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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 62 / 4 / 0 / 6 it is the complementary color CMYK 0 / 85 / 91 / 36. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 62 / 4 / 0 / 6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 62 / 4 / 0 / 6: CMYK 59 / 2 / 0 / 8, CMYK 56 / 2 / 0 / 0, CMYK 49 / 0 / 0 / 0, CMYK 42 / 0 / 0 / 0 and CMYK 36 / 0 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 62 / 4 / 0 / 6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 62 / 4 / 0 / 6: CMYK 62 / 4 / 0 / 6, CMYK 67 / 4 / 0 / 13, CMYK 72 / 4 / 0 / 21, CMYK 78 / 4 / 0 / 28 and CMYK 86 / 4 / 0 / 36

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 4 / 0 / 6

HEX #5BE6F0

RGB 91 230 240

HSL 184.03, 0.83%, 0.65%

LAB 84.54, -34.25, -16.05

 

Complementary color

CMYK 0 / 85 / 91 / 36

HEX #A4190F

RGB 164 25 15

HSL 4.03, 0.83%, 0.35%

LAB 35.25, 53.7, 42.8

 

CMYK 59 / 2 / 0 / 8

HEX #60E6EB

RGB 96 230 235

HSL 182.16, 0.78%, 0.65%

LAB 84.52, -34.8, -13.42

 

CMYK 56 / 2 / 0 / 0

HEX #71F8FE

RGB 113 248 254

HSL 182.55, 0.99%, 0.72%

LAB 90.69, -35.12, -14.09

 

CMYK 49 / 0 / 0 / 0

HEX #82FFFF

RGB 130 255 255

HSL 180, 1%, 0.75%

LAB 93.23, -34.82, -10.77

 

CMYK 42 / 0 / 0 / 0

HEX #93FFFF

RGB 147 255 255

HSL 180, 1%, 0.79%

LAB 93.86, -31.12, -9.76

 

CMYK 36 / 0 / 0 / 0

HEX #A4FFFF

RGB 164 255 255

HSL 180, 1%, 0.82%

LAB 94.58, -27.01, -8.61

 

CMYK 62 / 4 / 0 / 6

HEX #5BE6F0

RGB 91 230 240

HSL 184.03, 0.83%, 0.65%

LAB 84.54, -34.25, -16.05

 

CMYK 67 / 4 / 0 / 13

HEX #4AD4DD

RGB 74 212 221

HSL 183.67, 0.68%, 0.58%

LAB 78.32, -33.7, -15.33

 

CMYK 72 / 4 / 0 / 21

HEX #39C2CA

RGB 57 194 202

HSL 183.31, 0.58%, 0.51%

LAB 72.04, -32.95, -14.55

 

CMYK 78 / 4 / 0 / 28

HEX #28B0B7

RGB 40 176 183

HSL 182.94, 0.64%, 0.44%

LAB 65.69, -31.96, -13.69

 

CMYK 86 / 4 / 0 / 36

HEX #179EA4

RGB 23 158 164

HSL 182.55, 0.75%, 0.37%

LAB 59.27, -30.63, -12.72

 

CMYK 62 / 4 / 0 / 6

HEX #5BE6F0

RGB 91 230 240

HSL 184.03, 0.83%, 0.65%

LAB 84.54, -34.25, -16.05

 

CMYK 62 / 14 / 0 / 6

HEX #5BCDEF

RGB 91 205 239

HSL 193.78, 0.82%, 0.65%

LAB 77.35, -22.37, -26.41

 

CMYK 62 / 25 / 0 / 6

HEX #5BB4EF

RGB 91 180 239

HSL 203.92, 0.82%, 0.65%

LAB 70.24, -9.26, -37.38

 

CMYK 62 / 35 / 0 / 6

HEX #5B9BEF

RGB 91 155 239

HSL 214.05, 0.82%, 0.65%

LAB 63.26, 4.8, -48.33

 

CMYK 62 / 45 / 0 / 6

HEX #5B83EF

RGB 91 131 239

HSL 223.78, 0.82%, 0.65%

LAB 56.77, 19.07, -58.65

 

CMYK 62 / 4 / 0 / 6

HEX #5BE6F0

RGB 91 230 240

HSL 184.03, 0.83%, 0.65%

LAB 84.54, -34.25, -16.05

 

CMYK 61 / 3 / 0 / 86

HEX #0E2324

RGB 14 35 36

HSL 182.73, 0.44%, 0.1%

LAB 12.11, -8.04, -3.28

 

CMYK 62 / 5 / 0 / 66

HEX #215357

RGB 33 83 87

HSL 184.44, 0.45%, 0.24%

LAB 32.25, -15.29, -7.4

 

CMYK 62 / 4 / 0 / 46

HEX #34848A

RGB 52 132 138

HSL 184.19, 0.45%, 0.37%

LAB 50.77, -22.13, -10.5

 

CMYK 62 / 4 / 0 / 26

HEX #48B5BD

RGB 72 181 189

HSL 184.1, 0.47%, 0.51%

LAB 68.09, -28.28, -13.32

 

CMYK 62 / 4 / 0 / 6

HEX #5BE6F0

RGB 91 230 240

HSL 184.03, 0.83%, 0.65%

LAB 84.54, -34.25, -16.05

 

CMYK 45 / 62 / 0 / 6

HEX #835BEF

RGB 131 91 239

HSL 256.22, 0.82%, 0.65%

LAB 50.14, 50.27, -69.19

 

CMYK 0 / 21 / 62 / 6

HEX #EFBE5B

RGB 239 190 91

HSL 40.14, 0.82%, 0.65%

LAB 79.58, 6.95, 55.54

 

CMYK 62 / 4 / 0 / 6

HEX #5BE6F0

RGB 91 230 240

HSL 184.03, 0.83%, 0.65%

LAB 84.54, -34.25, -16.05

 

CMYK 0 / 62 / 4 / 6

HEX #EF5BE5

RGB 239 91 229

HSL 304.05, 0.82%, 0.65%

LAB 62.92, 72.61, -42.42

 

CMYK 4 / 0 / 62 / 6

HEX #E5EF5B

RGB 229 239 91

HSL 64.05, 0.82%, 0.65%

LAB 91.3, -21.83, 68.1

 

CMYK 62 / 4 / 0 / 6

HEX #5BE6F0

RGB 91 230 240

HSL 184.03, 0.83%, 0.65%

LAB 84.54, -34.25, -16.05

 

CMYK 45 / 62 / 0 / 6

HEX #835BEF

RGB 131 91 239

HSL 256.22, 0.82%, 0.65%

LAB 50.14, 50.27, -69.19

 

CMYK 0 / 58 / 62 / 6

HEX #EF655B

RGB 239 101 91

HSL 4.05, 0.82%, 0.65%

LAB 60.26, 52.55, 32.6

 

CMYK 16 / 0 / 62 / 6

HEX #C8EF5B

RGB 200 239 91

HSL 75.81, 0.82%, 0.65%

LAB 89.28, -33.22, 65.34

 

CMYK 62 / 4 / 0 / 6

HEX #5BE6F0

RGB 91 230 240

HSL 184.03, 0.83%, 0.65%

LAB 84.54, -34.25, -16.05

 

CMYK 27 / 62 / 0 / 6

HEX #AF5BEF

RGB 175 91 239

HSL 274.05, 0.82%, 0.65%

LAB 54.89, 59.5, -61.28

 

CMYK 0 / 58 / 62 / 6

HEX #EF655B

RGB 239 101 91

HSL 4.05, 0.82%, 0.65%

LAB 60.26, 52.55, 32.6

 

CMYK 35 / 0 / 62 / 6

HEX #9BEF5B

RGB 155 239 91

HSL 94.05, 0.82%, 0.65%

LAB 86.73, -49.46, 61.81

 

Description

Color code: CMYK 62 / 4 / 0 / 6 | qconv.com Color code: CMYK 62 / 4 / 0 / 6 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 91 red, 230 green and 240 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
91 230 240 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, 4 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 4% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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