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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BA61F5 it is the complementary color #459E0A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BA61F5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BA61F5 shade: #BF61F0, #D073FF, #E185FF, #F297FF and #FFA9FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BA61F5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BA61F5 shade: #BA61F5, #A94FE2, #983DCF, #872BBC and #7619A9

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BA61F5 shade: #BA61F5, #E261F5, #F561E0, #F561B8 and #F56190

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BA61F5 shade: #BA61F5, #9261F5, #6A61F5 and #6161F5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BA61F5 shade matches the following richer shades: #BA61F5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BA61F5 shade: #BA61F5, #B76EE7, #B47CDA, #B28ACC and #AF97BE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BA61F5 shade: #6B61F5, #9261F5, #BA61F5, #E161F5 and #F561E1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BA61F5 shade: #9813F0, #A93AF2, #BA61F5, #CB88F7 and #DCAEFA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BA61F5 shade: #BA61F5, #F5617E and #61F57E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BA61F5 shade: #BA61F5, #F5BA61 and #61F5BA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BA61F5 shade: #BA61F5, #F5617E, #9CF561 and #61F5D7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BA61F5 shade: #BA61F5, #F57061, #9CF561 and #61E6F5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 60 / 0 / 4

HEX #BA61F5

RGB 186 97 245

HSL 276.08, 0.88%, 0.67%

LAB 57.64, 60.41, -60.15

 

Complementary color

CMYK 56 / 0 / 94 / 38

HEX #459E0A

RGB 69 158 10

HSL 96.08, 0.88%, 0.33%

LAB 57.79, -49.46, 58.18

 

CMYK 20 / 60 / 0 / 6

HEX #BF61F0

RGB 191 97 240

HSL 279.44, 0.83%, 0.66%

LAB 57.96, 60.5, -56.82

 

CMYK 18 / 55 / 0 / 0

HEX #D073FF

RGB 208 115 255

HSL 279.86, 1%, 0.73%

LAB 64.07, 59, -55.25

 

CMYK 12 / 48 / 0 / 0

HEX #E185FF

RGB 225 133 255

HSL 285.25, 1%, 0.76%

LAB 69.47, 54.44, -46.59

 

CMYK 5 / 41 / 0 / 0

HEX #F297FF

RGB 242 151 255

HSL 292.5, 1%, 0.8%

LAB 74.97, 50.06, -37.85

 

CMYK 0 / 34 / 0 / 0

HEX #FFA9FF

RGB 255 169 255

HSL 300, 1%, 0.83%

LAB 80.1, 44.67, -29.82

 

CMYK 24 / 60 / 0 / 4

HEX #BA61F5

RGB 186 97 245

HSL 276.08, 0.88%, 0.67%

LAB 57.64, 60.41, -60.15

 

CMYK 25 / 65 / 0 / 11

HEX #A94FE2

RGB 169 79 226

HSL 276.73, 0.72%, 0.6%

LAB 51.29, 60.98, -59.82

 

CMYK 27 / 71 / 0 / 19

HEX #983DCF

RGB 152 61 207

HSL 277.4, 0.6%, 0.53%

LAB 44.97, 61.29, -59.28

 

CMYK 28 / 77 / 0 / 26

HEX #872BBC

RGB 135 43 188

HSL 278.07, 0.63%, 0.45%

LAB 38.74, 61.11, -58.42

 

CMYK 30 / 85 / 0 / 34

HEX #7619A9

RGB 118 25 169

HSL 278.75, 0.74%, 0.38%

LAB 32.73, 60.06, -57.02

 

CMYK 24 / 60 / 0 / 4

HEX #BA61F5

RGB 186 97 245

HSL 276.08, 0.88%, 0.67%

LAB 57.64, 60.41, -60.15

 

CMYK 8 / 60 / 0 / 4

HEX #E261F5

RGB 226 97 245

HSL 292.3, 0.88%, 0.67%

LAB 62.77, 69.73, -51.67

 

CMYK 0 / 60 / 9 / 4

HEX #F561E0

RGB 245 97 224

HSL 308.51, 0.88%, 0.67%

LAB 64.44, 70.91, -37.18

 

CMYK 0 / 60 / 25 / 4

HEX #F561B8

RGB 245 97 184

HSL 324.73, 0.88%, 0.67%

LAB 62.86, 65.26, -17.03

 

CMYK 0 / 60 / 41 / 4

HEX #F56190

RGB 245 97 144

HSL 340.95, 0.88%, 0.67%

LAB 61.63, 60.66, 4.15

 

CMYK 24 / 60 / 0 / 4

HEX #BA61F5

RGB 186 97 245

HSL 276.08, 0.88%, 0.67%

LAB 57.64, 60.41, -60.15

 

CMYK 40 / 60 / 0 / 4

HEX #9261F5

RGB 146 97 245

HSL 259.86, 0.88%, 0.67%

LAB 53.23, 51.65, -67.48

 

CMYK 57 / 60 / 0 / 4

HEX #6A61F5

RGB 106 97 245

HSL 243.65, 0.88%, 0.67%

LAB 49.75, 44.08, -73.29

 

CMYK 60 / 60 / 0 / 4

HEX #6161F5

RGB 97 97 245

HSL 240, 0.88%, 0.67%

LAB 49.11, 42.62, -74.35

 

CMYK 24 / 60 / 0 / 4

HEX #BA61F5

RGB 186 97 245

HSL 276.08, 0.88%, 0.67%

LAB 57.64, 60.41, -60.15

 

CMYK 24 / 60 / 0 / 4

HEX #BA61F5

RGB 186 97 245

HSL 276.08, 0.88%, 0.67%

LAB 57.64, 60.41, -60.15

 

CMYK 21 / 52 / 0 / 9

HEX #B76EE7

RGB 183 110 231

HSL 276.2, 0.72%, 0.67%

LAB 58.96, 50.1, -50.26

 

CMYK 17 / 43 / 0 / 15

HEX #B47CDA

RGB 180 124 218

HSL 275.74, 0.56%, 0.67%

LAB 60.94, 38.9, -39.89

 

CMYK 13 / 32 / 0 / 20

HEX #B28ACC

RGB 178 138 204

HSL 276.36, 0.39%, 0.67%

LAB 63.34, 27.46, -28.33

 

CMYK 8 / 21 / 0 / 25

HEX #AF97BE

RGB 175 151 190

HSL 276.92, 0.23%, 0.67%

LAB 65.72, 16.22, -16.88

 

CMYK 56 / 60 / 0 / 4

HEX #6B61F5

RGB 107 97 245

HSL 244.05, 0.88%, 0.67%

LAB 49.82, 44.25, -73.17

 

CMYK 40 / 60 / 0 / 4

HEX #9261F5

RGB 146 97 245

HSL 259.86, 0.88%, 0.67%

LAB 53.23, 51.65, -67.48

 

CMYK 24 / 60 / 0 / 4

HEX #BA61F5

RGB 186 97 245

HSL 276.08, 0.88%, 0.67%

LAB 57.64, 60.41, -60.15

 

CMYK 8 / 60 / 0 / 4

HEX #E161F5

RGB 225 97 245

HSL 291.89, 0.88%, 0.67%

LAB 62.63, 69.5, -51.89

 

CMYK 0 / 60 / 8 / 4

HEX #F561E1

RGB 245 97 225

HSL 308.11, 0.88%, 0.67%

LAB 64.48, 71.06, -37.67

 

CMYK 37 / 92 / 0 / 6

HEX #9813F0

RGB 152 19 240

HSL 276.11, 0.88%, 0.51%

LAB 43.41, 80.19, -80.64

 

CMYK 30 / 76 / 0 / 5

HEX #A93AF2

RGB 169 58 242

HSL 276.2, 0.88%, 0.59%

LAB 49.34, 72.96, -71.98

 

CMYK 24 / 60 / 0 / 4

HEX #BA61F5

RGB 186 97 245

HSL 276.08, 0.88%, 0.67%

LAB 57.64, 60.41, -60.15

 

CMYK 18 / 45 / 0 / 3

HEX #CB88F7

RGB 203 136 247

HSL 276.22, 0.87%, 0.75%

LAB 67.29, 45.2, -45.81

 

CMYK 12 / 30 / 0 / 2

HEX #DCAEFA

RGB 220 174 250

HSL 276.32, 0.88%, 0.83%

LAB 77.51, 30.34, -31.41

 

CMYK 24 / 60 / 0 / 4

HEX #BA61F5

RGB 186 97 245

HSL 276.08, 0.88%, 0.67%

LAB 57.64, 60.41, -60.15

 

CMYK 0 / 60 / 49 / 4

HEX #F5617E

RGB 245 97 126

HSL 348.24, 0.88%, 0.67%

LAB 61.19, 58.97, 13.95

 

CMYK 60 / 0 / 49 / 4

HEX #61F57E

RGB 97 245 126

HSL 131.76, 0.88%, 0.67%

LAB 86.68, -63.72, 45.54

 

CMYK 24 / 60 / 0 / 4

HEX #BA61F5

RGB 186 97 245

HSL 276.08, 0.88%, 0.67%

LAB 57.64, 60.41, -60.15

 

CMYK 0 / 24 / 60 / 4

HEX #F5BA61

RGB 245 186 97

HSL 36.08, 0.88%, 0.67%

LAB 79.27, 11.93, 52.54

 

CMYK 60 / 0 / 24 / 4

HEX #61F5BA

RGB 97 245 186

HSL 156.08, 0.88%, 0.67%

LAB 87.67, -53.05, 16.82

 

CMYK 24 / 60 / 0 / 4

HEX #BA61F5

RGB 186 97 245

HSL 276.08, 0.88%, 0.67%

LAB 57.64, 60.41, -60.15

 

CMYK 0 / 60 / 49 / 4

HEX #F5617E

RGB 245 97 126

HSL 348.24, 0.88%, 0.67%

LAB 61.19, 58.97, 13.95

 

CMYK 36 / 0 / 60 / 4

HEX #9CF561

RGB 156 245 97

HSL 96.08, 0.88%, 0.67%

LAB 88.56, -51.08, 61.36

 

CMYK 60 / 0 / 12 / 4

HEX #61F5D7

RGB 97 245 215

HSL 167.84, 0.88%, 0.67%

LAB 88.33, -46.48, 2.7

 

CMYK 24 / 60 / 0 / 4

HEX #BA61F5

RGB 186 97 245

HSL 276.08, 0.88%, 0.67%

LAB 57.64, 60.41, -60.15

 

CMYK 0 / 54 / 60 / 4

HEX #F57061

RGB 245 112 97

HSL 6.08, 0.88%, 0.67%

LAB 63.23, 49.94, 33.18

 

CMYK 36 / 0 / 60 / 4

HEX #9CF561

RGB 156 245 97

HSL 96.08, 0.88%, 0.67%

LAB 88.56, -51.08, 61.36

 

CMYK 60 / 6 / 0 / 4

HEX #61E6F5

RGB 97 230 245

HSL 186.08, 0.88%, 0.67%

LAB 84.86, -31.89, -18.19

 

Description

Color code: HEX #BA61F5 | qconv.com Color code: HEX #BA61F5 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 186 red, 97 green and 245 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
186 97 245 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, 60 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 60% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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