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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 61 / 73 / 0 / 20 it is the complementary color CMYK 13 / 0 / 75 / 22. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 61 / 73 / 0 / 20. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 61 / 73 / 0 / 20: CMYK 57 / 72 / 0 / 22, CMYK 53 / 67 / 0 / 15, CMYK 50 / 62 / 0 / 7, CMYK 47 / 57 / 0 / 0 and CMYK 40 / 50 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 61 / 73 / 0 / 20. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 61 / 73 / 0 / 20: CMYK 61 / 73 / 0 / 20, CMYK 66 / 80 / 0 / 27, CMYK 72 / 89 / 0 / 35, CMYK 80 / 99 / 0 / 42 and CMYK 91 / 100 / 0 / 50

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 73 / 0 / 20

HEX #5037CC

RGB 80 55 204

HSL 250.07, 0.59%, 0.51%

LAB 35.59, 51.23, -73.18

 

Complementary color

CMYK 13 / 0 / 75 / 22

HEX #AFC833

RGB 175 200 51

HSL 70.07, 0.59%, 0.49%

LAB 76.47, -27.27, 66.69

 

CMYK 57 / 72 / 0 / 22

HEX #5537C7

RGB 85 55 199

HSL 252.5, 0.57%, 0.5%

LAB 35.57, 50.42, -70.28

 

CMYK 53 / 67 / 0 / 15

HEX #6649DA

RGB 102 73 218

HSL 252, 0.66%, 0.57%

LAB 42.23, 48.93, -70.29

 

CMYK 50 / 62 / 0 / 7

HEX #775BED

RGB 119 91 237

HSL 251.51, 0.8%, 0.64%

LAB 48.91, 47.42, -70.13

 

CMYK 47 / 57 / 0 / 0

HEX #886DFF

RGB 136 109 255

HSL 251.1, 1%, 0.71%

LAB 55.47, 45.72, -69.44

 

CMYK 40 / 50 / 0 / 0

HEX #997FFF

RGB 153 127 255

HSL 252.19, 1%, 0.75%

LAB 60.93, 39.23, -60.59

 

CMYK 61 / 73 / 0 / 20

HEX #5037CC

RGB 80 55 204

HSL 250.07, 0.59%, 0.51%

LAB 35.59, 51.23, -73.18

 

CMYK 66 / 80 / 0 / 27

HEX #3F25B9

RGB 63 37 185

HSL 250.54, 0.67%, 0.44%

LAB 29.11, 52.61, -72.75

 

CMYK 72 / 89 / 0 / 35

HEX #2E13A6

RGB 46 19 166

HSL 251.02, 0.79%, 0.36%

LAB 23, 53.22, -71.54

 

CMYK 80 / 99 / 0 / 42

HEX #1D0193

RGB 29 1 147

HSL 251.51, 0.99%, 0.29%

LAB 17.41, 52.65, -69.21

 

CMYK 91 / 100 / 0 / 50

HEX #0C0080

RGB 12 0 128

HSL 245.63, 1%, 0.25%

LAB 13.45, 47.66, -63.9

 

CMYK 61 / 73 / 0 / 20

HEX #5037CC

RGB 80 55 204

HSL 250.07, 0.59%, 0.51%

LAB 35.59, 51.23, -73.18

 

CMYK 48 / 72 / 0 / 20

HEX #6938CB

RGB 105 56 203

HSL 260, 0.59%, 0.51%

LAB 38.1, 54.05, -68.39

 

CMYK 36 / 72 / 0 / 20

HEX #8238CB

RGB 130 56 203

HSL 270.2, 0.59%, 0.51%

LAB 41.03, 58.34, -63.48

 

CMYK 24 / 72 / 0 / 20

HEX #9A38CB

RGB 154 56 203

HSL 280, 0.59%, 0.51%

LAB 44.25, 62.88, -58.12

 

CMYK 12 / 72 / 0 / 20

HEX #B338CB

RGB 179 56 203

HSL 290.2, 0.59%, 0.51%

LAB 47.91, 67.9, -52.03

 

CMYK 61 / 73 / 0 / 20

HEX #5037CC

RGB 80 55 204

HSL 250.07, 0.59%, 0.51%

LAB 35.59, 51.23, -73.18

 

CMYK 0 / 0 / 0 / 100

HEX #000000

RGB 0 0 0

HSL 0, 0%, 0%

LAB 0, 0, 0

 

CMYK 61 / 73 / 0 / 80

HEX #140E33

RGB 20 14 51

HSL 249.73, 0.57%, 0.13%

LAB 6.34, 14.82, -23.28

 

CMYK 61 / 73 / 0 / 60

HEX #281C66

RGB 40 28 102

HSL 249.73, 0.57%, 0.25%

LAB 16.7, 28.32, -41.61

 

CMYK 61 / 73 / 0 / 40

HEX #3C2999

RGB 60 41 153

HSL 250.18, 0.58%, 0.38%

LAB 26.29, 40.47, -58.13

 

CMYK 61 / 73 / 0 / 20

HEX #5037CC

RGB 80 55 204

HSL 250.07, 0.59%, 0.51%

LAB 35.59, 51.23, -73.18

 

CMYK 0 / 72 / 27 / 20

HEX #CB3895

RGB 203 56 149

HSL 322.04, 0.59%, 0.51%

LAB 49.12, 65.19, -18.13

 

CMYK 56 / 0 / 72 / 20

HEX #5ACB38

RGB 90 203 56

HSL 106.12, 0.59%, 0.51%

LAB 73, -57.88, 60.1

 

CMYK 61 / 73 / 0 / 20

HEX #5037CC

RGB 80 55 204

HSL 250.07, 0.59%, 0.51%

LAB 35.59, 51.23, -73.18

 

CMYK 0 / 61 / 72 / 20

HEX #CB5038

RGB 203 80 56

HSL 9.8, 0.59%, 0.51%

LAB 50.36, 47.5, 38.87

 

CMYK 72 / 0 / 61 / 20

HEX #38CB50

RGB 56 203 80

HSL 129.8, 0.59%, 0.51%

LAB 72.32, -62.75, 49.39

 

CMYK 61 / 73 / 0 / 20

HEX #5037CC

RGB 80 55 204

HSL 250.07, 0.59%, 0.51%

LAB 35.59, 51.23, -73.18

 

CMYK 0 / 72 / 27 / 20

HEX #CB3895

RGB 203 56 149

HSL 322.04, 0.59%, 0.51%

LAB 49.12, 65.19, -18.13

 

CMYK 12 / 0 / 72 / 20

HEX #B3CB38

RGB 179 203 56

HSL 69.8, 0.59%, 0.51%

LAB 77.63, -26.82, 66.21

 

CMYK 72 / 0 / 46 / 20

HEX #38CB6E

RGB 56 203 110

HSL 142.04, 0.59%, 0.51%

LAB 72.68, -58.49, 35.51

 

CMYK 61 / 73 / 0 / 20

HEX #5037CC

RGB 80 55 204

HSL 250.07, 0.59%, 0.51%

LAB 35.59, 51.23, -73.18

 

CMYK 0 / 72 / 48 / 20

HEX #CB3869

RGB 203 56 105

HSL 340, 0.59%, 0.51%

LAB 47.68, 60.54, 6.38

 

CMYK 12 / 0 / 72 / 20

HEX #B3CB38

RGB 179 203 56

HSL 69.8, 0.59%, 0.51%

LAB 77.63, -26.82, 66.21

 

CMYK 72 / 0 / 24 / 20

HEX #38CB9A

RGB 56 203 154

HSL 160, 0.59%, 0.51%

LAB 73.47, -49.74, 13.56

 

Description

Color code: CMYK 61 / 73 / 0 / 20 | qconv.com Color code: CMYK 61 / 73 / 0 / 20 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 80 red, 55 green and 204 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
80 55 204 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, 73 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 73% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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