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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 63 / 20 / 0 / 42 it is the complementary color CMYK 0 / 32 / 47 / 22. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 63 / 20 / 0 / 42. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 63 / 20 / 0 / 42: CMYK 58 / 17 / 0 / 44, CMYK 52 / 16 / 0 / 36, CMYK 48 / 15 / 0 / 29, CMYK 45 / 14 / 0 / 22 and CMYK 42 / 13 / 0 / 14

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 63 / 20 / 0 / 42. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 63 / 20 / 0 / 42: CMYK 63 / 20 / 0 / 42, CMYK 71 / 22 / 0 / 49, CMYK 81 / 25 / 0 / 57, CMYK 96 / 30 / 0 / 64 and CMYK 100 / 36 / 0 / 72

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 20 / 0 / 42

HEX #377694

RGB 55 118 148

HSL 199.35, 0.46%, 0.4%

LAB 46.85, -10.69, -22.32

 

Complementary color

CMYK 0 / 32 / 47 / 22

HEX #C8896B

RGB 200 137 107

HSL 19.35, 0.46%, 0.6%

LAB 62.7, 20.57, 25.78

 

CMYK 58 / 17 / 0 / 44

HEX #3C768F

RGB 60 118 143

HSL 198.07, 0.41%, 0.4%

LAB 46.84, -11.3, -19.37

 

CMYK 52 / 16 / 0 / 36

HEX #4D88A2

RGB 77 136 162

HSL 198.35, 0.36%, 0.47%

LAB 53.81, -11.73, -19.73

 

CMYK 48 / 15 / 0 / 29

HEX #5E9AB5

RGB 94 154 181

HSL 198.62, 0.37%, 0.54%

LAB 60.63, -12.03, -20.08

 

CMYK 45 / 14 / 0 / 22

HEX #6FACC8

RGB 111 172 200

HSL 198.88, 0.45%, 0.61%

LAB 67.32, -12.26, -20.43

 

CMYK 42 / 13 / 0 / 14

HEX #80BEDB

RGB 128 190 219

HSL 199.12, 0.56%, 0.68%

LAB 73.89, -12.44, -20.77

 

CMYK 63 / 20 / 0 / 42

HEX #377694

RGB 55 118 148

HSL 199.35, 0.46%, 0.4%

LAB 46.85, -10.69, -22.32

 

CMYK 71 / 22 / 0 / 49

HEX #266481

RGB 38 100 129

HSL 199.12, 0.54%, 0.33%

LAB 39.77, -9.82, -21.95

 

CMYK 81 / 25 / 0 / 57

HEX #15526E

RGB 21 82 110

HSL 198.88, 0.68%, 0.26%

LAB 32.52, -8.52, -21.53

 

CMYK 96 / 30 / 0 / 64

HEX #04405B

RGB 4 64 91

HSL 198.62, 0.92%, 0.19%

LAB 25.1, -6.61, -21.02

 

CMYK 100 / 36 / 0 / 72

HEX #002E48

RGB 0 46 72

HSL 201.67, 1%, 0.14%

LAB 17.56, -3.33, -20.24

 

CMYK 63 / 20 / 0 / 42

HEX #377694

RGB 55 118 148

HSL 199.35, 0.46%, 0.4%

LAB 46.85, -10.69, -22.32

 

CMYK 63 / 30 / 0 / 42

HEX #376794

RGB 55 103 148

HSL 209.03, 0.46%, 0.4%

LAB 42.23, -1.77, -29.51

 

CMYK 63 / 41 / 0 / 42

HEX #375794

RGB 55 87 148

HSL 219.35, 0.46%, 0.4%

LAB 37.42, 8.34, -37.1

 

CMYK 63 / 51 / 0 / 42

HEX #374894

RGB 55 72 148

HSL 229.03, 0.46%, 0.4%

LAB 33.1, 18.24, -44.01

 

CMYK 63 / 62 / 0 / 42

HEX #373894

RGB 55 56 148

HSL 239.35, 0.46%, 0.4%

LAB 28.85, 28.83, -50.9

 

CMYK 63 / 20 / 0 / 42

HEX #377694

RGB 55 118 148

HSL 199.35, 0.46%, 0.4%

LAB 46.85, -10.69, -22.32

 

CMYK 63 / 20 / 0 / 22

HEX #4A9FC7

RGB 74 159 199

HSL 199.2, 0.53%, 0.54%

LAB 61.98, -13.5, -28.19

 

CMYK 63 / 20 / 0 / 2

HEX #5DC7FA

RGB 93 199 250

HSL 199.49, 0.94%, 0.67%

LAB 76.12, -15.63, -34.2

 

CMYK 63 / 20 / 0 / 82

HEX #11252E

RGB 17 37 46

HSL 198.62, 0.46%, 0.12%

LAB 13.47, -4.87, -8.42

 

CMYK 63 / 21 / 0 / 62

HEX #244D61

RGB 36 77 97

HSL 199.67, 0.46%, 0.26%

LAB 30.75, -7.66, -16.03

 

CMYK 63 / 20 / 0 / 42

HEX #377694

RGB 55 118 148

HSL 199.35, 0.46%, 0.4%

LAB 46.85, -10.69, -22.32

 

CMYK 30 / 63 / 0 / 42

HEX #673794

RGB 103 55 148

HSL 270.97, 0.46%, 0.4%

LAB 33.47, 39.73, -43.19

 

CMYK 0 / 5 / 63 / 42

HEX #948D37

RGB 148 141 55

HSL 55.48, 0.46%, 0.4%

LAB 57.68, -8.6, 45.49

 

CMYK 63 / 20 / 0 / 42

HEX #377694

RGB 55 118 148

HSL 199.35, 0.46%, 0.4%

LAB 46.85, -10.69, -22.32

 

CMYK 0 / 63 / 20 / 42

HEX #943777

RGB 148 55 119

HSL 318.71, 0.46%, 0.4%

LAB 38.48, 46.37, -16.96

 

CMYK 20 / 0 / 63 / 42

HEX #779437

RGB 119 148 55

HSL 78.71, 0.46%, 0.4%

LAB 57.44, -24.78, 44.58

 

CMYK 63 / 20 / 0 / 42

HEX #377694

RGB 55 118 148

HSL 199.35, 0.46%, 0.4%

LAB 46.85, -10.69, -22.32

 

CMYK 30 / 63 / 0 / 42

HEX #673794

RGB 103 55 148

HSL 270.97, 0.46%, 0.4%

LAB 33.47, 39.73, -43.19

 

CMYK 0 / 43 / 63 / 42

HEX #945437

RGB 148 84 55

HSL 18.71, 0.46%, 0.4%

LAB 42.63, 23.77, 28.25

 

CMYK 32 / 0 / 63 / 42

HEX #649437

RGB 100 148 55

HSL 90.97, 0.46%, 0.4%

LAB 56.25, -32.31, 42.93

 

CMYK 63 / 20 / 0 / 42

HEX #377694

RGB 55 118 148

HSL 199.35, 0.46%, 0.4%

LAB 46.85, -10.69, -22.32

 

CMYK 11 / 63 / 0 / 42

HEX #833794

RGB 131 55 148

HSL 289.03, 0.46%, 0.4%

LAB 37.29, 46.79, -36.86

 

CMYK 0 / 43 / 63 / 42

HEX #945437

RGB 148 84 55

HSL 18.71, 0.46%, 0.4%

LAB 42.63, 23.77, 28.25

 

CMYK 51 / 0 / 63 / 42

HEX #489437

RGB 72 148 55

HSL 109.03, 0.46%, 0.4%

LAB 54.9, -41.85, 41.04

 

Description

Color code: CMYK 63 / 20 / 0 / 42 | qconv.com Color code: CMYK 63 / 20 / 0 / 42 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 55 red, 118 green and 148 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
55 118 148 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, 20 magenta, none yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 20% 0% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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