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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 63 / 20 / 0 / 47 it is the complementary color CMYK 0 / 28 / 41 / 20. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 63 / 20 / 0 / 47. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 63 / 20 / 0 / 47: CMYK 58 / 17 / 0 / 49, CMYK 52 / 15 / 0 / 42, CMYK 47 / 14 / 0 / 34, CMYK 43 / 13 / 0 / 27 and CMYK 40 / 13 / 0 / 19

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 63 / 20 / 0 / 47. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 63 / 20 / 0 / 47: CMYK 63 / 20 / 0 / 47, CMYK 72 / 22 / 0 / 55, CMYK 84 / 26 / 0 / 62, CMYK 100 / 31 / 0 / 69 and CMYK 100 / 39 / 0 / 77

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 20 / 0 / 47

HEX #326C87

RGB 50 108 135

HSL 199.06, 0.46%, 0.36%

LAB 42.99, -10.24, -20.56

 

Complementary color

CMYK 0 / 28 / 41 / 20

HEX #CD9378

RGB 205 147 120

HSL 19.06, 0.46%, 0.64%

LAB 65.91, 18.5, 22.96

 

CMYK 58 / 17 / 0 / 49

HEX #376C82

RGB 55 108 130

HSL 197.6, 0.41%, 0.36%

LAB 42.99, -10.83, -17.55

 

CMYK 52 / 15 / 0 / 42

HEX #487E95

RGB 72 126 149

HSL 197.92, 0.35%, 0.43%

LAB 50.06, -11.23, -17.93

 

CMYK 47 / 14 / 0 / 34

HEX #5990A8

RGB 89 144 168

HSL 198.23, 0.31%, 0.5%

LAB 56.98, -11.51, -18.29

 

CMYK 43 / 13 / 0 / 27

HEX #6AA2BB

RGB 106 162 187

HSL 198.52, 0.37%, 0.57%

LAB 63.75, -11.71, -18.65

 

CMYK 40 / 13 / 0 / 19

HEX #7BB4CE

RGB 123 180 206

HSL 198.8, 0.46%, 0.65%

LAB 70.39, -11.86, -19.01

 

CMYK 63 / 20 / 0 / 47

HEX #326C87

RGB 50 108 135

HSL 199.06, 0.46%, 0.36%

LAB 42.99, -10.24, -20.56

 

CMYK 72 / 22 / 0 / 55

HEX #215A74

RGB 33 90 116

HSL 198.8, 0.56%, 0.29%

LAB 35.78, -9.36, -20.17

 

CMYK 84 / 26 / 0 / 62

HEX #104861

RGB 16 72 97

HSL 198.52, 0.72%, 0.22%

LAB 28.4, -8.01, -19.72

 

CMYK 100 / 31 / 0 / 69

HEX #00364E

RGB 0 54 78

HSL 198.46, 1%, 0.15%

LAB 20.78, -6.09, -19.22

 

CMYK 100 / 39 / 0 / 77

HEX #00243B

RGB 0 36 59

HSL 203.39, 1%, 0.12%

LAB 13.09, -2.24, -18.3

 

CMYK 63 / 20 / 0 / 47

HEX #326C87

RGB 50 108 135

HSL 199.06, 0.46%, 0.36%

LAB 42.99, -10.24, -20.56

 

CMYK 63 / 31 / 0 / 47

HEX #315D86

RGB 49 93 134

HSL 208.94, 0.46%, 0.36%

LAB 38.2, -1.73, -27.4

 

CMYK 63 / 41 / 0 / 47

HEX #314F86

RGB 49 79 134

HSL 218.82, 0.46%, 0.36%

LAB 33.91, 7.27, -34.17

 

CMYK 63 / 51 / 0 / 47

HEX #314186

RGB 49 65 134

HSL 228.71, 0.46%, 0.36%

LAB 29.8, 16.66, -40.75

 

CMYK 63 / 63 / 0 / 47

HEX #313286

RGB 49 50 134

HSL 239.29, 0.46%, 0.36%

LAB 25.73, 26.78, -47.33

 

CMYK 63 / 20 / 0 / 47

HEX #326C87

RGB 50 108 135

HSL 199.06, 0.46%, 0.36%

LAB 42.99, -10.24, -20.56

 

CMYK 63 / 20 / 0 / 27

HEX #4595BA

RGB 69 149 186

HSL 198.97, 0.46%, 0.5%

LAB 58.33, -13.07, -26.53

 

CMYK 63 / 20 / 0 / 7

HEX #58BEED

RGB 88 190 237

HSL 198.93, 0.81%, 0.64%

LAB 72.9, -15.75, -32.18

 

CMYK 64 / 21 / 0 / 87

HEX #0C1A21

RGB 12 26 33

HSL 200, 0.47%, 0.09%

LAB 8.37, -3.47, -6.73

 

CMYK 63 / 20 / 0 / 67

HEX #1F4354

RGB 31 67 84

HSL 199.25, 0.46%, 0.23%

LAB 26.58, -7.15, -14.1

 

CMYK 63 / 20 / 0 / 47

HEX #326C87

RGB 50 108 135

HSL 199.06, 0.46%, 0.36%

LAB 42.99, -10.24, -20.56

 

CMYK 31 / 63 / 0 / 47

HEX #5D3186

RGB 93 49 134

HSL 271.06, 0.46%, 0.36%

LAB 30.02, 37, -40.17

 

CMYK 0 / 6 / 63 / 47

HEX #867E31

RGB 134 126 49

HSL 54.35, 0.46%, 0.36%

LAB 52.08, -7.12, 41.83

 

CMYK 63 / 20 / 0 / 47

HEX #326C87

RGB 50 108 135

HSL 199.06, 0.46%, 0.36%

LAB 42.99, -10.24, -20.56

 

CMYK 0 / 63 / 20 / 47

HEX #86316B

RGB 134 49 107

HSL 319.06, 0.46%, 0.36%

LAB 34.65, 43.08, -15.5

 

CMYK 20 / 0 / 63 / 47

HEX #6B8631

RGB 107 134 49

HSL 79.06, 0.46%, 0.36%

LAB 52.28, -23.27, 41.43

 

CMYK 63 / 20 / 0 / 47

HEX #326C87

RGB 50 108 135

HSL 199.06, 0.46%, 0.36%

LAB 42.99, -10.24, -20.56

 

CMYK 31 / 63 / 0 / 47

HEX #5D3186

RGB 93 49 134

HSL 271.06, 0.46%, 0.36%

LAB 30.02, 37, -40.17

 

CMYK 0 / 43 / 63 / 47

HEX #864C31

RGB 134 76 49

HSL 19.06, 0.46%, 0.36%

LAB 38.65, 21.84, 26.44

 

CMYK 33 / 0 / 63 / 47

HEX #5A8631

RGB 90 134 49

HSL 91.06, 0.46%, 0.36%

LAB 51.2, -30.12, 39.94

 

CMYK 63 / 20 / 0 / 47

HEX #326C87

RGB 50 108 135

HSL 199.06, 0.46%, 0.36%

LAB 42.99, -10.24, -20.56

 

CMYK 12 / 63 / 0 / 47

HEX #763186

RGB 118 49 134

HSL 288.71, 0.46%, 0.36%

LAB 33.5, 43.42, -34.41

 

CMYK 0 / 43 / 63 / 47

HEX #864C31

RGB 134 76 49

HSL 19.06, 0.46%, 0.36%

LAB 38.65, 21.84, 26.44

 

CMYK 51 / 0 / 63 / 47

HEX #418631

RGB 65 134 49

HSL 108.71, 0.46%, 0.36%

LAB 49.97, -38.8, 38.22

 

Description

Color code: CMYK 63 / 20 / 0 / 47 | qconv.com Color code: CMYK 63 / 20 / 0 / 47 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 50 red, 108 green and 135 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
50 108 135 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, 20 magenta, none yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 20% 0% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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