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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 63 / 0 / 28 / 18 it is the complementary color CMYK 0 / 74 / 42 / 30. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 63 / 0 / 28 / 18. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 63 / 0 / 28 / 18: CMYK 61 / 0 / 30 / 18, CMYK 56 / 0 / 27 / 11, CMYK 53 / 0 / 25 / 4, CMYK 48 / 0 / 20 / 0 and CMYK 41 / 0 / 13 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 63 / 0 / 28 / 18. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 63 / 0 / 28 / 18: CMYK 63 / 0 / 28 / 18, CMYK 69 / 0 / 31 / 25, CMYK 75 / 0 / 35 / 32, CMYK 83 / 0 / 39 / 39 and CMYK 93 / 0 / 45 / 46

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 0 / 28 / 18

HEX #4DD197

RGB 77 209 151

HSL 153.64, 0.59%, 0.56%

LAB 75.71, -49.47, 18.35

 

Complementary color

CMYK 0 / 74 / 42 / 30

HEX #B22E68

RGB 178 46 104

HSL 333.64, 0.59%, 0.44%

LAB 41.87, 56.77, -1.98

 

CMYK 61 / 0 / 30 / 18

HEX #52D192

RGB 82 209 146

HSL 150.24, 0.58%, 0.57%

LAB 75.74, -49.54, 21.06

 

CMYK 56 / 0 / 27 / 11

HEX #63E3A5

RGB 99 227 165

HSL 150.94, 0.7%, 0.64%

LAB 82.01, -49.6, 19.82

 

CMYK 53 / 0 / 25 / 4

HEX #74F5B8

RGB 116 245 184

HSL 151.63, 0.87%, 0.71%

LAB 88.2, -49.56, 18.67

 

CMYK 48 / 0 / 20 / 0

HEX #85FFCB

RGB 133 255 203

HSL 154.43, 1%, 0.76%

LAB 92.05, -46.04, 14.39

 

CMYK 41 / 0 / 13 / 0

HEX #96FFDE

RGB 150 255 222

HSL 161.14, 1%, 0.79%

LAB 93.14, -37.9, 6.25

 

CMYK 63 / 0 / 28 / 18

HEX #4DD197

RGB 77 209 151

HSL 153.64, 0.59%, 0.56%

LAB 75.71, -49.47, 18.35

 

CMYK 69 / 0 / 31 / 25

HEX #3CBF84

RGB 60 191 132

HSL 152.98, 0.52%, 0.49%

LAB 69.39, -49.16, 19.69

 

CMYK 75 / 0 / 35 / 32

HEX #2BAD71

RGB 43 173 113

HSL 152.31, 0.6%, 0.42%

LAB 63.01, -48.59, 21.17

 

CMYK 83 / 0 / 39 / 39

HEX #1A9B5E

RGB 26 155 94

HSL 151.63, 0.71%, 0.35%

LAB 56.56, -47.63, 22.81

 

CMYK 93 / 0 / 45 / 46

HEX #09894B

RGB 9 137 75

HSL 150.94, 0.88%, 0.29%

LAB 50.05, -46.08, 24.63

 

CMYK 63 / 0 / 28 / 18

HEX #4DD197

RGB 77 209 151

HSL 153.64, 0.59%, 0.56%

LAB 75.71, -49.47, 18.35

 

CMYK 63 / 0 / 18 / 18

HEX #4CD0AB

RGB 76 208 171

HSL 163.18, 0.58%, 0.56%

LAB 75.82, -44.74, 7.84

 

CMYK 63 / 0 / 7 / 18

HEX #4CD0C1

RGB 76 208 193

HSL 173.18, 0.58%, 0.56%

LAB 76.37, -39.23, -3.18

 

CMYK 63 / 3 / 0 / 18

HEX #4CCAD0

RGB 76 202 208

HSL 182.73, 0.58%, 0.56%

LAB 75.03, -32.35, -13.27

 

CMYK 63 / 13 / 0 / 18

HEX #4CB4D0

RGB 76 180 208

HSL 192.73, 0.58%, 0.56%

LAB 68.56, -21.46, -23.07

 

CMYK 63 / 0 / 28 / 18

HEX #4DD197

RGB 77 209 151

HSL 153.64, 0.59%, 0.56%

LAB 75.71, -49.47, 18.35

 

CMYK 60 / 0 / 20 / 98

HEX #020504

RGB 2 5 4

HSL 160, 0.43%, 0.01%

LAB 1.18, -0.92, 0.1

 

CMYK 63 / 0 / 29 / 78

HEX #153828

RGB 21 56 40

HSL 152.57, 0.45%, 0.15%

LAB 20.6, -17.31, 6.24

 

CMYK 64 / 0 / 28 / 58

HEX #276B4D

RGB 39 107 77

HSL 153.53, 0.47%, 0.29%

LAB 40.38, -29.2, 10.59

 

CMYK 63 / 0 / 28 / 38

HEX #3A9E72

RGB 58 158 114

HSL 153.6, 0.46%, 0.42%

LAB 58.57, -39.67, 14.6

 

CMYK 63 / 0 / 28 / 18

HEX #4DD197

RGB 77 209 151

HSL 153.64, 0.59%, 0.56%

LAB 75.71, -49.47, 18.35

 

CMYK 63 / 48 / 0 / 18

HEX #4C6DD0

RGB 76 109 208

HSL 225, 0.58%, 0.56%

LAB 48.3, 19.44, -54.84

 

CMYK 0 / 54 / 63 / 18

HEX #D0604C

RGB 208 96 76

HSL 9.09, 0.58%, 0.56%

LAB 54.34, 42.82, 32.63

 

CMYK 63 / 0 / 28 / 18

HEX #4DD197

RGB 77 209 151

HSL 153.64, 0.59%, 0.56%

LAB 75.71, -49.47, 18.35

 

CMYK 28 / 63 / 0 / 18

HEX #954CD0

RGB 149 76 208

HSL 273.18, 0.58%, 0.56%

LAB 47.12, 54.01, -56.4

 

CMYK 0 / 28 / 63 / 18

HEX #D0954C

RGB 208 149 76

HSL 33.18, 0.58%, 0.56%

LAB 66.08, 14.76, 46.52

 

CMYK 63 / 0 / 28 / 18

HEX #4DD197

RGB 77 209 151

HSL 153.64, 0.59%, 0.56%

LAB 75.71, -49.47, 18.35

 

CMYK 63 / 48 / 0 / 18

HEX #4C6DD0

RGB 76 109 208

HSL 225, 0.58%, 0.56%

LAB 48.3, 19.44, -54.84

 

CMYK 0 / 63 / 35 / 18

HEX #D04C88

RGB 208 76 136

HSL 332.73, 0.58%, 0.56%

LAB 52.24, 57.44, -5.6

 

CMYK 0 / 16 / 63 / 18

HEX #D0AF4C

RGB 208 175 76

HSL 45, 0.58%, 0.56%

LAB 72.62, 0.79, 53.82

 

CMYK 63 / 0 / 28 / 18

HEX #4DD197

RGB 77 209 151

HSL 153.64, 0.59%, 0.56%

LAB 75.71, -49.47, 18.35

 

CMYK 60 / 63 / 0 / 18

HEX #534CD0

RGB 83 76 208

HSL 243.18, 0.58%, 0.56%

LAB 40.51, 41.06, -67.42

 

CMYK 0 / 63 / 35 / 18

HEX #D04C88

RGB 208 76 136

HSL 332.73, 0.58%, 0.56%

LAB 52.24, 57.44, -5.6

 

CMYK 3 / 0 / 63 / 18

HEX #CAD04C

RGB 202 208 76

HSL 62.73, 0.58%, 0.56%

LAB 80.84, -18.66, 62.48

 

Description

Color code: CMYK 63 / 0 / 28 / 18 | qconv.com Color code: CMYK 63 / 0 / 28 / 18 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 77 red, 209 green and 151 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
77 209 151 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, none magenta, 28 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 0% 28% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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