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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 63 / 22 / 0 / 24 it is the complementary color CMYK 0 / 43 / 67 / 28. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 63 / 22 / 0 / 24. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 63 / 22 / 0 / 24: CMYK 59 / 20 / 0 / 26, CMYK 55 / 19 / 0 / 18, CMYK 51 / 18 / 0 / 11, CMYK 48 / 17 / 0 / 4 and CMYK 43 / 13 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 63 / 22 / 0 / 24. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 63 / 22 / 0 / 24: CMYK 63 / 22 / 0 / 24, CMYK 69 / 24 / 0 / 31, CMYK 76 / 26 / 0 / 39, CMYK 85 / 29 / 0 / 46 and CMYK 97 / 33 / 0 / 54

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 22 / 0 / 24

HEX #4897C2

RGB 72 151 194

HSL 201.15, 0.5%, 0.52%

LAB 59.35, -11.06, -29.46

 

Complementary color

CMYK 0 / 43 / 67 / 28

HEX #B7683D

RGB 183 104 61

HSL 21.15, 0.5%, 0.48%

LAB 52.18, 27.84, 37.43

 

CMYK 59 / 20 / 0 / 26

HEX #4D97BD

RGB 77 151 189

HSL 200.36, 0.46%, 0.52%

LAB 59.33, -11.71, -26.65

 

CMYK 55 / 19 / 0 / 18

HEX #5EA9D0

RGB 94 169 208

HSL 200.53, 0.55%, 0.59%

LAB 65.99, -12.25, -26.95

 

CMYK 51 / 18 / 0 / 11

HEX #6FBBE3

RGB 111 187 227

HSL 200.69, 0.67%, 0.66%

LAB 72.54, -12.68, -27.25

 

CMYK 48 / 17 / 0 / 4

HEX #80CDF6

RGB 128 205 246

HSL 200.85, 0.87%, 0.73%

LAB 78.99, -13.01, -27.53

 

CMYK 43 / 13 / 0 / 0

HEX #91DFFF

RGB 145 223 255

HSL 197.45, 1%, 0.78%

LAB 85, -15.91, -23.07

 

CMYK 63 / 22 / 0 / 24

HEX #4897C2

RGB 72 151 194

HSL 201.15, 0.5%, 0.52%

LAB 59.35, -11.06, -29.46

 

CMYK 69 / 24 / 0 / 31

HEX #3785AF

RGB 55 133 175

HSL 201, 0.52%, 0.45%

LAB 52.6, -10.16, -29.16

 

CMYK 76 / 26 / 0 / 39

HEX #26739C

RGB 38 115 156

HSL 200.85, 0.61%, 0.38%

LAB 45.74, -8.94, -28.82

 

CMYK 85 / 29 / 0 / 46

HEX #156189

RGB 21 97 137

HSL 200.69, 0.73%, 0.31%

LAB 38.75, -7.26, -28.42

 

CMYK 97 / 33 / 0 / 54

HEX #044F76

RGB 4 79 118

HSL 200.53, 0.93%, 0.24%

LAB 31.64, -4.97, -27.94

 

CMYK 63 / 22 / 0 / 24

HEX #4897C2

RGB 72 151 194

HSL 201.15, 0.5%, 0.52%

LAB 59.35, -11.06, -29.46

 

CMYK 63 / 33 / 0 / 24

HEX #4782C1

RGB 71 130 193

HSL 210.98, 0.5%, 0.52%

LAB 53.12, 0.49, -38.62

 

CMYK 63 / 43 / 0 / 24

HEX #476EC1

RGB 71 110 193

HSL 220.82, 0.5%, 0.52%

LAB 47.42, 12.7, -47.65

 

CMYK 63 / 54 / 0 / 24

HEX #4759C1

RGB 71 89 193

HSL 231.15, 0.5%, 0.52%

LAB 41.74, 26.01, -56.77

 

CMYK 62 / 63 / 0 / 24

HEX #4947C1

RGB 73 71 193

HSL 240.98, 0.5%, 0.52%

LAB 37.43, 37.63, -63.77

 

CMYK 63 / 22 / 0 / 24

HEX #4897C2

RGB 72 151 194

HSL 201.15, 0.5%, 0.52%

LAB 59.35, -11.06, -29.46

 

CMYK 63 / 22 / 0 / 4

HEX #5BBFF5

RGB 91 191 245

HSL 201.04, 0.89%, 0.66%

LAB 73.6, -13.3, -35.42

 

CMYK 63 / 22 / 0 / 84

HEX #0F2029

RGB 15 32 41

HSL 200.77, 0.46%, 0.11%

LAB 11.24, -3.84, -8.24

 

CMYK 63 / 22 / 0 / 64

HEX #22485C

RGB 34 72 92

HSL 200.69, 0.46%, 0.25%

LAB 28.77, -6.76, -15.9

 

CMYK 63 / 22 / 0 / 44

HEX #356F8F

RGB 53 111 143

HSL 201.33, 0.46%, 0.38%

LAB 44.39, -8.7, -23.17

 

CMYK 63 / 22 / 0 / 24

HEX #4897C2

RGB 72 151 194

HSL 201.15, 0.5%, 0.52%

LAB 59.35, -11.06, -29.46

 

CMYK 28 / 63 / 0 / 24

HEX #8A47C1

RGB 138 71 193

HSL 272.95, 0.5%, 0.52%

LAB 43.89, 50.53, -53.01

 

CMYK 0 / 3 / 63 / 24

HEX #C1BB47

RGB 193 187 71

HSL 57.05, 0.5%, 0.52%

LAB 74.4, -12.18, 57.53

 

CMYK 63 / 22 / 0 / 24

HEX #4897C2

RGB 72 151 194

HSL 201.15, 0.5%, 0.52%

LAB 59.35, -11.06, -29.46

 

CMYK 0 / 63 / 22 / 24

HEX #C14796

RGB 193 71 150

HSL 321.15, 0.5%, 0.52%

LAB 49.55, 56.94, -18.22

 

CMYK 22 / 0 / 63 / 24

HEX #96C147

RGB 150 193 71

HSL 81.15, 0.5%, 0.52%

LAB 72.94, -32.72, 55.04

 

CMYK 63 / 22 / 0 / 24

HEX #4897C2

RGB 72 151 194

HSL 201.15, 0.5%, 0.52%

LAB 59.35, -11.06, -29.46

 

CMYK 28 / 63 / 0 / 24

HEX #8A47C1

RGB 138 71 193

HSL 272.95, 0.5%, 0.52%

LAB 43.89, 50.53, -53.01

 

CMYK 0 / 41 / 63 / 24

HEX #C17247

RGB 193 114 71

HSL 21.15, 0.5%, 0.52%

LAB 55.91, 27.2, 36.79

 

CMYK 35 / 0 / 63 / 24

HEX #7EC147

RGB 126 193 71

HSL 92.95, 0.5%, 0.52%

LAB 71.58, -41.61, 53.15

 

CMYK 63 / 22 / 0 / 24

HEX #4897C2

RGB 72 151 194

HSL 201.15, 0.5%, 0.52%

LAB 59.35, -11.06, -29.46

 

CMYK 9 / 63 / 0 / 24

HEX #AF47C1

RGB 175 71 193

HSL 291.15, 0.5%, 0.52%

LAB 48.85, 59.24, -44.79

 

CMYK 0 / 41 / 63 / 24

HEX #C17247

RGB 193 114 71

HSL 21.15, 0.5%, 0.52%

LAB 55.91, 27.2, 36.79

 

CMYK 54 / 0 / 63 / 24

HEX #59C147

RGB 89 193 71

HSL 111.15, 0.5%, 0.52%

LAB 69.98, -53.14, 50.94

 

Description

Color code: CMYK 63 / 22 / 0 / 24 | qconv.com Color code: CMYK 63 / 22 / 0 / 24 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 72 red, 151 green and 194 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
72 151 194 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, 22 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 22% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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