 62.99

 

CMYK 99 / 0 / 16 / 33

HEX #01AB8F

RGB 1 171 143

HSL 170.12, 0.99%, 0.34%

LAB 62.6, -43.75, 4.01

 

CMYK 36 / 99 / 0 / 33

HEX #6D01AB

RGB 109 1 171

HSL 278.12, 0.99%, 0.34%

LAB 29.94, 63.92, -62.83

 

CMYK 0 / 99 / 82 / 33

HEX #AB011E

RGB 171 1 30

HSL 349.76, 0.99%, 0.34%

LAB 35.54, 59.76, 35.89

 

CMYK 64 / 0 / 99 / 32

HEX #3EAD02

RGB 62 173 2

HSL 98.95, 0.98%, 0.34%

LAB 62.44, -56.7, 62.99

 

CMYK 99 / 13 / 0 / 33

HEX #0195AB

RGB 1 149 171

HSL 187.76, 0.99%, 0.34%

LAB 56.53, -24.9, -20.88

 

CMYK 36 / 99 / 0 / 33

HEX #6D01AB

RGB 109 1 171

HSL 278.12, 0.99%, 0.34%

LAB 29.94, 63.92, -62.83

 

CMYK 0 / 86 / 99 / 33

HEX #AB1801

RGB 171 24 1

HSL 8.12, 0.99%, 0.34%

LAB 36.58, 55.77, 49.86

 

Description

Color code: CMYK 64 / 0 / 99 / 32 | qconv.com Color code: CMYK 64 / 0 / 99 / 32 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 62 red, 173 green and 2 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
62 173 2 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, none magenta, 99 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 0% 99% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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