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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 5 / 79 / 0 / 5 it is the complementary color CMYK 88 / 0 / 94 / 20. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 5 / 79 / 0 / 5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 5 / 79 / 0 / 5: CMYK 1 / 78 / 0 / 7, CMYK 1 / 73 / 0 / 0, CMYK 0 / 66 / 0 / 0, CMYK 0 / 59 / 0 / 0 and CMYK 0 / 52 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 5 / 79 / 0 / 5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 5 / 79 / 0 / 5: CMYK 5 / 79 / 0 / 5, CMYK 4 / 85 / 0 / 13, CMYK 4 / 93 / 0 / 20, CMYK 3 / 100 / 0 / 27 and CMYK 2 / 100 / 0 / 35

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 79 / 0 / 5

HEX #E633F2

RGB 230 51 242

HSL 296.23, 0.88%, 0.57%

LAB 57.66, 85.72, -58.11

 

Complementary color

CMYK 88 / 0 / 94 / 20

HEX #19CC0D

RGB 25 204 13

HSL 116.23, 0.88%, 0.43%

LAB 71.84, -71.32, 69.11

 

CMYK 1 / 78 / 0 / 7

HEX #EB33ED

RGB 235 51 237

HSL 299.35, 0.84%, 0.56%

LAB 58.17, 85.87, -54.44

 

CMYK 1 / 73 / 0 / 0

HEX #FC45FF

RGB 252 69 255

HSL 299.03, 1%, 0.64%

LAB 63.48, 87.08, -55.82

 

CMYK 0 / 66 / 0 / 0

HEX #FF57FF

RGB 255 87 255

HSL 300, 1%, 0.67%

LAB 65.98, 81.9, -51.83

 

CMYK 0 / 59 / 0 / 0

HEX #FF69FF

RGB 255 105 255

HSL 300, 1%, 0.71%

LAB 68.45, 75.02, -47.94

 

CMYK 0 / 52 / 0 / 0

HEX #FF7BFF

RGB 255 123 255

HSL 300, 1%, 0.74%

LAB 71.31, 67.24, -43.44

 

CMYK 5 / 79 / 0 / 5

HEX #E633F2

RGB 230 51 242

HSL 296.23, 0.88%, 0.57%

LAB 57.66, 85.72, -58.11

 

CMYK 4 / 85 / 0 / 13

HEX #D521DF

RGB 213 33 223

HSL 296.84, 0.75%, 0.5%

LAB 52.47, 83.61, -55.88

 

CMYK 4 / 93 / 0 / 20

HEX #C40FCC

RGB 196 15 204

HSL 297.46, 0.86%, 0.43%

LAB 47.54, 80.47, -53.05

 

CMYK 3 / 100 / 0 / 27

HEX #B300B9

RGB 179 0 185

HSL 298.05, 1%, 0.36%

LAB 42.89, 76.24, -49.59

 

CMYK 2 / 100 / 0 / 35

HEX #A200A6

RGB 162 0 166

HSL 298.55, 1%, 0.33%

LAB 38.61, 70.59, -45.34

 

CMYK 5 / 79 / 0 / 5

HEX #E633F2

RGB 230 51 242

HSL 296.23, 0.88%, 0.57%

LAB 57.66, 85.72, -58.11

 

CMYK 0 / 80 / 8 / 5

HEX #F130DE

RGB 241 48 222

HSL 305.91, 0.87%, 0.57%

LAB 58.12, 85.53, -46.03

 

CMYK 0 / 80 / 21 / 5

HEX #F130BE

RGB 241 48 190

HSL 315.85, 0.87%, 0.57%

LAB 56.62, 81.33, -30.11

 

CMYK 0 / 80 / 34 / 5

HEX #F1309E

RGB 241 48 158

HSL 325.8, 0.87%, 0.57%

LAB 55.36, 77.73, -13.37

 

CMYK 0 / 80 / 48 / 5

HEX #F1307E

RGB 241 48 126

HSL 335.75, 0.87%, 0.57%

LAB 54.37, 74.79, 4.17

 

CMYK 5 / 79 / 0 / 5

HEX #E633F2

RGB 230 51 242

HSL 296.23, 0.88%, 0.57%

LAB 57.66, 85.72, -58.11

 

CMYK 5 / 79 / 0 / 85

HEX #240826

RGB 36 8 38

HSL 296, 0.65%, 0.09%

LAB 6.22, 19.48, -13.61

 

CMYK 4 / 79 / 0 / 65

HEX #551359

RGB 85 19 89

HSL 296.57, 0.65%, 0.21%

LAB 20.51, 39.27, -26.52

 

CMYK 5 / 79 / 0 / 45

HEX #851E8C

RGB 133 30 140

HSL 296.18, 0.65%, 0.33%

LAB 33.58, 55.71, -37.85

 

CMYK 5 / 79 / 0 / 25

HEX #B628BF

RGB 182 40 191

HSL 296.42, 0.65%, 0.45%

LAB 45.94, 71.37, -48.2

 

CMYK 5 / 79 / 0 / 5

HEX #E633F2

RGB 230 51 242

HSL 296.23, 0.88%, 0.57%

LAB 57.66, 85.72, -58.11

 

CMYK 0 / 69 / 80 / 5

HEX #F14A30

RGB 241 74 48

HSL 8.08, 0.87%, 0.57%

LAB 55.9, 62.45, 50.83

 

CMYK 80 / 0 / 37 / 5

HEX #30F197

RGB 48 241 151

HSL 152.02, 0.87%, 0.57%

LAB 84.88, -65.65, 30.74

 

CMYK 5 / 79 / 0 / 5

HEX #E633F2

RGB 230 51 242

HSL 296.23, 0.88%, 0.57%

LAB 57.66, 85.72, -58.11

 

CMYK 0 / 5 / 80 / 5

HEX #F1E430

RGB 241 228 48

HSL 55.96, 0.87%, 0.57%

LAB 89.11, -13.56, 80.87

 

CMYK 80 / 0 / 5 / 5

HEX #30F1E4

RGB 48 241 228

HSL 175.96, 0.87%, 0.57%

LAB 86.57, -47.65, -6.79

 

CMYK 5 / 79 / 0 / 5

HEX #E633F2

RGB 230 51 242

HSL 296.23, 0.88%, 0.57%

LAB 57.66, 85.72, -58.11

 

CMYK 0 / 69 / 80 / 5

HEX #F14A30

RGB 241 74 48

HSL 8.08, 0.87%, 0.57%

LAB 55.9, 62.45, 50.83

 

CMYK 75 / 0 / 80 / 5

HEX #3DF130

RGB 61 241 48

HSL 115.96, 0.87%, 0.57%

LAB 84.03, -76.51, 73.02

 

CMYK 80 / 10 / 0 / 5

HEX #30D8F1

RGB 48 216 241

HSL 187.77, 0.87%, 0.57%

LAB 79.67, -32.57, -24.03

 

CMYK 5 / 79 / 0 / 5

HEX #E633F2

RGB 230 51 242

HSL 296.23, 0.88%, 0.57%

LAB 57.66, 85.72, -58.11

 

CMYK 0 / 45 / 80 / 5

HEX #F18430

RGB 241 132 48

HSL 26.11, 0.87%, 0.57%

LAB 66.07, 36.11, 60.41

 

CMYK 75 / 0 / 80 / 5

HEX #3DF130

RGB 61 241 48

HSL 115.96, 0.87%, 0.57%

LAB 84.03, -76.51, 73.02

 

CMYK 80 / 34 / 0 / 5

HEX #309EF1

RGB 48 158 241

HSL 205.8, 0.87%, 0.57%

LAB 62.87, -2.11, -50.13

 

Description

Color code: CMYK 5 / 79 / 0 / 5 | qconv.com Color code: CMYK 5 / 79 / 0 / 5 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 230 red, 51 green and 242 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
230 51 242 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, 79 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 79% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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