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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 63 / 8 / 0 / 24 it is the complementary color CMYK 0 / 58 / 67 / 28. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 63 / 8 / 0 / 24. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 63 / 8 / 0 / 24: CMYK 59 / 6 / 0 / 26, CMYK 55 / 6 / 0 / 18, CMYK 51 / 6 / 0 / 11, CMYK 48 / 6 / 0 / 4 and CMYK 43 / 2 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 63 / 8 / 0 / 24. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 63 / 8 / 0 / 24: CMYK 63 / 8 / 0 / 24, CMYK 69 / 9 / 0 / 31, CMYK 76 / 9 / 0 / 39, CMYK 85 / 9 / 0 / 46 and CMYK 97 / 10 / 0 / 54

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 8 / 0 / 24

HEX #48B2C2

RGB 72 178 194

HSL 187.87, 0.5%, 0.52%

LAB 67.36, -25.32, -17.19

 

Complementary color

CMYK 0 / 58 / 67 / 28

HEX #B74D3D

RGB 183 77 61

HSL 7.87, 0.5%, 0.48%

LAB 46.59, 41.89, 30.84

 

CMYK 59 / 6 / 0 / 26

HEX #4DB2BD

RGB 77 178 189

HSL 185.89, 0.46%, 0.52%

LAB 67.35, -25.9, -14.43

 

CMYK 55 / 6 / 0 / 18

HEX #5EC4D0

RGB 94 196 208

HSL 186.32, 0.55%, 0.59%

LAB 73.81, -26.23, -15.05

 

CMYK 51 / 6 / 0 / 11

HEX #6FD6E3

RGB 111 214 227

HSL 186.72, 0.67%, 0.66%

LAB 80.19, -26.46, -15.62

 

CMYK 48 / 6 / 0 / 4

HEX #80E8F6

RGB 128 232 246

HSL 187.12, 0.87%, 0.73%

LAB 86.48, -26.62, -16.17

 

CMYK 43 / 2 / 0 / 0

HEX #91FAFF

RGB 145 250 255

HSL 182.73, 1%, 0.78%

LAB 92.4, -29.21, -11.93

 

CMYK 63 / 8 / 0 / 24

HEX #48B2C2

RGB 72 178 194

HSL 187.87, 0.5%, 0.52%

LAB 67.36, -25.32, -17.19

 

CMYK 69 / 9 / 0 / 31

HEX #37A0AF

RGB 55 160 175

HSL 187.5, 0.52%, 0.45%

LAB 60.82, -24.69, -16.53

 

CMYK 76 / 9 / 0 / 39

HEX #268E9C

RGB 38 142 156

HSL 187.12, 0.61%, 0.38%

LAB 54.19, -23.79, -15.8

 

CMYK 85 / 9 / 0 / 46

HEX #157C89

RGB 21 124 137

HSL 186.72, 0.73%, 0.31%

LAB 47.47, -22.52, -14.96

 

CMYK 97 / 10 / 0 / 54

HEX #046A76

RGB 4 106 118

HSL 186.32, 0.93%, 0.24%

LAB 40.64, -20.77, -13.99

 

CMYK 63 / 8 / 0 / 24

HEX #48B2C2

RGB 72 178 194

HSL 187.87, 0.5%, 0.52%

LAB 67.36, -25.32, -17.19

 

CMYK 63 / 18 / 0 / 24

HEX #479FC1

RGB 71 159 193

HSL 196.72, 0.5%, 0.52%

LAB 61.64, -15.93, -25.36

 

CMYK 63 / 28 / 0 / 24

HEX #478AC1

RGB 71 138 193

HSL 207.05, 0.5%, 0.52%

LAB 55.45, -4.2, -34.97

 

CMYK 63 / 39 / 0 / 24

HEX #4776C1

RGB 71 118 193

HSL 216.89, 0.5%, 0.52%

LAB 49.67, 7.74, -44.07

 

CMYK 63 / 50 / 0 / 24

HEX #4761C1

RGB 71 97 193

HSL 227.21, 0.5%, 0.52%

LAB 43.86, 20.91, -53.36

 

CMYK 63 / 8 / 0 / 24

HEX #48B2C2

RGB 72 178 194

HSL 187.87, 0.5%, 0.52%

LAB 67.36, -25.32, -17.19

 

CMYK 63 / 8 / 0 / 4

HEX #5BE1F5

RGB 91 225 245

HSL 187.79, 0.89%, 0.66%

LAB 83.27, -30.48, -20.61

 

CMYK 63 / 7 / 0 / 84

HEX #0F2629

RGB 15 38 41

HSL 186.92, 0.46%, 0.11%

LAB 13.52, -7.96, -4.77

 

CMYK 63 / 9 / 0 / 64

HEX #22545C

RGB 34 84 92

HSL 188.28, 0.46%, 0.25%

LAB 32.82, -14.01, -9.71

 

CMYK 63 / 8 / 0 / 44

HEX #35838F

RGB 53 131 143

HSL 188, 0.46%, 0.38%

LAB 50.66, -19.88, -13.58

 

CMYK 63 / 8 / 0 / 24

HEX #48B2C2

RGB 72 178 194

HSL 187.87, 0.5%, 0.52%

LAB 67.36, -25.32, -17.19

 

CMYK 43 / 63 / 0 / 24

HEX #6E47C1

RGB 110 71 193

HSL 259.18, 0.5%, 0.52%

LAB 40.69, 44.42, -58.33

 

CMYK 0 / 18 / 63 / 24

HEX #C19F47

RGB 193 159 71

HSL 43.28, 0.5%, 0.52%

LAB 66.97, 2.56, 49.47

 

CMYK 63 / 8 / 0 / 24

HEX #48B2C2

RGB 72 178 194

HSL 187.87, 0.5%, 0.52%

LAB 67.36, -25.32, -17.19

 

CMYK 0 / 63 / 7 / 24

HEX #C147B3

RGB 193 71 179

HSL 306.89, 0.5%, 0.52%

LAB 50.8, 61.27, -33.39

 

CMYK 7 / 0 / 63 / 24

HEX #B3C147

RGB 179 193 71

HSL 66.89, 0.5%, 0.52%

LAB 74.94, -21.07, 57.76

 

CMYK 63 / 8 / 0 / 24

HEX #48B2C2

RGB 72 178 194

HSL 187.87, 0.5%, 0.52%

LAB 67.36, -25.32, -17.19

 

CMYK 43 / 63 / 0 / 24

HEX #6E47C1

RGB 110 71 193

HSL 259.18, 0.5%, 0.52%

LAB 40.69, 44.42, -58.33

 

CMYK 0 / 56 / 63 / 24

HEX #C15547

RGB 193 85 71

HSL 6.89, 0.5%, 0.52%

LAB 49.85, 42.33, 29.41

 

CMYK 20 / 0 / 63 / 24

HEX #9BC147

RGB 155 193 71

HSL 78.69, 0.5%, 0.52%

LAB 73.26, -30.77, 55.47

 

CMYK 63 / 8 / 0 / 24

HEX #48B2C2

RGB 72 178 194

HSL 187.87, 0.5%, 0.52%

LAB 67.36, -25.32, -17.19

 

CMYK 24 / 63 / 0 / 24

HEX #9247C1

RGB 146 71 193

HSL 276.89, 0.5%, 0.52%

LAB 44.9, 52.37, -51.33

 

CMYK 0 / 56 / 63 / 24

HEX #C15547

RGB 193 85 71

HSL 6.89, 0.5%, 0.52%

LAB 49.85, 42.33, 29.41

 

CMYK 39 / 0 / 63 / 24

HEX #76C147

RGB 118 193 71

HSL 96.89, 0.5%, 0.52%

LAB 71.18, -44.35, 52.6

 

Description

Color code: CMYK 63 / 8 / 0 / 24 | qconv.com Color code: CMYK 63 / 8 / 0 / 24 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 72 red, 178 green and 194 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
72 178 194 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, 8 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 8% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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