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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 63 / 86 / 0 / 46 it is the complementary color CMYK 14 / 0 / 50 / 7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 63 / 86 / 0 / 46. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 63 / 86 / 0 / 46: CMYK 58 / 86 / 0 / 48, CMYK 52 / 76 / 0 / 40, CMYK 47 / 68 / 0 / 33, CMYK 44 / 62 / 0 / 25 and CMYK 41 / 56 / 0 / 18

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 63 / 86 / 0 / 46. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 63 / 86 / 0 / 46: CMYK 63 / 86 / 0 / 46, CMYK 71 / 99 / 0 / 53, CMYK 83 / 100 / 0 / 61, CMYK 100 / 100 / 0 / 68 and CMYK 100 / 100 / 0 / 76

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 86 / 0 / 46

HEX #33138A

RGB 51 19 138

HSL 256.13, 0.76%, 0.31%

LAB 20.06, 45.68, -59.14

 

Complementary color

CMYK 14 / 0 / 50 / 7

HEX #CCEC75

RGB 204 236 117

HSL 76.13, 0.76%, 0.69%

LAB 88.98, -28.12, 53.7

 

CMYK 58 / 86 / 0 / 48

HEX #381385

RGB 56 19 133

HSL 259.47, 0.75%, 0.3%

LAB 20.04, 44.8, -56.01

 

CMYK 52 / 76 / 0 / 40

HEX #492598

RGB 73 37 152

HSL 258.78, 0.61%, 0.37%

LAB 26.75, 44.26, -56.71

 

CMYK 47 / 68 / 0 / 33

HEX #5A37AB

RGB 90 55 171

HSL 258.1, 0.51%, 0.44%

LAB 33.66, 43.12, -56.85

 

CMYK 44 / 62 / 0 / 25

HEX #6B49BE

RGB 107 73 190

HSL 257.44, 0.47%, 0.52%

LAB 40.59, 41.83, -56.76

 

CMYK 41 / 56 / 0 / 18

HEX #7C5BD1

RGB 124 91 209

HSL 256.78, 0.56%, 0.59%

LAB 47.46, 40.57, -56.57

 

CMYK 63 / 86 / 0 / 46

HEX #33138A

RGB 51 19 138

HSL 256.13, 0.76%, 0.31%

LAB 20.06, 45.68, -59.14

 

CMYK 71 / 99 / 0 / 53

HEX #220177

RGB 34 1 119

HSL 256.78, 0.98%, 0.24%

LAB 13.79, 45.52, -57.52

 

CMYK 83 / 100 / 0 / 61

HEX #110064

RGB 17 0 100

HSL 250.2, 1%, 0.2%

LAB 9.31, 40.2, -52.57

 

CMYK 100 / 100 / 0 / 68

HEX #000051

RGB 0 0 81

HSL 240, 1%, 0.16%

LAB 5.37, 32.91, -46.3

 

CMYK 100 / 100 / 0 / 76

HEX #00003E

RGB 0 0 62

HSL 240, 1%, 0.12%

LAB 3.14, 22.06, -36.55

 

CMYK 63 / 86 / 0 / 46

HEX #33138A

RGB 51 19 138

HSL 256.13, 0.76%, 0.31%

LAB 20.06, 45.68, -59.14

 

CMYK 49 / 87 / 0 / 45

HEX #47128B

RGB 71 18 139

HSL 266.28, 0.77%, 0.31%

LAB 22.43, 48.57, -55.77

 

CMYK 35 / 87 / 0 / 45

HEX #5B128B

RGB 91 18 139

HSL 276.2, 0.77%, 0.31%

LAB 25.32, 51.38, -50.92

 

CMYK 20 / 87 / 0 / 45

HEX #6F128B

RGB 111 18 139

HSL 286.12, 0.77%, 0.31%

LAB 28.58, 54.65, -45.47

 

CMYK 6 / 87 / 0 / 45

HEX #83128B

RGB 131 18 139

HSL 296.03, 0.77%, 0.31%

LAB 32.08, 58.28, -39.65

 

CMYK 63 / 86 / 0 / 46

HEX #33138A

RGB 51 19 138

HSL 256.13, 0.76%, 0.31%

LAB 20.06, 45.68, -59.14

 

CMYK 63 / 86 / 0 / 26

HEX #461ABD

RGB 70 26 189

HSL 256.2, 0.76%, 0.42%

LAB 28.68, 58.8, -75.82

 

CMYK 63 / 86 / 0 / 6

HEX #5921F0

RGB 89 33 240

HSL 256.23, 0.87%, 0.54%

LAB 36.93, 71.16, -91.58

 

CMYK 64 / 86 / 0 / 86

HEX #0D0524

RGB 13 5 36

HSL 255.48, 0.76%, 0.08%

LAB 2.9, 9.55, -17.42

 

CMYK 63 / 86 / 0 / 66

HEX #200C57

RGB 32 12 87

HSL 256, 0.76%, 0.19%

LAB 10.98, 31.36, -41.02

 

CMYK 63 / 86 / 0 / 46

HEX #33138A

RGB 51 19 138

HSL 256.13, 0.76%, 0.31%

LAB 20.06, 45.68, -59.14

 

CMYK 0 / 87 / 40 / 45

HEX #8B1253

RGB 139 18 83

HSL 327.77, 0.77%, 0.31%

LAB 30.75, 52.25, -5.84

 

CMYK 76 / 0 / 87 / 45

HEX #228B12

RGB 34 139 18

HSL 112.07, 0.77%, 0.31%

LAB 50.51, -50.63, 49.99

 

CMYK 63 / 86 / 0 / 46

HEX #33138A

RGB 51 19 138

HSL 256.13, 0.76%, 0.31%

LAB 20.06, 45.68, -59.14

 

CMYK 0 / 63 / 87 / 45

HEX #8B3312

RGB 139 51 18

HSL 16.36, 0.77%, 0.31%

LAB 33.77, 35.87, 38.22

 

CMYK 87 / 0 / 63 / 45

HEX #128B33

RGB 18 139 51

HSL 136.36, 0.77%, 0.31%

LAB 50.49, -49.93, 37.55

 

CMYK 63 / 86 / 0 / 46

HEX #33138A

RGB 51 19 138

HSL 256.13, 0.76%, 0.31%

LAB 20.06, 45.68, -59.14

 

CMYK 0 / 87 / 40 / 45

HEX #8B1253

RGB 139 18 83

HSL 327.77, 0.77%, 0.31%

LAB 30.75, 52.25, -5.84

 

CMYK 23 / 0 / 87 / 45

HEX #6B8B12

RGB 107 139 18

HSL 75.87, 0.77%, 0.31%

LAB 53.64, -27.55, 53.93

 

CMYK 87 / 0 / 46 / 45

HEX #128B4B

RGB 18 139 75

HSL 148.26, 0.77%, 0.31%

LAB 50.81, -46.14, 25.62

 

CMYK 63 / 86 / 0 / 46

HEX #33138A

RGB 51 19 138

HSL 256.13, 0.76%, 0.31%

LAB 20.06, 45.68, -59.14

 

CMYK 0 / 87 / 66 / 45

HEX #8B122F

RGB 139 18 47

HSL 345.62, 0.77%, 0.31%

LAB 29.73, 49.3, 16.66

 

CMYK 23 / 0 / 87 / 45

HEX #6B8B12

RGB 107 139 18

HSL 75.87, 0.77%, 0.31%

LAB 53.64, -27.55, 53.93

 

CMYK 87 / 0 / 20 / 45

HEX #128B6F

RGB 18 139 111

HSL 166.12, 0.77%, 0.31%

LAB 51.54, -37.88, 6.29

 

Description

Color code: CMYK 63 / 86 / 0 / 46 | qconv.com Color code: CMYK 63 / 86 / 0 / 46 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 51 red, 19 green and 138 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
51 19 138 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, 86 magenta, none yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 86% 0% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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