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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 5 / 1 / 0 / 41 it is the complementary color CMYK 0 / 5 / 6 / 56. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 5 / 1 / 0 / 41. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 5 / 1 / 0 / 41: CMYK 1 / 0 / 3 / 42, CMYK 1 / 0 / 2 / 35, CMYK 2 / 0 / 1 / 27, CMYK 2 / 0 / 0 / 20 and CMYK 2 / 0 / 0 / 13

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 5 / 1 / 0 / 41. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 5 / 1 / 0 / 41: CMYK 5 / 1 / 0 / 41, CMYK 4 / 0 / 0 / 49, CMYK 4 / 0 / 1 / 56, CMYK 3 / 0 / 2 / 63 and CMYK 3 / 0 / 4 / 70

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 1 / 0 / 41

HEX #8F9596

RGB 143 149 150

HSL 188.57, 0.03%, 0.57%

LAB 61.25, -1.96, -1.29

 

Complementary color

CMYK 0 / 5 / 6 / 56

HEX #706A69

RGB 112 106 105

HSL 8.57, 0.03%, 0.43%

LAB 45.32, 2.15, 1.39

 

CMYK 1 / 0 / 3 / 42

HEX #949591

RGB 148 149 145

HSL 75, 0.02%, 0.58%

LAB 61.51, -1.13, 1.97

 

CMYK 1 / 0 / 2 / 35

HEX #A5A7A4

RGB 165 167 164

HSL 100, 0.02%, 0.65%

LAB 68.25, -1.28, 1.29

 

CMYK 2 / 0 / 1 / 27

HEX #B6B9B7

RGB 182 185 183

HSL 140, 0.02%, 0.72%

LAB 74.86, -1.42, 0.64

 

CMYK 2 / 0 / 0 / 20

HEX #C7CBCA

RGB 199 203 202

HSL 165, 0.04%, 0.79%

LAB 81.36, -1.55, 0.01

 

CMYK 2 / 0 / 0 / 13

HEX #D8DDDD

RGB 216 221 221

HSL 180, 0.07%, 0.86%

LAB 87.74, -1.68, -0.6

 

CMYK 5 / 1 / 0 / 41

HEX #8F9596

RGB 143 149 150

HSL 188.57, 0.03%, 0.57%

LAB 61.25, -1.96, -1.29

 

CMYK 4 / 0 / 0 / 49

HEX #7E8383

RGB 126 131 131

HSL 180, 0.02%, 0.5%

LAB 54.35, -1.85, -0.65

 

CMYK 4 / 0 / 1 / 56

HEX #6D7170

RGB 109 113 112

HSL 165, 0.02%, 0.44%

LAB 47.28, -1.73, 0.02

 

CMYK 3 / 0 / 2 / 63

HEX #5C5F5D

RGB 92 95 93

HSL 140, 0.02%, 0.37%

LAB 40, -1.6, 0.73

 

CMYK 3 / 0 / 4 / 70

HEX #4B4D4A

RGB 75 77 74

HSL 100, 0.02%, 0.3%

LAB 32.48, -1.47, 1.49

 

CMYK 5 / 1 / 0 / 41

HEX #8F9596

RGB 143 149 150

HSL 188.57, 0.03%, 0.57%

LAB 61.25, -1.96, -1.29

 

CMYK 4 / 1 / 0 / 42

HEX #8E9294

RGB 142 146 148

HSL 200, 0.03%, 0.57%

LAB 60.29, -1.05, -1.57

 

CMYK 4 / 2 / 0 / 42

HEX #8E9194

RGB 142 145 148

HSL 210, 0.03%, 0.57%

LAB 60.01, -0.49, -1.97

 

CMYK 4 / 3 / 0 / 42

HEX #8E9094

RGB 142 144 148

HSL 220, 0.03%, 0.57%

LAB 59.74, 0.07, -2.38

 

CMYK 4 / 3 / 0 / 42

HEX #8E8F94

RGB 142 143 148

HSL 230, 0.03%, 0.57%

LAB 59.47, 0.63, -2.78

 

CMYK 5 / 1 / 0 / 41

HEX #8F9596

RGB 143 149 150

HSL 188.57, 0.03%, 0.57%

LAB 61.25, -1.96, -1.29

 

CMYK 4 / 0 / 0 / 21

HEX #C0C8C9

RGB 192 200 201

HSL 186.67, 0.08%, 0.77%

LAB 80.03, -2.54, -1.46

 

CMYK 5 / 1 / 0 / 1

HEX #F0FAFC

RGB 240 250 252

HSL 190, 0.67%, 0.96%

LAB 97.6, -2.91, -2.11

 

CMYK 4 / 0 / 0 / 81

HEX #2E3030

RGB 46 48 48

HSL 180, 0.02%, 0.18%

LAB 19.67, -0.88, -0.31

 

CMYK 5 / 1 / 0 / 61

HEX #5E6263

RGB 94 98 99

HSL 192, 0.03%, 0.38%

LAB 41.24, -1.34, -1.11

 

CMYK 5 / 1 / 0 / 41

HEX #8F9596

RGB 143 149 150

HSL 188.57, 0.03%, 0.57%

LAB 61.25, -1.96, -1.29

 

CMYK 3 / 4 / 0 / 42

HEX #908E94

RGB 144 142 148

HSL 260, 0.03%, 0.57%

LAB 59.36, 1.92, -2.93

 

CMYK 0 / 1 / 4 / 42

HEX #94928E

RGB 148 146 142

HSL 40, 0.03%, 0.57%

LAB 60.61, -0.02, 2.37

 

CMYK 5 / 1 / 0 / 41

HEX #8F9596

RGB 143 149 150

HSL 188.57, 0.03%, 0.57%

LAB 61.25, -1.96, -1.29

 

CMYK 0 / 4 / 1 / 42

HEX #948E93

RGB 148 142 147

HSL 310, 0.03%, 0.57%

LAB 59.66, 3.18, -1.87

 

CMYK 1 / 0 / 4 / 42

HEX #93948E

RGB 147 148 142

HSL 70, 0.03%, 0.57%

LAB 61.08, -1.51, 3.03

 

CMYK 5 / 1 / 0 / 41

HEX #8F9596

RGB 143 149 150

HSL 188.57, 0.03%, 0.57%

LAB 61.25, -1.96, -1.29

 

CMYK 3 / 4 / 0 / 42

HEX #908E94

RGB 144 142 148

HSL 260, 0.03%, 0.57%

LAB 59.36, 1.92, -2.93

 

CMYK 0 / 4 / 4 / 42

HEX #948E8E

RGB 148 142 142

HSL 0, 0.03%, 0.57%

LAB 59.52, 2.22, 0.78

 

CMYK 1 / 0 / 4 / 42

HEX #92948E

RGB 146 148 142

HSL 80, 0.03%, 0.57%

LAB 61, -1.88, 2.91

 

CMYK 5 / 1 / 0 / 41

HEX #8F9596

RGB 143 149 150

HSL 188.57, 0.03%, 0.57%

LAB 61.25, -1.96, -1.29

 

CMYK 1 / 4 / 0 / 42

HEX #928E94

RGB 146 142 148

HSL 280, 0.03%, 0.57%

LAB 59.52, 2.64, -2.66

 

CMYK 0 / 4 / 4 / 42

HEX #948E8E

RGB 148 142 142

HSL 0, 0.03%, 0.57%

LAB 59.52, 2.22, 0.78

 

CMYK 3 / 0 / 4 / 42

HEX #90948E

RGB 144 148 142

HSL 100, 0.03%, 0.57%

LAB 60.84, -2.61, 2.65

 

Description

Color code: CMYK 5 / 1 / 0 / 41 | qconv.com Color code: CMYK 5 / 1 / 0 / 41 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 143 red, 149 green and 150 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
143 149 150 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, 1 magenta, none yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 1% 0% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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