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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 60 / 24 / 0 / 4 it is the complementary color CMYK 0 / 56 / 94 / 38. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 60 / 24 / 0 / 4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 60 / 24 / 0 / 4: CMYK 57 / 23 / 0 / 6, CMYK 53 / 20 / 0 / 0, CMYK 46 / 13 / 0 / 0, CMYK 40 / 6 / 0 / 0 and CMYK 33 / 0 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 60 / 24 / 0 / 4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 60 / 24 / 0 / 4: CMYK 60 / 24 / 0 / 4, CMYK 64 / 26 / 0 / 11, CMYK 69 / 28 / 0 / 19, CMYK 75 / 30 / 0 / 26 and CMYK 82 / 33 / 0 / 34

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 24 / 0 / 4

HEX #62BAF5

RGB 98 186 245

HSL 204.08, 0.88%, 0.67%

LAB 72.43, -9.39, -37.21

 

Complementary color

CMYK 0 / 56 / 94 / 38

HEX #9D450A

RGB 157 69 10

HSL 24.08, 0.88%, 0.33%

LAB 40.32, 33.81, 47.63

 

CMYK 57 / 23 / 0 / 6

HEX #67BAF0

RGB 103 186 240

HSL 203.65, 0.82%, 0.67%

LAB 72.42, -9.97, -34.5

 

CMYK 53 / 20 / 0 / 0

HEX #78CCFF

RGB 120 204 255

HSL 202.67, 1%, 0.74%

LAB 78.69, -11.69, -32.82

 

CMYK 46 / 13 / 0 / 0

HEX #89DEFF

RGB 137 222 255

HSL 196.78, 1%, 0.77%

LAB 84.37, -17.27, -24.06

 

CMYK 40 / 6 / 0 / 0

HEX #9AF0FF

RGB 154 240 255

HSL 188.91, 1%, 0.8%

LAB 90.05, -22.23, -15.41

 

CMYK 33 / 0 / 0 / 0

HEX #ABFFFF

RGB 171 255 255

HSL 180, 1%, 0.84%

LAB 94.91, -25.22, -8.09

 

CMYK 60 / 24 / 0 / 4

HEX #62BAF5

RGB 98 186 245

HSL 204.08, 0.88%, 0.67%

LAB 72.43, -9.39, -37.21

 

CMYK 64 / 26 / 0 / 11

HEX #51A8E2

RGB 81 168 226

HSL 204, 0.71%, 0.6%

LAB 65.94, -8.56, -37

 

CMYK 69 / 28 / 0 / 19

HEX #4096CF

RGB 64 150 207

HSL 203.92, 0.6%, 0.53%

LAB 59.35, -7.52, -36.78

 

CMYK 75 / 30 / 0 / 26

HEX #2F84BC

RGB 47 132 188

HSL 203.83, 0.6%, 0.46%

LAB 52.66, -6.18, -36.54

 

CMYK 82 / 33 / 0 / 34

HEX #1E72A9

RGB 30 114 169

HSL 203.74, 0.7%, 0.39%

LAB 45.87, -4.45, -36.25

 

CMYK 60 / 24 / 0 / 4

HEX #62BAF5

RGB 98 186 245

HSL 204.08, 0.88%, 0.67%

LAB 72.43, -9.39, -37.21

 

CMYK 61 / 34 / 0 / 4

HEX #60A0F4

RGB 96 160 244

HSL 214.05, 0.87%, 0.67%

LAB 65.09, 4.45, -48.17

 

CMYK 61 / 44 / 0 / 4

HEX #6088F4

RGB 96 136 244

HSL 223.78, 0.87%, 0.67%

LAB 58.63, 18.6, -58.44

 

CMYK 61 / 55 / 0 / 4

HEX #606FF4

RGB 96 111 244

HSL 233.92, 0.87%, 0.67%

LAB 52.27, 33.75, -68.66

 

CMYK 57 / 61 / 0 / 4

HEX #6A60F4

RGB 106 96 244

HSL 244.05, 0.87%, 0.67%

LAB 49.45, 44.35, -73.21

 

CMYK 60 / 24 / 0 / 4

HEX #62BAF5

RGB 98 186 245

HSL 204.08, 0.88%, 0.67%

LAB 72.43, -9.39, -37.21

 

CMYK 61 / 24 / 0 / 84

HEX #101F29

RGB 16 31 41

HSL 204, 0.44%, 0.11%

LAB 10.92, -2.81, -8.71

 

CMYK 60 / 24 / 0 / 64

HEX #25465C

RGB 37 70 92

HSL 204, 0.43%, 0.25%

LAB 28.24, -4.78, -16.7

 

CMYK 60 / 24 / 0 / 44

HEX #396D8F

RGB 57 109 143

HSL 203.72, 0.43%, 0.39%

LAB 43.93, -6.7, -23.87

 

CMYK 60 / 24 / 0 / 24

HEX #4E93C2

RGB 78 147 194

HSL 204.31, 0.49%, 0.53%

LAB 58.4, -7.7, -30.91

 

CMYK 60 / 24 / 0 / 4

HEX #62BAF5

RGB 98 186 245

HSL 204.08, 0.88%, 0.67%

LAB 72.43, -9.39, -37.21

 

CMYK 24 / 61 / 0 / 4

HEX #B960F4

RGB 185 96 244

HSL 276.08, 0.87%, 0.67%

LAB 57.28, 60.44, -60.17

 

CMYK 0 / 0 / 61 / 4

HEX #F4F460

RGB 244 244 96

HSL 60, 0.87%, 0.67%

LAB 93.79, -17.92, 69.07

 

CMYK 60 / 24 / 0 / 4

HEX #62BAF5

RGB 98 186 245

HSL 204.08, 0.88%, 0.67%

LAB 72.43, -9.39, -37.21

 

CMYK 0 / 61 / 24 / 4

HEX #F460B9

RGB 244 96 185

HSL 323.92, 0.87%, 0.67%

LAB 62.59, 65.53, -18.02

 

CMYK 24 / 0 / 61 / 4

HEX #B9F460

RGB 185 244 96

HSL 83.92, 0.87%, 0.67%

LAB 89.79, -40.7, 63.57

 

CMYK 60 / 24 / 0 / 4

HEX #62BAF5

RGB 98 186 245

HSL 204.08, 0.88%, 0.67%

LAB 72.43, -9.39, -37.21

 

CMYK 24 / 61 / 0 / 4

HEX #B960F4

RGB 185 96 244

HSL 276.08, 0.87%, 0.67%

LAB 57.28, 60.44, -60.17

 

CMYK 0 / 36 / 61 / 4

HEX #F49C60

RGB 244 156 96

HSL 24.32, 0.87%, 0.67%

LAB 72.13, 27.24, 44.62

 

CMYK 36 / 0 / 61 / 4

HEX #9CF460

RGB 156 244 96

HSL 95.68, 0.87%, 0.67%

LAB 88.26, -50.76, 61.45

 

CMYK 60 / 24 / 0 / 4

HEX #62BAF5

RGB 98 186 245

HSL 204.08, 0.88%, 0.67%

LAB 72.43, -9.39, -37.21

 

CMYK 6 / 61 / 0 / 4

HEX #E660F4

RGB 230 96 244

HSL 294.32, 0.87%, 0.67%

LAB 63.11, 70.92, -50.54

 

CMYK 0 / 36 / 61 / 4

HEX #F49C60

RGB 244 156 96

HSL 24.32, 0.87%, 0.67%

LAB 72.13, 27.24, 44.62

 

CMYK 55 / 0 / 61 / 4

HEX #6FF460

RGB 111 244 96

HSL 113.92, 0.87%, 0.67%

LAB 86.47, -63.82, 58.94

 

Description

Color code: CMYK 60 / 24 / 0 / 4 | qconv.com Color code: CMYK 60 / 24 / 0 / 4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 98 red, 186 green and 245 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
98 186 245 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, 24 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 24% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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