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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 62 / 0 / 11 / 7 it is the complementary color CMYK 0 / 89 / 73 / 35. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 62 / 0 / 11 / 7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 62 / 0 / 11 / 7: CMYK 60 / 0 / 13 / 7, CMYK 56 / 0 / 12 / 0, CMYK 49 / 0 / 4 / 0, CMYK 43 / 0 / 0 / 0 and CMYK 36 / 0 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 62 / 0 / 11 / 7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 62 / 0 / 11 / 7: CMYK 62 / 0 / 11 / 7, CMYK 67 / 0 / 12 / 14, CMYK 72 / 0 / 14 / 21, CMYK 79 / 0 / 16 / 28 and CMYK 87 / 0 / 18 / 35

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 0 / 11 / 7

HEX #5AEDD3

RGB 90 237 211

HSL 169.39, 0.8%, 0.64%

LAB 85.73, -45.19, 0.98

 

Complementary color

CMYK 0 / 89 / 73 / 35

HEX #A5122C

RGB 165 18 44

HSL 349.39, 0.8%, 0.36%

LAB 35.23, 56.34, 26.66

 

CMYK 60 / 0 / 13 / 7

HEX #5FEDCE

RGB 95 237 206

HSL 166.9, 0.8%, 0.65%

LAB 85.73, -45.54, 3.63

 

CMYK 56 / 0 / 12 / 0

HEX #70FFE1

RGB 112 255 225

HSL 167.41, 1%, 0.72%

LAB 91.86, -45.69, 2.69

 

CMYK 49 / 0 / 4 / 0

HEX #81FFF4

RGB 129 255 244

HSL 174.76, 1%, 0.75%

LAB 92.89, -37.74, -5.58

 

CMYK 43 / 0 / 0 / 0

HEX #92FFFF

RGB 146 255 255

HSL 180, 1%, 0.79%

LAB 93.82, -31.35, -9.82

 

CMYK 36 / 0 / 0 / 0

HEX #A3FFFF

RGB 163 255 255

HSL 180, 1%, 0.82%

LAB 94.54, -27.27, -8.68

 

CMYK 62 / 0 / 11 / 7

HEX #5AEDD3

RGB 90 237 211

HSL 169.39, 0.8%, 0.64%

LAB 85.73, -45.19, 0.98

 

CMYK 67 / 0 / 12 / 14

HEX #49DBC0

RGB 73 219 192

HSL 168.9, 0.67%, 0.57%

LAB 79.55, -44.82, 1.99

 

CMYK 72 / 0 / 14 / 21

HEX #38C9AD

RGB 56 201 173

HSL 168.41, 0.57%, 0.5%

LAB 73.31, -44.28, 3.08

 

CMYK 79 / 0 / 16 / 28

HEX #27B79A

RGB 39 183 154

HSL 167.92, 0.65%, 0.44%

LAB 67, -43.48, 4.3

 

CMYK 87 / 0 / 18 / 35

HEX #16A587

RGB 22 165 135

HSL 167.41, 0.76%, 0.37%

LAB 60.63, -42.33, 5.66

 

CMYK 62 / 0 / 11 / 7

HEX #5AEDD3

RGB 90 237 211

HSL 169.39, 0.8%, 0.64%

LAB 85.73, -45.19, 0.98

 

CMYK 62 / 0 / 1 / 7

HEX #59ECEA

RGB 89 236 234

HSL 179.18, 0.79%, 0.64%

LAB 86.03, -38.97, -10.66

 

CMYK 62 / 9 / 0 / 7

HEX #59D6EC

RGB 89 214 236

HSL 188.98, 0.79%, 0.64%

LAB 79.77, -28.05, -21.13

 

CMYK 62 / 19 / 0 / 7

HEX #59BEEC

RGB 89 190 236

HSL 198.78, 0.79%, 0.64%

LAB 72.9, -15.89, -31.65

 

CMYK 62 / 30 / 0 / 7

HEX #59A5EC

RGB 89 165 236

HSL 208.98, 0.79%, 0.64%

LAB 65.82, -2.26, -42.66

 

CMYK 62 / 0 / 11 / 7

HEX #5AEDD3

RGB 90 237 211

HSL 169.39, 0.8%, 0.64%

LAB 85.73, -45.19, 0.98

 

CMYK 61 / 0 / 12 / 87

HEX #0D211D

RGB 13 33 29

HSL 168, 0.43%, 0.09%

LAB 11.01, -9.41, 0.2

 

CMYK 62 / 0 / 11 / 67

HEX #20544B

RGB 32 84 75

HSL 169.62, 0.45%, 0.23%

LAB 32.16, -19.79, 0.07

 

CMYK 62 / 0 / 11 / 47

HEX #338778

RGB 51 135 120

HSL 169.29, 0.45%, 0.36%

LAB 51.14, -29.03, 0.56

 

CMYK 62 / 0 / 11 / 27

HEX #47BAA6

RGB 71 186 166

HSL 169.57, 0.45%, 0.5%

LAB 68.9, -37.12, 0.54

 

CMYK 62 / 0 / 11 / 7

HEX #5AEDD3

RGB 90 237 211

HSL 169.39, 0.8%, 0.64%

LAB 85.73, -45.19, 0.98

 

CMYK 61 / 62 / 0 / 7

HEX #5C59EC

RGB 92 89 236

HSL 241.22, 0.79%, 0.64%

LAB 46.28, 43.7, -73.93

 

CMYK 0 / 36 / 62 / 7

HEX #EC9659

RGB 236 150 89

HSL 24.9, 0.79%, 0.64%

LAB 69.73, 26.71, 45.09

 

CMYK 62 / 0 / 11 / 7

HEX #5AEDD3

RGB 90 237 211

HSL 169.39, 0.8%, 0.64%

LAB 85.73, -45.19, 0.98

 

CMYK 11 / 62 / 0 / 7

HEX #D159EC

RGB 209 89 236

HSL 288.98, 0.79%, 0.64%

LAB 58.75, 67.53, -53.2

 

CMYK 0 / 11 / 62 / 7

HEX #ECD159

RGB 236 209 89

HSL 48.98, 0.79%, 0.64%

LAB 84.05, -4.24, 61.29

 

CMYK 62 / 0 / 11 / 7

HEX #5AEDD3

RGB 90 237 211

HSL 169.39, 0.8%, 0.64%

LAB 85.73, -45.19, 0.98

 

CMYK 61 / 62 / 0 / 7

HEX #5C59EC

RGB 92 89 236

HSL 241.22, 0.79%, 0.64%

LAB 46.28, 43.7, -73.93

 

CMYK 0 / 62 / 51 / 7

HEX #EC5974

RGB 236 89 116

HSL 348.98, 0.79%, 0.64%

LAB 58.26, 58.66, 15.48

 

CMYK 1 / 0 / 62 / 7

HEX #EAEC59

RGB 234 236 89

HSL 60.82, 0.79%, 0.64%

LAB 90.87, -18.5, 68.56

 

CMYK 62 / 0 / 11 / 7

HEX #5AEDD3

RGB 90 237 211

HSL 169.39, 0.8%, 0.64%

LAB 85.73, -45.19, 0.98

 

CMYK 42 / 62 / 0 / 7

HEX #8859EC

RGB 136 89 236

HSL 259.18, 0.79%, 0.64%

LAB 50.02, 51.52, -67.69

 

CMYK 0 / 62 / 51 / 7

HEX #EC5974

RGB 236 89 116

HSL 348.98, 0.79%, 0.64%

LAB 58.26, 58.66, 15.48

 

CMYK 19 / 0 / 62 / 7

HEX #BEEC59

RGB 190 236 89

HSL 78.78, 0.79%, 0.64%

LAB 87.8, -35.8, 64.37

 

Description

Color code: CMYK 62 / 0 / 11 / 7 | qconv.com Color code: CMYK 62 / 0 / 11 / 7 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 90 red, 237 green and 211 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
90 237 211 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, none magenta, 11 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 0% 11% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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