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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 60 / 10 / 0 / 43 it is the complementary color CMYK 0 / 37 / 44 / 23. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 60 / 10 / 0 / 43. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 60 / 10 / 0 / 43: CMYK 55 / 6 / 0 / 45, CMYK 50 / 6 / 0 / 38, CMYK 46 / 6 / 0 / 30, CMYK 42 / 6 / 0 / 23 and CMYK 39 / 6 / 0 / 15

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 60 / 10 / 0 / 43. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 60 / 10 / 0 / 43: CMYK 60 / 10 / 0 / 43, CMYK 67 / 10 / 0 / 51, CMYK 78 / 11 / 0 / 58, CMYK 92 / 13 / 0 / 65 and CMYK 100 / 14 / 0 / 73

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 10 / 0 / 43

HEX #3A8391

RGB 58 131 145

HSL 189.66, 0.43%, 0.4%

LAB 50.89, -18.3, -14.37

 

Complementary color

CMYK 0 / 37 / 44 / 23

HEX #C57C6E

RGB 197 124 110

HSL 9.66, 0.43%, 0.6%

LAB 59.35, 26.79, 19.55

 

CMYK 55 / 6 / 0 / 45

HEX #3F838C

RGB 63 131 140

HSL 187.01, 0.38%, 0.4%

LAB 50.9, -18.77, -11.42

 

CMYK 50 / 6 / 0 / 38

HEX #50959F

RGB 80 149 159

HSL 187.59, 0.33%, 0.47%

LAB 57.75, -18.97, -12.01

 

CMYK 46 / 6 / 0 / 30

HEX #61A7B2

RGB 97 167 178

HSL 188.15, 0.34%, 0.54%

LAB 64.48, -19.08, -12.56

 

CMYK 42 / 6 / 0 / 23

HEX #72B9C5

RGB 114 185 197

HSL 188.67, 0.42%, 0.61%

LAB 71.08, -19.15, -13.08

 

CMYK 39 / 6 / 0 / 15

HEX #83CBD8

RGB 131 203 216

HSL 189.18, 0.52%, 0.68%

LAB 77.58, -19.18, -13.57

 

CMYK 60 / 10 / 0 / 43

HEX #3A8391

RGB 58 131 145

HSL 189.66, 0.43%, 0.4%

LAB 50.89, -18.3, -14.37

 

CMYK 67 / 10 / 0 / 51

HEX #29717E

RGB 41 113 126

HSL 189.18, 0.51%, 0.33%

LAB 43.93, -17.75, -13.75

 

CMYK 78 / 11 / 0 / 58

HEX #185F6B

RGB 24 95 107

HSL 188.67, 0.63%, 0.26%

LAB 36.82, -16.86, -13.04

 

CMYK 92 / 13 / 0 / 65

HEX #074D58

RGB 7 77 88

HSL 188.15, 0.85%, 0.19%

LAB 29.56, -15.45, -12.18

 

CMYK 100 / 14 / 0 / 73

HEX #003B45

RGB 0 59 69

HSL 188.7, 1%, 0.14%

LAB 22.15, -13.06, -11.07

 

CMYK 60 / 10 / 0 / 43

HEX #3A8391

RGB 58 131 145

HSL 189.66, 0.43%, 0.4%

LAB 50.89, -18.3, -14.37

 

CMYK 60 / 19 / 0 / 43

HEX #3A7691

RGB 58 118 145

HSL 198.62, 0.43%, 0.4%

LAB 46.84, -11.08, -20.56

 

CMYK 60 / 29 / 0 / 43

HEX #3A6791

RGB 58 103 145

HSL 208.97, 0.43%, 0.4%

LAB 42.22, -2.19, -27.72

 

CMYK 60 / 39 / 0 / 43

HEX #3A5891

RGB 58 88 145

HSL 219.31, 0.43%, 0.4%

LAB 37.7, 7.25, -34.83

 

CMYK 60 / 49 / 0 / 43

HEX #3A4A91

RGB 58 74 145

HSL 228.97, 0.43%, 0.4%

LAB 33.65, 16.43, -41.29

 

CMYK 60 / 10 / 0 / 43

HEX #3A8391

RGB 58 131 145

HSL 189.66, 0.43%, 0.4%

LAB 50.89, -18.3, -14.37

 

CMYK 60 / 10 / 0 / 23

HEX #4EB1C4

RGB 78 177 196

HSL 189.66, 0.5%, 0.54%

LAB 67.31, -23.17, -18.35

 

CMYK 60 / 10 / 0 / 3

HEX #63DFF7

RGB 99 223 247

HSL 189.73, 0.9%, 0.68%

LAB 82.99, -27.62, -22.06

 

CMYK 60 / 9 / 0 / 83

HEX #11272B

RGB 17 39 43

HSL 189.23, 0.43%, 0.12%

LAB 14.09, -7.33, -5.34

 

CMYK 60 / 10 / 0 / 63

HEX #26555E

RGB 38 85 94

HSL 189.64, 0.42%, 0.26%

LAB 33.39, -13.04, -10.09

 

CMYK 60 / 10 / 0 / 43

HEX #3A8391

RGB 58 131 145

HSL 189.66, 0.43%, 0.4%

LAB 50.89, -18.3, -14.37

 

CMYK 39 / 60 / 0 / 43

HEX #583A91

RGB 88 58 145

HSL 260.69, 0.43%, 0.4%

LAB 32.14, 33.56, -43.59

 

CMYK 0 / 15 / 60 / 43

HEX #917B3A

RGB 145 123 58

HSL 44.83, 0.43%, 0.4%

LAB 52.39, 0.24, 38.06

 

CMYK 60 / 10 / 0 / 43

HEX #3A8391

RGB 58 131 145

HSL 189.66, 0.43%, 0.4%

LAB 50.89, -18.3, -14.37

 

CMYK 0 / 60 / 9 / 43

HEX #913A84

RGB 145 58 132

HSL 308.97, 0.43%, 0.4%

LAB 39.09, 46.2, -24.1

 

CMYK 9 / 0 / 60 / 43

HEX #84913A

RGB 132 145 58

HSL 68.97, 0.43%, 0.4%

LAB 57.52, -17.52, 43.55

 

CMYK 60 / 10 / 0 / 43

HEX #3A8391

RGB 58 131 145

HSL 189.66, 0.43%, 0.4%

LAB 50.89, -18.3, -14.37

 

CMYK 39 / 60 / 0 / 43

HEX #583A91

RGB 88 58 145

HSL 260.69, 0.43%, 0.4%

LAB 32.14, 33.56, -43.59

 

CMYK 0 / 51 / 60 / 43

HEX #91473A

RGB 145 71 58

HSL 8.97, 0.43%, 0.4%

LAB 39.3, 30.01, 22.22

 

CMYK 21 / 0 / 60 / 43

HEX #73913A

RGB 115 145 58

HSL 80.69, 0.43%, 0.4%

LAB 56.29, -24.67, 41.83

 

CMYK 60 / 10 / 0 / 43

HEX #3A8391

RGB 58 131 145

HSL 189.66, 0.43%, 0.4%

LAB 50.89, -18.3, -14.37

 

CMYK 21 / 60 / 0 / 43

HEX #733A91

RGB 115 58 145

HSL 279.31, 0.43%, 0.4%

LAB 35.43, 40.44, -38.13

 

CMYK 0 / 51 / 60 / 43

HEX #91473A

RGB 145 71 58

HSL 8.97, 0.43%, 0.4%

LAB 39.3, 30.01, 22.22

 

CMYK 39 / 0 / 60 / 43

HEX #58913A

RGB 88 145 58

HSL 99.31, 0.43%, 0.4%

LAB 54.69, -35.02, 39.59

 

Description

Color code: CMYK 60 / 10 / 0 / 43 | qconv.com Color code: CMYK 60 / 10 / 0 / 43 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 58 red, 131 green and 145 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
58 131 145 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, 10 magenta, none yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 10% 0% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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